3 Different Bangs In 1 Layered Haircut Tutorial | Bonus: Versatile Nude Hair Color Technique

What'S up guys welcome to today's video so on the video today? What we're gon na focus on me do a two-for-one we'll do a cut and I'm gon na do a color. It'S gon na, be a nice, symmetrical layered haircut with a versatile bang. What I mean by a versatile bang is basically it's gon na, be a bang that they can wear it to the left, to the right or straight down the center. It'S gon na be the perfect thing for you to use in the salon right away and then what I'm gon na do is I'm gon na show you guys how to color that haircut, because it's one thing to have a versatile bang, but you've got to be Able to match it with a color technique. That'S gon na work on all those different directions as well and still look similar, no matter what you do so can't wait to show you guys this technique. I got a box in the mail from joy Co. They sent me their nude, glow and gorgeous series, so we're gon na go in we're gon na create some warmth, which is perfect for the fall season, which is what we're going into now. So I want to create some warmer tones. We'Re gon na use natural, warm level 60s. We'Re use natural, warm level 8. We'Re gon na go in we're gon na do a lightning technique. We'Re gon na do a toning technique. This video is packed in under 20 minutes. You'Re gon na learn so much so very, very excited to showcase all this stuff. For you guys, thanks for watching make sure you subscribe to the channel before you watch any further and hit that like button. If you liked the video and make sure you post a comment, if you have a question below or if you just love the video, let me know that as well. Thank you guys so much for watching. Let'S get started here: we go alright guys, so we're gon na start off this technique. We want to create symmetry. To start this whole thing really. The whole haircut is based on being symmetrical, not asymmetrical, so Center parting to the high point of the head and then down to just right at the ear really the top of the ear. So we're gon na have a slight diagonal forward in that sectioning notice. How? I comb all the little hairs right at the scalp nice and tight, and then I twist everything away and clip it's keeping everything nice and clean as we start off our sectioning in this cut same thing, on the opposite side, so again, keeping it symmetrical and then The overall goal of this cut is to not only have a nice symmetrical layering pattern, but also create a versatile fringe. It'S gon na allow you to your guests to either part on the left or or the center, so really a nice symmetrical feeling. That is very versatile for the end result. So the last bit of the sectioning is pretty simple: diagonal back parting: that's going to create a point right at the occipital bone and is going to end in a triangle section right at the crown. So that's going to section off that part as well thing that we're gon na be using in this cut is a straight razor. So this is something that you don't see a lot in my videos. I wanted to pull that out today. Show you guys, you know it's really, there's no difference in a lot of the different razors that you're gon na use. The thing I like about the straight razor is the precision aspect of it. Every single bit of that blade is going to cut the hair. So I'm using that this is the just high, I believe, is how you say it feather razor plea. Err feather razor um cannot get this on free salon, education, comm! I don't really care about that, so you can't get it on the internet, though. So if you want to check it out so basically what I did is I cut a straight line using about a half inch stroke of the razor and then this is where it gets a little fun uh in this technique, I didn't want to cut a ton Of layers in the bottom of the hair, I wanted it to be nice and thick. So what I'm doing is I'm just combing the hair vertical straight out from the head and then I'm just tapping through with the razor creating invisible layers within the haircut. So I'm really just choosing how much layering I want to put in you could cut a straight line. If you want all the layers, if you want just some, then you go in with just the tip blade of the feather razor and you can get just subtle layers within the shape. So what I want to do is just remove a little bit of weight, create a little bit of movement on the bottom of that haircut and that's that that's the choice I made using this razor. So you can see that movement it's happening, but still again, nice and thick and everything came straight back from the head. Now, I'm gon na let out that triangle section, and this is where we're gon na start to really build in some layers. So I take a vertical section: we're gon na be working along the round of the head, and I start from the guide. The guide comes from the bottom and I work my way up and I'm really working 90 degrees straight off the head or straight off the head. However, you want to say it and then I take a pie shaped section and I shift I'm moving with the head shape all the way around to the ear. That'S gon na create round layering that follows the head shape and it's gon na create a lot of nice movement. So you can see nice high elevation medium stroke with the razor. That'S gon na give me a nice soft line. That'S really the the reason I chose to use a razor in this haircut was. I wanted that movement wanted those soft lines in the long hair, because sometimes, when you cut blunt with a scissor, it's not as forgiving what I love about a razor is. It creates soft lines, but also precision at the same time, so you can almost see the roundness coming off the head in that technique. Now we're moving into the side in the front of the head. This is going to be we're gon na work straight over the ear, taking our guide from the back so you'll see. I pull that hair. I comb everything nice and tight to the front, pull everything straight out and I work from short to long now. I'M following the round of the head. Also, you lose some density when you get to the side, because there's not as much hair, so you're gon na start to see that shape start to work its way up the head, I'm not keeping a strong line on the bottom, not thinking about that over the Outer perimeter of the haircut I'm just I want the outer perimeter to kind of follow the head, shape and work its way up towards that chin, her chin or her jawline, so working my way up working the 90 degrees of the head soft stroke with the razor Creating a soft line in the haircut and just working my way through traveling guide all the way to the front. Another key thing I want you to see as I'm working on the head is got ta know when to stop right. So I want to work on a fringe later, so you'll notice that I'm only gon na take well, not even gon na take any more sections so right there, I'm gon na pause, I'm gon na clip it that's. As far as I wanted to go, I got to the edge of the eyebrow, that's where I want my fringe to start so I Paul I clip it and now I work to the other side same exact thing on the opposite side, combing everything straight out grabbing A guide from the back and then working that medium stroke with the razor up the head, shape to ninety degrees out and I'll work. My way, all the way up the head until I get to that fringe area again and then I'll pause and then we're gon na cut into the fringe after all right, so we let out the fringe area. So this is pretty simple. What I'm gon na do is I'm gon na comb everything over to me on one side. I'M gon na determine the length that I want and that's where I'm gon na start. So I'm creating that angle on one side. So now it's gon na push that weight from the left hand side of her face over to the right hand side. Then I go in with the tip of that feather razor just to skinny it up a little bit take out some of that weight, and then I do the same exact thing. On the opposite side, keeping everything symmetrical, which is gon na, allow her to go to either side on this haircut now going in and using the tip of the feather razor is gon na lighten it up a little bit. So it makes it a lot softer that when she decides which side she wants to put her hair on, but you can see you can work it back and forth. Whichever way you want so now, what I'm gon na do is I'm gon na blow dry, her hair, I'm gon na, show you guys the end result, but I'm also gon na show you it with hair color, because I'm gon na go into the hair color next. So if you want to see that stay tuned in this video, if you would rather just do the hair cut, then you can do that. This is the end result. You can see that fringe. This is off to one side. It would look the same on the other side or in the center. It would look beautiful that way as well, so very versatile, layered haircut hope you guys liked it now. If you're interested in the color stay with me here, I'm gon na walk you through that. All right so we're gon na start off our color technique, doing a zigzag parting right down the center. Now this haircut we're basing the color off of the haircut that's kind of the way I want to start doing these videos. Let me know if you like that, but I wanted to do the cut first and then show how I would color that cut so we go in, I do it zigzag parting on the center part, we built the whole haircut off of the center part. I want this to be versatile. The whole haircut is based on having the client be able to push the hair either way. So I want a top. I want to color it so that it has that movement, so no matter how they put their hair. It'S not gon na favor one way or the other, so I use the zigzag parting and I take the first bit of that triangle. I do a slice and then I tease that slice and I start painting, so I work my way through I'm using joy, Co, blonde life Lightner with 20 volume and I'm gon na put that on her hair first now lightening hair is just the first step right. I think too much in the salon we think of lightening as the final step or a quick toner at the bowl. What I'm gon na do is I'm going to lighten her get her light where I want her and then go in and do a toning a little bit of shadowing a little bit of lightness on the ends but really soften that tone and bring it all together. So taking each edge of the triangle, so I got the first triangle on that zigzag and then I take the next triangle. So you should see kind of a back and forth movement with these foils notice that the first one was that direction. The second one is the other direction, and now I'm taking one the opposite direction, so just working my way through that zigzag one foil at a time. This is a really simple technique, but it's really effective. It really pops some brightness in the top, but you don't know where that brightness is coming from and that's what I wanted to create in this color technique here so again, working my way through that zigzag, then, when I get to the fringe, that's where we're gon Na change things up because it's such a versatile fringe, you got to be very careful of how you decide to color it so just working through notice. How much I'm teasing that it's sped up. So it looks a little funny, but I'm teasing it quite a bit because I want and as soft result as possible, if you want a little bit harsher result, a little bit more bold statement than less teasing. If you want it softer more teasing, that's kind of the key to that so notice. I'Ve only done this is my fourth foil and then now I'm at the fringe. So it's pretty quick across the top and then now I'm gon na work slices all the way down, weaving weaving and not teasing, so really really fine weave in the front, and then I put the foil under. I paint that the lightener on and then I'll work. My way through so pretty standard weave but notice that I'm going kind of diagonal back with my parting, I'm going to work my way, all the way to the front fringe, I'm gon na do the same thing on the opposite side, so I'm gon na stop talking. Let you watch and we'll work our way through this, so here's where things change just a little bit when I get to that front hairline I want to be a little softer. I don't want to go right to the scalp with my Lightner, so I'll paint that a little bit more forward, you can see and I'm gon na use kind of a feathering ticket from balayage technique where I just slightly paint towards the base and then get a Little heavier towards the end, so I'm just trying to make it as soft as possible right around that front fringe area. So that's our first side now I'm gon na move to the opposite side and do the exact same thing that way so finishing up, feather painting right at the front fringe area. Now we're gon na switch up our technique again to create even a softer effect along the side. So I take a slight diagonal forward parting about an inch thick section and I really tease that up like crazy and then I add that foil underneath and then I paint my blonde life Lightner right on to that just to pop some brightness on those ends. I don't really need it at the base. That'S not really the goal. With this cut, I wanted a more lived-in color for the sides, so just working my way up and I'll take one inch sections all the way through until I end up with no hair at the end, so really popping that brightness on the ends there. Another quick tip is to make sure that you don't paint that Lightner into the tease section too much, because it's obviously bunched up there, so you might get a little spot enos in your end result. So just get it right up to that teasing, but don't go too far in same thing on the opposite side and then the last little touch that I do is all Pete just a tad bit into the back of her hair. So you'll see some feather nice feather this. I don't think that's a word to feather it through the back just to pop a little bit of lightness into the hair, but here's the deal so to me and we're gon na use the natural warm series from joy. Co I'll talk about that in a second, but for me the lightener is the driver that takes you to the party right. The toner is the fun part, it's the part that really brings it to life. This is not a great look right now. This is just her lightened, where I want her to be lightened. So now I'm going in with 6nw b. This is demi color from joy, co, demi lumishine. I work that at the base level, 6 now her overall appearance on her hair was a level 6 when she came in to me, so I want to overall make her hair that natural warm tone. I want to bring all that in. You don't want to just color the blonde right, so what we normally do in the salons, we just throw a a toner to tone the lighten part of her hair. You want to bring the whole thing together. That'S the whole purpose of making something really look nice. It'S like putting in a really nice couch in your living room, but never painting the room right. You want to make sure that the whole thing goes together. The whole package goes together, so I take six nwb paint that at the base, then I take eight nwv and I paint that through her ends, that's the key to making sure that you really have a nice put together package for your client in the end result. So notice getting really in there working with my comb to get the tangles out of the hair, and then I paint that toner on also notice it's on dry hair. I personally like to do it on dry hair. I feel like you get a better end result. You have more control, some people like to do it at the sink, do what you do best, but for me this is what works in this situation so use that Lightner drive the hair where you want it to go and then tone it. So it looks beautiful and your end result and looks like it's all put together so notice how beautiful those tones go together. You tone down that blond to that you know crisp level. Eight, he doesn't need to be a ten, and then you have that level. Six that warm beautiful golden tone coming through there, the natural warm series from joy, Co hope you guys liked this video. If you did. Let me know in the comments below thanks