Short Shaggy Bob Haircuts | Layered Bob Hairstyles | How To Cut Shaggy Bangs For Women

Joining nice where's everybody tuning in from tell us where you're from we're in nashville tennessee at local honey. This is brian hickman, hello, hello, introduce everyone. This is andy. Tell me your tag. Everyone share your hi andy, andy, underscore digital pair and say hello, hi, i'm ashley at ashley, jean nolan. Is that your band page? No, my fan page is oh no smoke shows hey, got ta share that people are from chicago sacramento, arizona, toronto, vancouver, canada, connecticut, uk wow, melbourne wow. You get the award for furthest away. True, i thought so far yeah. So far, i'm from ireland, ireland, i'm from chicago originally, but i've lived here for 13 years. Hello, kelly, hey kelly thanks for having us so yeah! So a little french bob um we had our corners already established from the previous cut, so we're kind of leaving these corners where they are, but lifting everything up to center breakdown for the rest of the cut. We are going to go kind of more of a classic bob shape in the back, but then, as we move to the front, we're going to angle up to the crease of her lip we're going to do a little uh little cut out sub sections by the Ears, just to as you tuck give it a little bit of movement and give it a little point of interest, but both uh i'll considering her. You know how we're gon na frame her. That'S why we're gon na have a crease up towards your lips. We really love when it hits there and then same thing with those tuckable pieces. We'Re gon na have those scoop out spray. That'S all that that the creeps were lit so hang out with us if you like, if you have time, i'm just gon na cross check. My work double check my corners and i just see some little stragglers, i'm gon na get and then i'm just gon na scoop a bit of weight out too. So i'm just looking for for uh, inconsistent density or areas that i want to air out. So the center - i want to exaggerate that a little bit more so i'm going to go in there, i'm going to kind of come across and look. You can see the density changes as it builds to the corner. So i'm just picking up where my eye is drawn to the weight cut out little pockets little steep triangles. I don't want to take away from my length, but just little bits and just looking at like i said where my eye is drawn. What is your cutting tool? Uh? It'S a duraline that uh a friend sent that to me yeah. So i've tried that recently always trying this. My razor is actually hair brain uh, but i kind of frankensteined it with uh. My dad this was my dad's old uh handle from when he was a barber back in the day. So i like hacked what uh you know with the razor which i really love, which is changing out more more sentimental value than anything like that. That'S adorable! So now we'll come off this before we head to back and we're going to just pivot. I want this to be small enough again that this comes over and it it goes away. We'Re just going to take this little section and i'm gon na exaggerate. This a little bit so you know i could connect to right here, but i might exaggerate just a little bit where this is gon na go so again. I'M gon na i'm just gon na establish where i want my length to fall. I like that cushion of knowing, like i'm, not gon na cut past anything and knowing, where i'm putting so that's just like. I established my length same with the fringe, like i knew where my corner was: i'm cutting center to corner, and then i have my guide here. If i wanted to follow it but, like i said, i'm going to exaggerate that line just a little bit more. So hopefully, this kicks out a little bit more and that sets in just a tad. We have a question: what's the name of this kind of bang uh, i would say i mean my instinct is to say something like a shaggy or bang. That exaggerated line makes it more. What would you say andy? Would you yeah? I would agree it's a nice fringe that will grow out well into curtain bangs as well yeah the thing with the when you exaggerate the line like that it really. It really grows out softer and easier, which is cool, and i love the kick that, like i said, the kicks that you can get from like put those corners pushing out. Do you have to change the blade after every cut with this razor? No, it's pretty much. I mean it's all based on comfort. I'Ve worked with people in the past that, like a dollar blade because of the like the drag, so so much of that is what's comfortable for you. I usually change it between between one and two cuts, um, because that's it like at some point what i don't like when it's dragging too much. You know it's a really personal preference, but instinct would say between one and two. So again, little exaggeration, i'm using about theirs as a point of reference gerard says: hello sounds rocking in there nice to see you gerard, hey gerard. Can you hear us okay or is it too loud? We also have a question from baby prolocks love that name. How do you determine how far back to go with your original sectioning and do you use the flat of the comb trick? Oh yeah yeah, i mean i mean that's my go-to. If i wanted to be substantial, like that's, that that to me is like the classic, i mean even almost say somewhat generic, because that's where we start, but then what i'm going to do after that is look at. Is there any inconsistencies in the recession? Is it stronger on one side to the other, and then i will vary that section, so this is pretty classic, but her hair wants to break slightly off center, so i just pushed it slightly off center and then um, but then again yeah just look at those Details uh as you're uh, you know as you're cutting you know, whoever you're cutting model or client so start with that and then and then just investigate a little bit. It'S also great just to see exactly a visual in your mind where you want things to lay yeah and that so see what that's doing, or i mean like. That'S that's going to be super cute, like just if it's with the tuck back right. So now we'll build up we'll build off the rest of the clutch. So again, we're now going to flip to the back real quick with sectioning. Oh glad, to hear we're both very clear, that's great um! I want to be filming for andy next. I want to film andy's hair brain live. What do you think? It'S rare that we get to watch each other? I know it is most of the time we're working. You know not not necessarily in the same vicinity or we're teaching together. So i don't. I honestly look forward to filming, or so i can just like watch you with friends. That'S how i feel when i watch yours it's like, then it's been in two days. It'S been a year since we caught out of the like out of the salon really yeah. I don't know a year a year since new york yeah and that's what we talked we caught differently or different times last year, and i was able to watch you and film you and stuff. That'S true. Wow time is flying. So i'm just like i'm gon na really work. This first section a little bit more detail, so i'm gon na split it up like i'm graduating, but just so i can kind of pick apart what's happening and get really detailed with this um, i'm gon na after we build this, i'm gon na build a little Bit of strength in the line, and then i might, i probably will put a little bit of graduation on top of that. So it's like this is gon na, be real, deep, real detail and almost like subtly undercut and then like i said, the rest will rest over and then and then like it's like, maybe a pinch of graduation in there too. But i'm really trying to carve this out. So you know you'll see me shaving little bits like this. I'M not really i'm not worried. I want it to be kind of sawed up. You know kind of really jaggedy. I don't know a better way to say it. Uh stretched out yeah so that when the hair does move um, it's just super soft. Are you taking triangular sections and over dropping to the center to cut the yeah, i'm kind of just i'm i'm not over directing to the structure i'm kind of just taking like like. I would like a triangular graduation, but i'm just i'm just pulling it straight down. Cool so like with any razor cut, there's going to be some elevation but um, but i'm not trying to create a time. At this point, it's more controlling the hairline. Looked at the monitor, wow, that's pretty! I did that. We have a question from tyler randall. Hair is this going to be a bob? It is going to be a bob uh, it's a little french bob, and so my razor cutting has not gone down over the last almost a year uh, but i've missed it andy, and i taught a class last week together here and i felt inspired. We both that's. You know we decided that that's what we wanted to teach and i felt inspired to bring it back out, and so it's making its way back into what i do. But that's kind of that's the fun thing about for me over time. What we do is those seasons where you'll just constantly concentrating that on a look or a tool or whatever um i would say, i would have never thought that i would be using a curling iron, but through this season i've used the curling iron more and the Flat iron and all these things where, for a few years before all that i was, i didn't - want to have anything to do with that - i was just everything natural and which i like. I still love that approach, but it's kind of fun to throw an iron. A little bit around the face or um, you know around the perimeter and then still leave that natural texture happening on the surface. It still feels like my work, but but a little bit more polish, maybe in some ways. So it's also really nice to see like encourage models and other stylists and people who wear their hair just natural in general, that that is a completely valid way too and it you don't have to always take an iron to your hair. But if you wanted to do fits and pieces for a different and have fun with it yeah, i think that's powerful and it's something it's such like a simple thing to do that first inch or an inch and a half to two inches around the face. You know like it's such a simple thing, that someone could do to change the look, but we're kept uh proponents of natural. You know as natural as we can like push for simplicity, strong shapes and simplicity within the styling. We, let's see where are we um kelly, says that you all wear the same mask? That'S amazing, uh you and kelly. Oh nice, yeah um. What is the brand of the kiln again for people asking uh it's a duralam. Is the the thing cool? It'S getting a lot of love, i'm like yeah. These are from both both of these. I i really like this too, and you could get this one on airbrain. This is uh. Is that the nine yeah the wise part? But you know it's yeah. I feel like in uh this season. I'Ve played around with different tools too. All that stuff you got ta keep keep curious and keep interested. So i feel i feel like that's strong enough for me um and then i'll start doing like a really low graduation. Now so it'll be the same. I mean i was kind of using pretty the same or similar section, so i'm gon na pop that through and again i was cutting more here, i'm just going to start elevating ever so slightly. I want to create a little push here and we'll create a little push in the crown just to give it kind of a better um, a better visual front, to back better balance. So i, like all that weight that we'll be creating uh, but i just want to give it these subtle, subtle details. I think make it mine and hers and all that stuff. So you can see my guide is so it's not it's not huge and i'm gon na start getting a little broader. With the stroke too. You can see, there's still a line there, but it's just going to be broader and i think, as i get into the next section too i'll probably start taking a little bit more weight out before i'm before i'm taking taking this uh making this the shape. I love how much swing that's going to give us. I feel like the longer i've done looked on this. I really well i mean i should i was gon na say i love the subtle details. Details are what make it right yeah, but i do love these subtle things that you know playing around with the techniques we've learned and pushing it down further, or you know doing something we would do up here back here. Thank you so much any questions. Why is this cut with a razor opposed this year? Um? I just want it to be a little bit softer swingier, which again you can achieve that. It'S just. I think you can achieve something very similar. It'S just tool of choice, uh and i i actually pair a lot of different ways with sheers and with a razor, and i just i think the razer has a better effect. Do you agree or not, yeah. Do i personally or are you do you agree yeah? I think last time i cuddled with the sheer and then to look, i mean that's a cool thing about instagram or just honestly taking pictures. I think instagram just motivates me to take pictures more of my work, but then i can study it. You know like her last haircut, i really liked it, but but part of me within looking back i'm like. Maybe it was better with the with the razor yeah, true yeah, i mean it's fun to be able to play around in those differences and see challenge yourself to create your perspective with all tools. What what um, what do most of y'all cut, with a razor or more with a sheer, and if you do use a razor, do you use a straight razor or do you use a guarded uh joe prophet wants to know what made you decide to use the Wider teeth of your comb while razor cutting this haircut um, i think because i'm just taking those it's just - i don't have to be so precise with it. So i i'm i can still get the smoothness that i want, but i'm not trying to get it incredibly. Tight or uh or uh yeah like i don't i don't need that tension, so i'm not like cranking down. I think, like i always come back to the last one, and maybe do it once or twice it also like you're, giving that like room to listen to what it wants to do. Okay tyler says i use a guarded razor, but i've heard straight razor is better, but why it's not better again, personal preference. I think you know andy and i have to talk about this. This is just what i was trained to use and i think, back in the day like i took lots of classes from bumble and bumble and it was like it was cool to use a straight razor, and i think at this point the people that i've seen That talk back then uh will tell you. I mean it's slightly different, but it's it's just preference. You know yeah. I think that, like again back in the day it was like it was very cool to wield this. You know baby krobot says i feel like i'm still too timid with a razor and then kelly, mcleod 1987 says i feel you i'm the same. What'S that i just see it being too timid with a razor. Any suggestions on how to i think my my instinct would say you know: get a mannequin and cut a classic cop cut a graduated bob cut a classic shape with a razor, and that will that will help your discipline uh. In terms of you know, sections and and knowing what your lines are supposed to be, or even like whatever your most comfortable haircut, is that that's what i would almost say is choose that do that and cut it, how you would cut it, but but play with The razor so then it's not like you're not like trying to to do something new you're going to an old favorite just with a different tool. You, you said andy. You were comfortable right off the get-go, with your with you're, more comfortable with your razor. What were there any like key things that yeah i i personally feel more comfortable using a razor else, at least that felt a little bit more natural than using shears, because, instead of using the two blades, you just have the one. So i was able to approach it like i would to like sketch a shape in uh. If i were to actually visually draw hair, i would draw it to a point, but i was not cutting hair that way. So then it kind of made sense for me when i was able to use it like a pencil or a pen. I was like, oh, i can achieve exactly what i want to with that effect, so it felt pretty natural for me, is i i'm the same? It was not, it was not for me, it was not like a comfortable thing. I think i used shears for a good help. You know was focused on shears for a handful of years, some of my education early on with tony and guy, and they did have like that kind of tube like that razor tool, uh like the more the guarded thing too uh, but i think i was yeah. I was a little bit like spent more time with the sheer before i jumped to the razor, so it took me a minute for sure. So i'm just checking. I missed a little bit right here and i'm going to kind of just come back through, especially back here for the front. You know where this right behind the ear i'm going to air this out a little extra, so i'll stretch this out, go from shorter to longer shorter longer i'll. Just do this in a few sections. We might need to do it more uh when it's dry we'll check it out, but i feel like i can be pretty aggressive right here. I just want that as it turns this into. I want that stuff to give a little extra help right there. Do you razor cut curly hair? I have always been taught not to uh yeah to me, it depends on what you're trying to achieve. I feel like i mean if you think about it in school, you have to be kind of. They have to give you some baseline, but i think some of them are a little outdated and, of course, there's some people where it's not great on, if it's, if it's too coarse or wiry, but if but if the person wants, like i like my hair to Do that, and so i want it to be roughed up. Does that look crazy? It looks good so there's things like i want my hair cut into and i want to use a harsher shampoo, so my hair is dry and coarse and wiry. So if you want someone that their hair, they want their hair to be like like kramer, then of course you could do you know like you want push, you want quote support and everything. So you know, i think, there's certain absolutes in what we do, but i don't like to speak most of them. You know sorry, foreign, it's so satisfying removing density, totally close clean lines and so to me i i do like it. I can. I can get a somewhat similar effect with my sheer, but i do like this type of texture, where it's it's more seamless and i know people like some people love the texturizing shears. I just find like there's always going to be a little bit of a crunchy line with the texturizing shears, where, with this it's more like, you can they're really steep triangles. So there's no start and stop um. That'S a big reason. Why i'm a fan of the razor going to knock out this whole back before we move on to the front or photos of themselves, so you can kind of figure out where yeah it's kind of like. For me, it's been nice. I do have this little room that i've been working in and which i can stand like 10 feet back so i'll either ask them to show me a photo, or i i'll stand back like far enough - that i can have them take their mask off. Just for like 20 30 seconds and just get a get a glimpse of their face, um, you know the people that i've cut before and - and you know taking photos of of course, like i remember you know, over their face - yeah um, so yeah i've been doing The photo thing as well: that's been working out well yeah. It'S always nice to see uh little client selfies to see like fully lives on their face yeah. So i'm kind of i'm not really cutting into the hair. Yet because i'm kind of studying the way things are going to jump and then how much how much density like you know, i'm seeing little things, but i'm not sure yet. So i'm taking my time with the texture, q a1438 says hello and good job. Oh thanks. Where, where are you that was, that was nice that you said all the numbers in there? I am going to do so. I'M seeing some of the weight built that built up so i'm gon na again, just where i see it like. If i know i'm gon na do it, but if i'm not sure i'm gon na, let it rest so i can make an educated choice and i can see like i can see on that section. I feel like it needs a little bit more, but so much of what what i like to do is that is cut and look cut and look, and then we can kind of study. That'S an intense angle to remove from that looks good yeah. So just like those deep - and it was just that slice and we'll look we'll like once we cut you, know, cut the surface, then we'll see. Do we want to keep that through or then the surface laying over look look a little bit nicer with where it's just in between you know, my my instinct is telling me we're probably gon na do something on the surface, but but again we'll see. Okay, i'm just looking a little pizza, you're good, i'm doing a little bit, but not i'm gon na i'm gon na. Let that rest and cool so same thing over here take our sliver off the front hairline. So we we have our little safety spot. I know where we want to go all right slightly diagonal forward and again we'll uh, look where the ear, what naturally watch the split we're not cooking over here, that's going to go behind so again. My point of reference is like right in there and check that down still still have that happy feeling, when i can like cut about melon you're, probably sick of me, saying that no it's real little amount so right away. That side feels a little bit bulkier like see that in there yeah, i'm not afraid to kind of i'm gon na ease into it. So i'm not i'm gon na. Look! That'S enough for now put that building on oh how's, everybody doing out there any question any more questions, you're getting a lot of thumbs. Ups - and it looks great, it was perfect part eyes thumbs up thumbs up you, oh my god. I love that. I love the thumbs ups they're, so good yeah glad. I hope this is useful. I hope this is something you can take back and use it in the salon. Here'S this mid section that we can be a little bit more aggressive with last section of the perimeter, but most of this haircuts is the perimeter right like within you know the texture within it and then we're gon na look like it says how's. It looking looks amazing, which uh we have a question from ita underscore ido na one, which uh one are the best shears. Oh, that's a tough one. Um i use a few different shears yeah. I feel like uh. I used a couple pairs of massages, sorry uh. I um use a pair of works that i really like that are yeah, like those those were kept kind of in my workhorses that aren't uh these last handfuls full of months, maybe close to a year coming back, but i do yeah. I do mix it up, but but those have been my go-to uh, sarah 352 underscore todd. Burr um is asking us to save the video. This is going to be saved on the instagram page or correct, totally yeah it'll be on uh page, and then we also have a question. Are you going to show us styling too? I think we'll do a little diffusing and then we'll see like if we need to do more than that, then we will i'm honestly feeling pretty good. I'M going to be so i don't. I think i feel good. I don't want to layer this, but what i'm going to do is again i'm going to. If anyone watching i'm going to drop out that i'm going to drop out enough of the perimeter and then i'm gon na do a little bit more aggressive texturizing, which is to give this little kind of fizzy push up top, just making sure i'm safe. And i i feel like my density, i, like you, know where all that is before i start kind of slicing away. So all i'm gon na do is elevate this, so you saw it yeah. These are pretty airy, so i don't i'm not gon na. Do it there perfect, so we got we got everything across that we wanted to, and i'm just gon na do one last little check off the bat. I'M just gon na do a mini little square right off the back of the bank just to see. If i want to do a little bit more in there, it just yeah it's just a subtle spot, but see my texture in there. I i got it almost right up and i saw like okay, that's still sitting heavy right behind, so i just wanted to get a little push right behind it. Cool all right, we're gon na do what's good. I put some armco in fryer. I started with a motorcycle gel as a scalp um, a mannequin paste through the end. I'M gon na come back into these bits that we just uh we just did and i'm gon na use some salt spray. The rockaway salt spray, i'm gon na. Do it right in that little spot and then just the back the back part of the of the bang just for a little extra. I want that grippy just like really. This is swell so diffuse a little bit like so i'm just gon na i'm gon na elevate up here. Lift up here. This is for me, is now acting as a hood dryer for the most part, okay, um kind of comb, this stuff in place early on uh. That'S starting to do what i wanted to do, but i want this push up here: yeah and then we're just going to come up underneath and just kind of build, build volume and build that fullness. Do a lot of do a lot of you use! Do natural styling or use a diffuser? What that, what most people go through out there and if you don't, if you don't style with the diffuser or do more natural, is it because of your own taste or the taste of your clients just curious? What everyone else is: did everybody hear that all right just curious, but uh they're not loud enough? No, i think you were loud enough. I'M just making sure over the diffuser come on guys, yeah, no answers play with that all right diffuse as much as possible. I love enhancing their natural texture. This is a motion. Polisher, hey krista, thanks for hanging out with us, the moles underscore says beautiful great cut, i believe earlier on uh. They said that they are also in nashville as well very fun. Where do you work? I defuse but always feel like. I have to go back in and dry more. I might be too impatient. I feel like for me if you don't wait if you're not patient with like, because it really gets good in those last couple like when you're really getting it all the way, almost all the way to dry yeah. I feel like there's times when i start i'm like oh crap like is this going to work honestly like yeah? If the internal dialogue is happening, but i most times when i wait it out, it works, and then, if i have to like help it a little bit i would get. I would rather get the client to that point where to show them. Okay, you could almost try it natural and then just enhance it with a few quick things rather than uh like yeah, like going all the way like fully curling it or pulling it or whatnot. I know a few stylists too, as well also will kind of rough dry with a nozzle at the roots and then reset and defuse everything else after that. I haven't personally done that too much, but i haven't done that either. I think it sounds fun. The other day i was running behind was like the model like my day was busy and i pumped the diffuser up to high, which is not not. You know. I just told a certain thing, which is funny: yeah try to analyze what i've been told and it still turned out good yeah. I was so happy with how it turned out in certain areas. I turned it down yeah, but underneath it was fine, it was fine back here to build the shape, but then, as i got to the surface, i lowered it back down. How'S it up there right without i have no mirror. It looks really great