Customizing Layers | Medium Length Layered Bob Haircut | Long Bob Hairstyles

Good morning, good afternoon, good evening, hello world, my name is Michael Tran, I'm a global, creative director of Babylon and today well, show you guys some clay tricks and also some styling techniques, and so I think this is a good opportunity, especially for clients. You know when you come back and see us and stuff like that. You know sometimes my god, grown-up fringe, the heck's gon na shiny and it's nice for you know, but I still like maybe an enhanced ishaq. Then you continue that or you'll cut it off. But in this page I'm gon na create a little movement little more laters in June, or so it has a little more textures going on. But if you got any questions, please feel free to ask I'm here and also Daniel, so I'll bring the camera. So you know he can always. You know, answer the questions for me but yeah. I just want to say you know, I think you hairbrained or allowing me to share this knowledge with you guys and actually have the live thing to go on with them. So I'm really yeah. Yes, so without further ado, let's, let's get started with this. You see what's me and I love these thoughts there. I would definitely pivot points and you know makeup is very minimal. You know face them into my client, client type, type of clientele and yeah. I'Ve been liking a lot of fringe things lot lately. So it's really nice to, like you, know, see different ways to cut bangs or fringe alright. So if you guys want to see you guys can come close to me, that's so if she hasn't read this paper - and you know, the banks are growing now very long, so I wanted to get up a little shorter. I want to add a lot more face. Framing because I know I don't know if you know I don't know when I'm gon na see, you know find stuff like that, so I just wanna make sure that that happens is precise and Greg has a good shape to it. So all right, how are you guys do me? I was everyone doing good, okay, stay in saying I'm keeping busy with my dog heads. You know keeping these hands occupied, they keep wanting. You know exercising their hands because you know exercise the body, but it's important exercise that hands in mine. So alright, I keep the length of this meeting, maybe take an inch off because the ants are quite dry, but I'm going to go ahead and start their banks. Okay or the French, so I'm gon na just section this off and then so I'm gon na take about from where her head starts to go forward. Take that and then take a diagnose section from the top of the head to right behind the eyebrows. Okay and I'm gon na do the same on this side. This turn your option around Daniel, a really nice big window, sir. So there's a lot of light that comes in so it's nice just good to see and she said well, I'm doing then I'm taking the same section on the other side. I want to make sure that it's, even so, I'm gon na go in front of her to take a look okay and then we prep the hair with some Mel Vaughn lightweight. Yet we're commissioning this and it's in its really really nice and light. So it's really good for her hair mixed in there really fluffy. You know it's not too heavy and then at the ends. This goes all over the head and the end of the hair shaft by shame-eating to my mid-shaft to end yeah. I think Mushaf de ends, Antichrist is officially, does have a little bit of like texture to it. So that's it! That'S what we mainly use a lot and so on as well, and then we blow dry just smooth out the hair. Don'T make it too straight, but just leave it out. I'M just gon na bring this up. It'S been going live so often I'm just like wow, it's actually pretty fine. I got, I have to say I've got a lot more comfortable with it. You know at first my circus routine. You always like you should come by more often you know, but the same time, it's like it's actually good right now to go, live and see your community to support your community. You know all right so section not off. This is a good section and you know there are some pieces that are really long and there's some pieces that I, like you know on Kappa. So I'm gon na leave those in and I'm gon na split this like that nice to practice area and obviously her baby, so mommy kind of like wrong. Now I would keep it somewhat long, but I want to really open up the eyes and really give it more. Like a Kearney French, hey babies, the English stages are French, but we Americans sick thing so from the middle. I want to keep these a tiny bit. Heavier so my elevation is at 45, okay and I'm point cutting this because I really want the movement you know. I want her hair or her bangs to not be so straight and not be so precise, because when it's too straight to precise it'll be it'd be too hard for her to blow dry all the time you know. Where is this one? It'S like, if you rough dry and if you put a brush to it, paddle brush it left right, it will just fall nicely and cutting drive, because when you cut dry it you can see how it lays right, without you know, doing the whole guessing game when This wet and then blow drying, and you know, cut again dry. So therefore, you cut out the wet blow, don't require it just takes too long and they're just gon na. So you see my elevations a little and a lower side just because I really want these to be on a little heavier. Okay, we have a question. Oh is that top corner? The second high point, the second high point, not necessarily if you can see from profile. This is the high point this I guess so this is the curve yeah. I do this because I really don't. I want some movement, so these guys, I wanted to give it a little more layers. So this is a little more like my baseline, and this will be my layer if you can think about that. So therefore, your moves, you know I feel like when you do cut bangs or fringe, like that, it's a little more forgiving. You know it's not two together, because if I were to cut this these two together, then it's just all the same way. It'S really heavy. It doesn't have to move it where it's this I've cut this first and then go ahead and layer. This it falls. It gives it a lot of different life so and then also when it does go out. Like I get 1/2 chronics that comes in, I haven't seen them for like a month. What'S on, half you can push it too baby push it to the side. You know it's not so much of like. Oh, I need my bank. Remember in my eyes. They can push it to the push it to sign or hard to one side and becomes like sweeping bangs. So I'm just concerned about that girl out. You know especially, and I don't want a lot of my plans like show me how to cut my bangs. I might know a lot of them. I don't want them to because I've seen what they can do. You know it's I'd rather, have it long, shaggy and you're. We can come in and cut it shorter, but for them it is too short. I'M I can't how much extension piece right here you can that be better dispersion. Alright, I want to lower this a little bit low, so I could reach there. You go so with this angle right here, I'm just going to elevate it up. So the reason why I'm elevating up - because I really want this part to be soft and have separate movement from the bottom - okay and I'm just putting it straight across or square-headed okay in the length all depends - I mean I'm pointing this out. Obviously, you don't want to go too short. You want to go with this short little bit. That means it's. It'S saying something poke down so a lot of times. I just measure from here to here that's the curve of that the babies and that's why I wanted to be so there you have it I mean, then. If there's some longer pieces here go back in come on down to natural fall, just you point cut them underline in so crying yeah. If you shouldn't, I do this away yeah. That would be helpful. You know so so just yeah, who knows this is all over everyone's gon na have banks because they trying to kind of hit themselves and stuff like that, so yeah. So I don't mind you some little pieces here they're just because I really um like the fact that she can just like you know, play around with it and then push to sigh. You know and we have those longer pieces. It actually gives it more of a better. You know, because when it's all one length it's just it's really heavy. So where is this one? It'S just it's a lot more playful and there's a lot more texture going in okay and it's a little more forgiving. Alright! So now I'm going to incorporate the bangs into the face framing. You know she looks like you guys. You guys are Michelle Pfeiffer. I love that movie. Oh my god. What is it a gangster wife or somebody that scarface scarface a Payless best? Hey? Oh such a good movie such a good movie. I watched a lot of movies. A lot of TV shows, for you know especially period stuff. I love that stuff like this is, like you know, heck good, hair reference when does seventies, eighties and all that stuff. So it's really really fun, so thanks rainy, so I'm gon na take it from the top of the head, which is here now and I'm basically thinking about vertical section, all the way to the front of the ear separate that cleaner. So you guys can see my sections for me pretty much. You know it doesn't have to be like back here. You know maybe set on top. Maybe when the bang start, that's where my section is going to be of the face framing. Would you do this cut on what hair, or is this ideal for dry cutting? Only it takes more time. You know, because you cut this way, you blow-dry it. Then you have to like you know customize it. So where is this is like cutting it and custom? Mind at the same time, so I help the timing just to make sure that you do see you clients beforehand like if you, if that palace is in front of the Sun, those important things that you see, especially when you do presentation and also you know what They do with their hair so well, I have to say I bet about maybe 95 percent cuts. You know dry unless she wants a pixie, now cut it wet in the bottom and let the top dry we just blow dry this off so all depends and if she has a really curly hair that cut it wet first, just for the bottom, the base line And then dry on top for our layers and reshaping but yeah I was I love playing cards because I can see it. It'S like an instant gratification. Maybe I'm a patient or the fact that I just you know I just want to see what I'm doing hi. So I'm gon na incorporate these guys into the rest. Our she's house summary, but you know now there's a disconnection from the bangs to the face right, so I'm going to take. Basically, this part would transition bring this out point cut this to blend like so and then from that point, and it's just going to take the rest of the hair, the rest of the face painting and I'm just like bring this up slightly 45 remember to open And close, open and close, open and close elevate, this out 45 and then continue all the way down. Okay - and you know, if you don't want this to be that strong, you can go always go back in to point cut it so they're there for good things. A little more feather: okay, even the face baby right here, chill just gon na bring that slightly. Don'T hold direct it too much to this, because when you bring this back, it's gon na hit really choppy. I know I want it more natural fall, so I'm gon na bring this slightly 45. If a client had less hair than the mannequin in front of the ear, would you take that parting for their back or keep it in the same place? So whatever you want? The baseline, the quantity, if I want the corner to be back here, then I'll, bring that back there so kind of really doesn't matter how much hair she has you know, but if she doesn't have that much hair, then I wouldn't exercise as much I'll keep it. Well, it won't blind guys. I can just freehand because at this point, the more you elevate it, the more you hold it it just it just messes up with the natural fall. So I do a lot of stuff on natural flow, because I really want her to be able to like washing, though, because the minute you do a lot of over direction and a lot of like you know, laying in the hair in different ways it just. It'S. Just harder for the clients to wash it go so the most. If you keep it more natural fall, they can have wash and go very easily. Okay, so the size that I don't want to connect completely. But I just want to make sure that this little straggler is gone. Sorry, boo-boo, yeah, don't Sapir eyes, you know. Usually we doing this coats just make sure that you hold the hair really slightly okay, a lot of times like I do put fingers in the bottom here. So if I'm drinking too much coffee a long deep, shakey see those too much alright. So let's do the same on this side so that one's pretty much done so, let's say she does brush it out, see it opens up for Isaac. It frames it nicely without having to run up front Lee abruptly. We have two questions regarding shears. First, one is: what do you use the same shares as you do on manikin here and clients, and what are your shears? You know this is awesome. These actually are my own Susan right and they're being made in Japan and say a city where samurai swords used to evening that and then, if you guys, do only samurai swords say but not as much work. You know back in the case when they use that for weapons, but yeah it's from the factory there and they make amazing amazing scissors that they've been doing for 200 years, and so I've been I've been searching for my own for quite some time. So it took me about like almost two years to get these phototype done, so I've been using for like a year and a half already and I've been doing a lot of mannequins and it still cuts my finger really well, so I'm very happy about it. So these are my own, a hopefully I'll come out to fall. Yes, hopefully we'll keep. You guys updated alright, so bring this out slightly 45 point cut that to blend okay and then once you get to certain length, then you can. Oh gee this'll. Be easier. Opening closed open, closed, open closed, make sure you reduce like the opening closed, because I don't want to round off the cuticle. I don't ever want to rough up the cuticle. You know because they can come back with a lot of splits. You know so, unless you know I really want the texture to be a little bit more pronounced. Then I rather go in quick cut than to broke up the cuticle like that, because that makes a lot more split ends and now I'm disappointed, I'm just point cutting it, so it will become softer because she does have a lot of hair towards the front. You know I actually do have some clients like that, a lot of hair in front of them. Like, oh you know, most people don't have a lot of hair in the front. You know, but you know, sometimes you find people, and so I just went cut and then towards the ends here. I just you know just freehand it. How long are those shears - and I guess they measure from here to here - the blade itself is, and you can travel with this domestically, so we never practiced in because you know when we used to talk about a lot and you can bring this on the plane. I bring out some carry on the TSA about it. I hope they stay loud, but internationally you would have to practice in so I just want to show this is even yeah when, when the scissors come out, I'm going to do a whole there's a little story behind the process of me going to Japan trying to Faculty and stuff like that, so it's a really really cool short story and it's like a mini documentary really enjoyed it. It was really fun cool. All right II said I do now, I'm gon na moving to laters and then I'm gon na worry about the baseline. I'M at later, because I want to keep her hair the lane so right now she doesn't have that much her ladyship feet long. You know, I'm heavy doesn't have a lot of movement, I'm just gon na go back there and just reshape it. Okay, I'm taking a pivot sections from here and then it's from you slice slice slice into the behind the ear and everything it's gon na be dunzo back, so it goes along with the face. Maybe so I'm gon na go in concave layers, just because I really want these layers of to on sit just a little more, a little more body to the back part, because yeah I'm doing a shag on her and it's more than matter modern shank, because I Really don't want this to be too much this kind of did, but at the same time I really want this to have a lot more body towards the back part right here: okay and elevating this out, I'm working my way up to the top. So my angle is not so steep because she doesn't have that much of a long hair, but it's more like that kind of angle. So it's like a 45 and then whatever it doesn't reach its doesn't. Reach just want to make sure that I get that angle. Okay and I'm point cutting in because I really want to be soft. What I want it to be too too blunt. I think when it's blunt that's when it gets a little bit dated because back in the days they won't cut this blunt and then what happened inside because it comes from lately. Probably you know, but if you want to make it modern texturize it to give it movement, you know you can still that you can still have that similar aesthetic of like a shag, but if you keep it modern by it makes it more. I guess no relevant and because you can style different ways: okay and when you do new wave with her, because it's really been loving that so much because I feel like I'm a little over to the live-in way, just because we've been doing it for quite some Time you know it's like the beach way it's gon na do, but let's do the new wave, so it has a little more. It'S it's a little more modern okay, so I'm barely just cutting the top part. Just because sometimes all you need is just a reshaping on top, you know and therefore it helps to bring out everything reshape everything. Okay same way, can you guys see? Okay, yeah, it's been a while, since I've been on Facebook life, it's always ie life. I was going through my facebook photos just said: whoa there's a lot of interesting yeah. So again, elevating is just a quick and easy. I that's another reason why I like to drive it. This is so simple. You know you can see what you're doing. There'S no guessing game, don't like this thing. You know I'm not a mind reader a lot of times. You know we have to read between their lives, especially to clients, and I don't want to do that. I want to make sure that I now this doing you know what I want to do and what I promised to do so I need you secure that so when you're, confident in what you do, and especially when you deliver what you say, you know you maintain The clients, so especially here you can see that a lot more, just because a little body to the front pieces. So since she has quite a hair, quite a bit of hair in front, I'm gon na take another diagnose section, just to make sure that I am not missing anything and that I want to create that movement yeah. I think it's good and the reason why I'm taking diet go back for saffron it's because it coincide with the face right. So if I face finish like this, so this is diagonal back section, okay back here, because I really want to create body. So that's why doing pending sections? You know, because you pivot increase rounds. If you do vertical it kind of becomes more flat. Okay, so Brown is here because I want the body in here. I want to connect them the back to the front. Here'S a personal question for you: why: how have you changed as an artist in the last couple years so long? Yes, sir? How would I change? How have I changed? Yes right, I think one for sure that it's so weird that I honestly feel like I don't know much anymore, not not because of this. You know pointing, but I feel like go over. I get more experience. I get it. I just feel like, I think, I'm a lot more. What sucker for knowledge? Yes and a lot more curious about things you know and not so much or but like oh, I know how to do this. I know how to do this, but I don't read my rock. What I do I just want to learn more I just want to hear is I just want to be cares about other things. You know that maybe has nothing to do with hair or have something to repair, but on a different ground. You know maybe wan na play business or more of like ways to communicate that sucker psychological things you know or maybe take psychology processes like that online. So I can understand my communication, be better at communicating. You know like stuff like that. It'S just a lot more curiosity and they're, not just about the hair. So it's about everything, because I really feel like clients comes in. Yes, they want a good haircut. It'S style that experience and everything, but it's also the personality. It'S the whole thing he's the whole package. Okay, so that's why I've been doing and that's why I have a lot of curiosity when it comes to documentary and stuff like that, because I'm gon na learn. I want to learn about the world, because the world affects everything and affects creative flow and it creates, you know, affects who we are and a lot of fashion, there's a lot of like hair. It'S so you see these little, it's very hard to see. Sometimes, when you know it's a sunlight, sometimes you get a little bit of mystic concept comes in like they haven't, had a heck of a lot and the answer like De La Hoya kind of like maybe split in so you know, if I'm not gon na touch Any layers that sits in the bottom here I want to make sure that I throw in at least take care of it, so I go in and dust it by just skimming the very top and just get rid of that. Okay, because I had not touched this part yet - and I don't want this part to be too thin because I don't want it to be like a full-on shag, you know, because I do have a cocktail of like the professional woman. You know yes, seven artists, it's um not really rot wide range of our clients - Middle East to Asian, to Hispanics, to you know occasion everyone you know, so it's just one! You should that we're and also distant different kind of. Like you know, this is women. Lawyers, influence or bloggers - and you know all that stuff and actress ISM everyone, so old and young, to which I love, because I love it when you have a broad clientele. That means that your brand or whatever you do, speaks to a large audience, not just one audience, but I think, as a brand I want to, I guess it's expand is that I want to become all across the boards. Be really um versatile. You know versus older younger all right, so we cleaned up the bottom, really quick, nothing major, because I really want to keep the length. You know these doll heads like they're, wonderful and one thing I really like about Perry points that they make, that hard dog heads ethically so they're, very conscious about you know with the environment, and you should read the whole thing about. They have that on the website. But it's really really cool. I like I like that it makes it it's important to me so just pretend there's a a shoulder in her back, so I'm just spraying everything back to square. If the client has dry or damaged hair, would you go in with the wet cut instead this, because, if I were to cut it wet, I can't tell where the dryness and ends dryness and damage. Animus starts, you know. So if you blow dried, you can see it lot more and you can actually, you know comes out more. So therefore, hey Sally, you need three inches off instead of one inch. You know you know suggest that today, like you know you see these ends. You know blah blah and there's there's no guessing game in that sense of like okay, you know Sally, you need to be inches off and it's like okay cool, then you can, she can see it. You can show it to her. So that's why I just feel like when you stride in this damage, it's better to cut dry. You can see it water, I think we're done with the cutting. I want a major two spaces of machining, one shag she has. Maybe he looks good with the bangs right, she's, a bang kind of girl. She gets a real right yeah. She gets a little stragglers. Sometimes it's hard to see when you cut it dry, so a lot of times. I do this. I tend to do this, so you can see the shape of it all. Okay, and when you shake it out like this, you can see where it cuts it's in. So the difference between point concep, it goes in it creates Alaris. What'S that word sporadic, that's right! I like a lot of dips and valleys, so if you can, you can see how it just sits in really softly now, if why would you blank cut this? You won't get to see that you will get to see if this becomes really heavy, because when you blanket everything stack up on each other, where it's this, when your point cut everything just kind of you know, lay on top of each other, and it comes very So we need so yeah just like that. So that's why I D point cut a lot just because I want to create this movement and also when she wears it herself and they say that it dries up a she's. Her hair dries up really. Well, I love the way dries up. It dries up like a wave, so she can just put some products in and just scrunch it and becomes ready, texture kind of lived in. Look, you know so that's right and I hardly ever use thinning scissors unless it's really big and bulky all right. Yes, yeah. What are your thoughts on point cutting naturally curly hair correlators curls twist a little bit a little bit, but not to point we're back cut and then, when you do back cut, you want to make sure that you open and close - and you only cut from this Part: okay! So it's more like this, so I open and close open and close. We went back and forth back and forth back and forth. Okay. So when you do there's all these different lengths to it, you know I don't really point cut that much because sometimes it's not about the ends being point that it's about the internal, because when it's curly it's just like really crawling in the middle and then nice And it's really bulky so in order to release the movement and the weight you go in and basically back up in here, so it quits shorter, hair, long, hair, short hair. So it breaks out a lot more PC mess with this style. So I'm gon na start with the front. I always come from just because clients would be like looking at it and stuff like that. I just want to see it and I feel like when they do see you and you're like they feel like they can. Freeze. Okay, and also when you tell your clients like hey, do your hair at home do the front breasts because by time kick to the back, we might, and you know it won't be as good, but at least the fun will be head. So I thought about maybe like an inch from the hairline about you know depend on how much hair that person has okay and then pin this away, and sometimes I don't even do like a straight line. Is it the all depends on like what time? What kind of texture, what kind of worries I'm doing so I don't doesn't have to be super clean section. You know I feel like I'll, be using a flat iron, and this is my baby Dyson as the corral. It'S freaking awesome and it has three different types of setting temperature-wise, so I'm going to be using funny denied has a bit of texture, so I'm going to be using 410, always recommend my client to use like 3:30. You know and then, for you know fine. This is for fine, hair, medium hair and they care okay, and I like the fact it's coordinates, so it's really really dope and it takes a second to heat up. Another important thing is, like you, see this symbol right here. This is for flying. So since this is with um battery, you know TSA goes up, you have a big damn battery. You have like you know, you know, battery packs and something there this does so it has a little thing right there, where you can just open it up and then, when you detach it, I'm sure you later because it's just heat up that you can travel with It and you'll be fine okay, so this is heat up. I like the fact it's cordless yeah, a double cords. We have so much ports as it is. You know, so this technique is I'm gon na okay. So take that yeah, I'm gon na go Ben up down up down, and if I want a little more but Ben, I can go back in and just create a little more Ben. Just I don't want it to be too curly just want to be slightly way. You know just because this one I want this to be modern. I don't want to do to be too done. Okay, so undulate like that. Okay, so do this thing it's really easy for us to do also really easy for clients to do, and also you can use some are selling this, which is really great, and I usually do do Marcel in it. But I love this. I feel like this is more relatable for clients these days, especially when they're home. They know how to do this. You know, and it's just a matter of practice. I think the difference between this fire and the regular one is that I don't have to use that much attention, because these the plates - that's on here it's flexible and the reason why it's called Corral, because these are flexible to plate. So it moves so instead of like being Oh straight, when you do fine, it pushes all the hair out this cuddle, the hair in myself, and it lasts like 30 minutes per charge, and if you run out of battery, you can always plug it in it comes With a um, a wire that you can plug it in, it also comes with a stand. I'Ll show you in a bit so anytime anytime, when I'm not using it, I'm always being on the stance up in charge. So this would take me about, I would say to finish the whole head about, like maybe 15 minutes, if I'm not talking too much, but I do talk a lot. I'M a talker I like to talk especially to clients, especially now when it comes to like the styling aspect, the cutting, maybe not so much just because I want the head to sit still because a lot of times clients talk to you. We just turn to you and, like I almost jabbed in your eyes to stay still now here if they were to move up you're like okay, fine, you know, okay, just like so same all the way through once you get a rhythm of it. It'S really easy and then especially the banging part. You want to incorporate that and that's this is always tend to be like the harder part because see if you were to do this, you get these guys. You know you don't want that. So you want to make sure that you pick up these pieces towards the ends right here and push it away from the face like so okay. So sometimes this foot it's a little tricky just because a lot of times, clients don't know where to start and ends with the waving part, and then these guys right here sometimes I just pick it up and just kick it off a little bit just about there To find when using the cord does it fall off easily um, if you don't put it in right, it's just depends like if it move around. What are we jerking around too much yeah? It could happen. You know because it's magnet, but it just all depends like a lot of times. When I do. I hardly ever use it with the cord, so I always try to make that be very efficient with the time that I use this. You know, and if I do have to use the cord, it's just very the very end of it, not jerking it out too much. You know this side of her head just a little bit less hair than the other side, which is good. It'S very normal. I think everyone always have a little bit more hair one side versus the other side. No seriously I've been loving. This mood so much because it's like so fun was it fun using it Daniel. Yes, it comes in black, it's cheap, you know so same and then right here where the bangs begin tap it a little bit. So I just make sure that it just blends through the rest of the hair. Okay, I'm almost finished at the front and just one piece. The reason why I'm going my first. My first initial motion is to grip to get one left. So that's why I'm going up and set it down, and I do two opposite when it comes to Marcel, because I can't get that been on a Marcel going up because it will create a mark. You know where's. This is like it will create a a Ben cool yeah. Honestly, I just been doing this a lot and then I tell clients to do this and they love it because to them is hard, it's easier to do this than the live-in waiters on themselves. Sometimes you burn your neck ya know you burn my neck, that's well! So I totally understand so now I'm gon na move on to back just to staying back. Here again, I wouldn't worry too much about like if it's not if it looks too uniform, it won't. Look too uniform because you're moving up to the head, you know so one can sit on top of each other and it just looks like it undulates over the other part same one here make sure that you brush it out with your hands you'll have to brush It up with your own brush, but just we hands a little bit and a full chart of this will be 70 minutes. You know, but if you leave it on a deck and you're, not using it, it's fine. It'S charging up loaded quickly. Okay, taking another section, all right like so and again just the same motion so flip this out the bottle right here. So it's a little more than cake. So I'm at that battery right now - and you know I still have like. Oh, almost I'm pretty much done with the head, so I have a lot of batteries left. I wish everything is cordless. One day, one day, one day so seem like this okay and make sure that you're not picking up the hair from the front just make sure that you do grab the hair. That'S not being curled or wave okay and we do have a heat protection in her hair so that anti frizz humidity blocker has heat protection. It has a gun, oil and so there's the weightless miss repairman genius. You didn't game. You'Ve got very good, so hard hold. The phone hard work, yeah yeah, so just repeating this I want to go on a drive. I can't wait to go on a drive. I haven't honest. They have not left my house. What is this? I think I cannot dis morning. I think he stayed for tea. For me - and that is a record - I have not stayed home for 44 sick - how I am just four days: who's counting face. Alright, once I get to the top to section left pretty easy and I can go as fast with those Marcel as well, and I love the Marcel just a different texture. So the difference between the flattering new wave and the Marcel a new wave set the flag new wave has a lot more polish, because it's you know it's two plates into one and it's like smoothing out in cuticle. That'S the difference, where's, the other one. It creates a lot more texture, you know, so that's where it depends on what look I'm going for you know I can use one of the other, but I just got this baby. We saw it just been obsessed with it. Last but not least so she has a cowlick right here, so I don't want to separate that too much. I want to combine it. So if I don't, if I don't combine it, you're gon na have split like this, so bring some of the hair from the other side over and kind of like married into each other married. It looks more like that. Okay, so little tricks once you get to the top, and also you can tell your pines as well Thunder yeah love these little short pieces sure. So just what we should have fun before I put it away there you go, no idea, maybe doesn't smile. She just like she just have face yeah and then do the same on this side. For my friend, you know who met you Miffy Yossi finishing touches. I can really don't see. Dave occupational stickers, just gon na blend this high in a little more just there for good flip this out little more a little bit of kick in certain places, just for you're gon na blend in too much I'm just giving some final touches to little details. I love detail, I I would say one thing about to become: if every do you like construction, I think one thing. That'S really important. A lot of companies don't use like they finished a job, but they don't have a person who comes in and detail and look at the detail. Cuz I've been a few construction job. So, like my house and stuff like that and the salon is that every says a person that from that company or someone who go in and do a final look, a final detail. Look, you know, and sometimes they do, but it's just passed by so quickly. You know anyways so yeah. I want to show you guys this part not gon na unplug it. So you turn that off see I'm up halfway through turn that off and then this is how you do it you, just it's a really hot. So I just wan na show: I'm not touching there, you go. It comes out like this and you shut it and that disconnects the battery okay and then you can travel like that. Glad we let that cool little bit now so many choices to play with all right. Geez, always my all-time favorite go to fix. So this is a dry texture spray from Mel bond and this is a way to define a favor from now on. So this add texture and body. This creates a little bit of polish on the ends. It'S a very, very light because I wanted to keep it arian light. I don't want to be heavy and space and first shake it up really. Well, it's a texture. Spray dry! Texture spray, but it's almost like that's dry shampoo in it too so speed light. Okay, sometimes I pinch and spray spray spray spray spray and spray just put a little more boxes yeah. So you can tell this inspired from the 70s, but not the same texture to it, yeah a lot more movement to it and then last but not least, way to find cream. So, to get more, if you want to get more information about the Mel Blanc, products go to info USA at mel blanc, calm, okay, oh I use about, I say like a dime size, a pea-sized okay and when you do put all of these hands same products Overall, look so for those of you guys didn't get that we can pin that the information about that one. How did you get that? She looks like it's hard to work, not for the viewers, so I'm playing guessing game unless Danny was making some face to see like okay, okay, okay, cool yay actually do love the feather bangs. I like it when the banks are kind of feather. I think that was really cool. Okay, somebody watching - but I just add a little more just for separation, watching a lot of like old music videos for like the 70s on YouTube, especially blocks to of a heart. Alright, I'm about to finish this, maybe all right. Sometimes I mess up to talk too much, but I don't like that. I think it's really undone live in here. Look so okay and I'm not taking a breath that ends too thin, as you can see from the front piece, it's not too transparent, but I have some check shirt movement in there. Okay, this is the final look. Nadine been a really good model, thanks Carl, so straight his sides inside she's, happy she's, happy, I'm not talking to God. I promise, but there you have it and not. You guys have any other questions. That'S it! It'S all the questions. Thank you. What thank you for tuning in thank you for watching, and it's been a pleasure and I really enjoy you know sharing and especially what community right now. Just because I feel like we get so you know it's only certain. Not only so much movies and TV shows that we can do it, so it's good to like shifted knowledge with you guys, and I really really appreciate it that that hairbrained allows me to do this, and I want to say thank you to Mel, Juan and Dyson And pivot point, and I'm just gon na say thank you signing out guys. Peace of love be kind to each other.