How To Short Curly Bob Haircut Step By Step | Box Bob Haircuts

Hi everyone, i'm michael pistoles from slate hair education, we're here with the beautiful foddy, we're here in a new environment with our mask, so i'm ready to go back to work, and so we're going to show you a really cool haircut today. It'S how to do a curly box file with a mask on, so it's very important. What i want you to do is just to show you first, how i've sectioned the hair off i've simply taken a horizontal section from left to right in the placement of where i want the weight to be so. I want this haircut to come. Graduated higher up and then i want the weight to sit around the jawline. So this is why i've sectioned off in this area, because this is where i'm going to start my graduation from so please guys. Let us know where you're tuning in from and we'd love to hear. Let us know if you can hear me with this mask on i'm trying to shout out so first thing i'm going to do. Is i'm going to start by building my weight by elevating this to a very high point? Okay, so what i'm doing is i'm grabbing with my fingers high up i'm deciding where i want my weight to sit in the first section, i'm going to cut that in from the beginning, so i'm already holding very high up, because this is where i want to Place my weight line so as i'm coming up, i'm pulling all the hair back and i'm just cutting a straight graduation across. So at this point i haven't really built the graduation, yet i'm just building the weight line. So this is going to allow me to see where this weight is going to sit on the haircut, so just elevating everything high up and going straight across. This is really quick and a really easy way to do graduation. So a lot of people kind of do it by starting in the center and then pivoting around, and this is a great technique, but it takes a lot of time and you don't always know your guideline from the beginning. So doing it like this, pulling the hair up just from the beginning and building your weight line in from the beginning allows you to then connect the underneath by having a pre-designed weight line. So we can see where the weight's sitting i'm going to grab a bit of water because we want to keep it really easy to work with. So we want to make the hair more manageable, so by keeping the hair wet we're, keeping it more manageable. So guys, let us know where you're treating it from. Let us know if you have any questions, we'll give you a lovely little recap soon. I'M michael pizza, ladies, this is the beautiful fordini and we have george aguiles on the camera, hello, everybody. So what i'm going to do now is i'm going to start to connect the graduation so by pulling everything up horizontally, cutting my first section. I'Ve got the top point of my weight line, but now it's a layer because i've lifted it high up so install it. In order to create the graduation, what i'm going to be doing now is i'm going to be cutting it in tighter. So i'm going to go from the length here as the longest point at the top and i'm going to be working in to make it tighter, and so this is going to be a really nice low graduation. So because i took my section actually very low on the head, what it's going to do is it's going to allow me to have this kind of very low graduation from the beginning, which is fantastic, so i'm taking vertical sections. So a lot of the time. These days, what people do when they do graduation in the triangle, graduation? Is they pivot and the pivot's great, when you're going for more of an arched feeling? But if you're looking for something that has a little bit more of a square feeling to it, a bit more of a square, graduation, you're, better off to take more vertical sections. So, just working all the way down to the bottom and you see the graduation is starting to build. So let us know if you have any questions guys where you're tuning in from we'd love to hear it from everyone in the hairbrained community. We already have people from brampton north devon from croatia from mcallen and liverpool until now, beautiful guys thanks so much for everyone who's tuning in. Please don't forget to give us a like and a share, and let us know if you have any questions. So what i'll do is i'll? Just do a quick recap for those of you that are just tuning in we lifted the hair up and we cut our first section horizontally. We let the hair fall down and we started to connect vertically across. So i'm going to do the same on the other side. So what we did was we took nice little vertical sections and we already had our weight line from taking our horizontal section first, and what we're going to do is we're going to be connecting now from the top to the bottom. So the top is our weight line and the bottom is going to start to be graduated, so we're just graduating everything in for now beautiful. So thank you guys for tuning in. Let us know what's going on where you are. Let us know if you're back to work yet or not cool, so we've got another little short sharp shape here. What i'm going to do is i'm just going to start cross checking this and the way that i'm going to do that is i'm just going to take horizontal sections now working from the bottom, all the way up, just to make sure i'm happy with my sections From left to right, so if there's any kind of little inconsistencies, i'm just looking to grab those and make sure that we have a bit of a clean, pallet moving forwards. So because i took vertical sections, i'm working across horizontally and we're cleaning up the shape. So this is a really easy way of doing a box bob by working through those sections, as i said horizontally, connecting it vertically and now just coming back again and connecting it across with a cross check horizontally beautiful. So we haven't got to the issue of wearing the mask yet because we are wearing masks. We are here, we're being safe, so obviously working around the mask, i'm going to talk to you a little bit about it later as well. But let us know how it is where you are: if you've started to cut hair again, how you feel about wearing a mask or how hard is it to cut hair with masks on? How do you feel about it? Have you found any problems beautiful so we're just trying to make sure that everything sits where it should be, and obviously we'll do a little bit of refinement of the outlines towards the end? So now i'm just looking to keep everything nice and tight. If you have any questions, george behind the camera will be more than happy to answer them for you. So we have this little bit of hair here now on the corner which we pulled back, but i want to take it a little bit tighter. So what i'm going to be doing is i'm just going to be coming through in this area and i'm going to be pivoting my fingers more towards the jaw so just to remove the excess weight here. I'M just taking small sections pivoting my fingers towards the jaw. Each time maintaining the length in the top and just taking it nice and tight. So that's great and we're going to do the same on the other side. So i'll try and stand over here for you, it might be easier just to make sure that's still good and then i'll show you on the other side. Sorry, georgia, anyway beautiful so anyone from america watching you know let us know if you're back to work. Yet where you are, i think it's different in each state. Isn'T it beautiful? So that's the first part of our little box bog done. So if you keep your head straight for the knee, you can see that there's a bit of weight building now here and it's gone tighter in the bottom. We'Re gon na come in and refine the ends afterwards, but for now we can just see that little bit of weight, that's building in nicely, so that's beautiful, so come on guys. Let us know where you're tuning in from please say hello to us. Give us a like and share. This is the first time we're doing a live model in a while, so it'll be really nice to get some feedback and hear how you guys are. Let me know if you can hear me while i'm wearing a mask too beautiful. So what i'm doing is i'm just taking horizontal sections now which mirror the first section that i took so literally. My first section was just a horizontal section. Much like this and what i did was. I came under with my comb grabbed the hair, took my weight line and across and then came in and connected vertically and cross checked again horizontally all the way up. Now i want to start building my graduation, so i'm going to be working from the top down. So before my cone was coming from underneath, because i wanted to lift it up high now that i want to build the weight more, what i'm going to be doing is i'm going to be pulling quite hard because it's nice to have tension when you do this And i'm going to be holding the hammer down, so my comb goes down because i'm looking to build the weight right now and because for denise has curly, this is going to have a really amazing expanded shape. So it's going to be a big, beautiful, curly haircut and it's going to just jump out and i love that that's the vibe we're going for something that just jumps out of the head. Don'T worry, you'll still have hair connected just jump out like expand. You know you know what i mean right, beautiful, so just saying on the second side, what we're doing now is we're just going to do a little cross check, because it's important after each section to just have a little feel have a little cross check, make sure Everything'S going to plan make sure it's the same on both sides, and you can see that graduation is building up and again i'm going to be doing the same thing. So this haircut is beautiful because it is a lot of repetition. It'S a lot of the same sectioning and just working again and again so now, i'm taking my next section, which is just on top of the ear and i'm going to do the same on the other side. So if you like this, please like and share, we've done, i think, about 28 hair brain lives now and we've just built a new website which has the first five on there and we're going to be uploading new ones each week. So you can see all the 28 haircuts soon up there, plus the slate lives we do each month. So our new website is slatehair.com and you can see all the other hair brain lives that we've done. So what we're doing is we're still building the graduation. So what this means is again, i'm going to push the head a little down, i'm going to be pulling with tension, because tension is what makes everything blend. I'M feeling my guideline and i'm working to the pre-existing guideline so again, combing from the bottom. Sorry from the top nice bit of tension and creating that nice nice shape well a question. One is about the scissor. Yes, but it's a scissor. So these are yasakas, so they're, really cool, japanese brand, they're, very, very simple scissors. They actually have a different part, which is the handle different part, is the blade, the blade's amazing. This is good for very blunt cutting it's not really good for slicing and chopping and all this stuff. But if you want to do a very blunt cut, these are one of the best scissors, they're, very, very sharp and they're very reasonably priced. These ones are about 160 euros, so i'm not quite sure how uh how much that is in dollars, but we can see that building up beautifully, so i haven't done a vertical cross check. Yet so what i'm going to do is i'm going to do a quick one now, just because we've got enough hair to kind of start working through, so i'm going to take away a bit of hair nice little bit of a center section, just in the middle To start with, put my middle finger there, not because i'm being mean just because i want to cross, check and hold the hair away. I go from the top to the bottom and i just make sure that there's no inconsistencies and everything blends. So i'm going to do the same from the top to the bottom and just make sure we have a really nice consistent graduation to work with and in case you're wondering the scissors are four and a half so they're, quite small, but they are really good for Getting in these small places, when you're trying to do these short haircuts when people at michigan, they started working at the 15th of june, but both end client and the hairstylist must wear mask yeah. Do they have to wear visors there as well? Is anyone wearing visors because i've never worked with the visors before? How easy is it to work with visors on no that's see beautiful and virginia. They went back on may 15., oh wow, so you guys have been cutting for a while. How are you finding it cool, so i've done one side of the cross check. Now i'm going to do the second side as well, so again, just working from the top to the bottom. We can see that really nice graduated shape building beautiful. So this i just absolutely love doing this haircut. It'S just one of the classics. It'S so strong, so elegant, it's a real! It has that old feel to it, because it's that old type of graduation in a way, it's not that more modern, triangular pivoting graduation. It'S very much vertical sections all the way down, so you get that kind of old strong feeling to it, which i absolutely love. It'S very tim, hartley beautiful i've got something that was not a question, but i can can answer it something yeah. The section is too thick and then you are cutting. It will look bulky at the end um. No, i don't believe so. So it depends what you're going for you know. Obviously, when you cross check, you want to take bigger sections, because if you take very small sections when you cross check it's more likely that at the end, you'll have some inconsistencies within the sectioning. So what i try and say is you know if you imagine, you've got 10 bricks and you're trying to put 10 bricks in a straight line. It'S quite easy now imagine trying to put a thousand bricks in a straight line. It'S not as easy. So it's the same with when you're cross-checking with sections. If you take five sections to cross-check and you bring all their hair together and you make sure it's clean it's much easier than if you have 500 sections and you're trying to make them all blend. So small sections are important, but you have to understand why you're doing it is it because it's thick hair? You can't see your guideline, it's going to affect your over direction, your elevation, but otherwise you know, i always say the biggest you can, while getting away with not affecting these things over direction. The elevation you know the guideline but after that i think it's important to have less so you can make less mistakes. So what i've done is i've done the same thing again: i've taken a nice horizontal section, but this time what i've done is i've taken it all the way to the front. I'M not gon na actually do the front. Yet i'm gon na focus on the back. So i'm just gon na take it away from both sides, pull it forwards and i'm going to do the same thing in the back that i was doing before so just head down combing from the top. So we keep a nice bit of graduation. I'M going to pull with a lot of tension and i just start to cut from the middle first and as i walk across i'll walk across the head as well. Beautiful got one question from cloy gray: it's slightly off the subject, but i have a client with hair this shirt and she wants a bella ash. How would you recommend doing this with the shape at the back with that shape at the back? I have to be really honest with you: i'm not a colorist, i'm only cutter. What i will do is i'll ask our colorist that same question and i'll find your comment later and i'll answer it for you, so i can't answer it right now. I am really sorry because i'm not a colorist, but i will get our colorist to answer your question in the comments. Okay, but thank you for the question and any other questions you know related to cutting i'll, be more than happy to answer beautiful. So what i've done, as you can see now, the graduation is building really nicely. I'M still going to refine the bottom afterwards, but the weight is building in the right place. I'Ve used elevation here so far to bring it across and now i'm going to bring back in the front and i'm going to start to create the length i want. So i'm pulling it down, i'm going to start connecting it to the length i want to see and i'm not going to use any elevation, because i want to really see where i'm placing it, but i used elevation in the back if you noticed so, the back Was elevated and now the front i've done it more like a one length, so in the middle, it's not going to connect. So what i do is, i pick up the hair and i find the corner that doesn't connect and by connecting that corner, i've actually connected the graduation into the one length. So now i'll do the same on the other side. For those of you that didn't see what i did so we have the graduation, the back we've created, we've created it with elevation so far, obviously not a lot because it's graduation, but we have used elevation. We can now connect the front in so we're going to bring it down and we're going to create it like a line technique. So this way, i'm really confident that the length i'm doing it is where i want it to be so right now, it's curly. It'S going to jump up to the mouth, but i'm holding it down to where the jawline is, and i can feel it because holding it in my fingers. I feel my fingers underneath the jaw, but because we've created this front bit as a one length and the back was created with elevation. What we're going to find is now there's a big corner where it doesn't connect and we can see it there. So all i'm doing now is i'm connecting it that way. The graduation connects into the one length we have in the front now what we can do, after that is, we can start to use elevation across the whole haircut, because now we have a guideline from the front to the back now. The only thing here is that we want to have a certain amount of elevation. How much depends on how flat you want the graduation to be so? If we imagine the hair sticking out at 90, the more down you pull it, the heavier. The haircut will be the more expanded the shape will be the higher you pull it the flatter it will be the flatter. The shape will be so the lower it is the heavier it is the higher it is the flatter. It is so because we're looking for something very expanded, we're going to be keeping it quite flat to be honest, because i'm looking for that really dynamic, very expanded shape. What you can see, i'm doing is i'm working both sides. At the same time, this is going to allow me to keep more consistency and balance. So at one point i will stop doing both sides at the same time, but that's later sorry what happened if you still elevate the sights the hair mirror the hairline. What happen? If you still elevate the sides, the hair mirror all the the hair mirrors. You probably not know exactly where it's gon na fall. So if i pick the hair up - and i just cut here - i'm guessing where it's gon na fall, but i'm not hundred percent. So what i do is by pulling the head down. I actually am 100 sure where it's going to fall. So if you feel confident, you can obviously do it straight away from elevation like i'm doing now, but i like to get my guideline in from the first section down. So i'm very confident i know exactly where the line is going to fall or what the length is going to be at the front, because you know that that is the hugest part of the haircut. Isn'T it where's the hair going to fall in the front for the client? What is the client going to see when she goes home and washes her hair? So, by holding the hair down, you have a much better idea of where everything's going to fall, but now what i'm doing is i'm just pulling it up with elevation and i'm working my way across. The reason why i worked from the front to the back is actually for a reason, because by my experience from teaching people, i see where a lot of people make the same mistake when they start from the back and they go to the front. They end up. Having too much elevation, so they start high in the end high by starting from the front you're more likely to end up lower and work your way up higher afterwards. What i will do, though, is once i've cut from the front to the back i'll continue by actually going from the back to the front. This grabs any kind of inconsistencies within the hair, because there's always some little inconsistency, so this is almost like cross-checking as you work, which i really like, rather than doing it all at the end. So, just again, coming through lots of tension, tension helps everything blend and just make sure, there's no inconsistencies. So we can see the shapes building nicely. It'S not quite enough hair to cross check vertically yet, but i will be doing that afterwards. So we're going to do the same on the second side. Hope that answers your question guys by the way thanks, oh beautiful. I love that. I love that. Thank you so much for asking really appreciate the questions it's carlos hi, carlos, thank you for watching. Where are you watching from carlos okay so again just moving ahead a bit over starting from the front because it's easier to be lower, so my elevation is quite low when i get to the back, i'm going to be higher. So as i mirror my sectioning patterns, i'm going to work from low elevation into higher elevation now, as you work through this side, your fingers want to point away from the head, so you have to really consciously try and move your fingers towards the back. If you don't you're going to end up with long pieces, the other thing is i'll. Show you guys here. So if you see here, it looks like i've missed a bit like, i haven't, actually cut it as tight as it's supposed to be, but the truth is because this haircut is rounded and my fingers are straight every time i pull a section, i'm going to have A little bit to cut because otherwise it's going to be like an octagon, so i have to keep turning my fingers and refining it to get this really nice curved shape. I hope that makes sense the way i explained it if it does give it a thumbs up, write a comment. If not, let me know and i'll say it again so now we're going to do something we call it slave walking the dog, but it basically just means cross checking it by going back, so we go back and we grab any little inconsistencies like the ones we Spoke about where your fingers might make a bit more of an octagon shape than a nice rounded shape. It'S obviously very hard to create a nice rounded shape with your fingers. Being you know, so straight basically, cool nice shape building nicely. I like the softness. So, even though we're cutting blunt, it still has a nice softness to it, because it's curly hair anyway and we're just going to keep doing the same thing. I'M going to do one more section and then i'm going to do a vertical cross check of what i've done so far. So guys again, let us know where you're tuning in from. Let me know if you can hear me with this mask on give us a like give us a share. Please the one comment we had for the mask: it was that they can hear you perfect good. I like that carlos is from mexico. Ah, amazing, i miss mexico so much we uh. We did a seminar in show in the class uh coming yesterday. It was two years ago, two years ago we were there at the black academy and the new black academy in monterey and mexico city. It was a blast we miss you guys. So what we're going to do is the same thing: we're going to start from the front we're going to work our way back, all right, so, starting from the front with a lower elevation, we can see where we're starting from we're going to start to work. Our way towards the back beautiful, so if you ever want to think about how you measure your elevation, the easiest way to look is to look at the roots. If you look at the roots, how low the roots are or how high the roots are, that will be a really good indication for you as to what your elevation is. Okay, now we've got a question about: where is moodle studio, so mojo studio is in cyprus. So i'm currently here because when the lockdown happened, i managed to get out of the uk and come to cyprus, where i have a lovely little place to stay and it's very safe here. We'Ve had zero cases of coronavirus. For how long now has it been two weeks i don't know so it's a very, very safe place to be, and i'm very lucky to have good friends around in the guys of mojo here and all my team is back in london at the academy and uh They'Ll be doing a live for hairbrand from the london academy next week, so it's very exciting and i can't wait to see all the guys back in london and the team very very soon. I think she asked me because she's saying that i'm in massachusetts - and there is a mojo next to my house - oh well - there we go - you never know depends where you live beautiful, so this shape is building really really nicely. Now, i'm loving it very nice. So what i can do now is, i'm probably in a good place where i've hit the roundness of the head to start cross-checking. This whole thing vertically again so before it was getting your basic kind of shaping. Now we can really refine that technique that we've created. We can really refine the graduation we built up across the top of the head, so just taking vertical sections and just basically dusting it. That'S all just dusting it to make sure that everything from top to bottom is sweet. So at slate. What we like to say is we like to say anything from left to right, so this way is your shape and anything from top to bottom is your technique? Let'S say you're one length, you're layering your graduation. So for me this is a lovely little graduation. Right now that we're cross-checking here so by taking it vertically, i'm just checking that the graduation is sitting nicely and everything's blending so by cross-checking as i work. It means that when i finish the haircut, i don't actually have to cross-check again when it's dry. It'S already finished and obviously you know being curly hair. You don't really want to touch it after it's dry. Do you so you have to really just be a bit careful as you're cutting it and make sure that everything is blending. That'S looking great, i'm loving! All the questions guys so please keep them coming. It could be about this haircut. It can be about another haircut um. You can ask me my favorite color, my telephone number tell you a joke. I don't mind guys so really we love hearing where you're from so that's a nice cross check. Again we can see the shape and the curliness building it's looking very nice, so we're going to do the same on the second side. So sorry, george, i'm just going to come around here if you tilt over for me just pop this children down so when you're doing graduation, one thing to think about is: is the head position, the more the head is away from you, the more likely you are To build heavier graduation, so if the head is further away from you you're more likely to build heavier graduation. If you want to build a graduation, it's also nice to have the chair quite low. So i always say: if you want to look at it about where your chairs, it should be below your chin, so the chair should be low enough, so the top of the head sits below your chin when you're doing graduation. This will really help build. It nicely cool, so if you like what you're seeing as well, we've done another 28 hair brain lives and they're all online for you to see you can go to our website slatehair.com and you can see the first five and we're going to post a new one. Each week for you as well, but then new question. Yes, please would you recommend this cat for refining here yeah because you're graduating it? The only thing i would do is not elevate so much so keep your elevation lower, so keep your fingers actually lower to the head when you're working or keep it in one place. So if you want to do this, let's say you want to keep it around. The jaw put your finger on the drawer, pull the hair down and actually, when you lift up, keep it low and pull every section to that point that way it'll expand out, but you won't have a problem where you elevate so much on fine hair it can It can look quite fine, so you're better off to have a lower elevation. Okay, i've got a humor uh this one. Are you using a cutting solution cream or something? No, i didn't. We did use um a little bit of eleven, which is the products you see behind us and also where they have a three minute treatment: uh conditioner, so i put that on in the beginning. But apart from that, i have no cutting lotion on this. So it's also very nice virgin hair. So it's not like it's being bleached or anything. So it's easy to work with from carlos again what mean when the hair cutters say vertical shape. Vertical is not just technique, so it depends on what language you're talking. You know if i'm speaking, english or chinese, they mean different things. You know even words that sound the same in french and english don't mean the same thing. So for us, it's slate, which i can only talk about asset slate. What we mean is when we talk about horizontally, we always mean about shape so in a technical way. We could think and say this haircut is a triangle shape. Why? Because it goes from the horizontal shorter in the back, and it goes up longer in the front. So anything with this angle, we call it triangle whether it's triangle, layering triangle, line anything to do with this. It'S all triangle, because it's shorter in the back and it's longer in the front anything across the vertical is what we call technique. So if all the hair's worked down to one length, if it's like this - it's layering - if it's like that, it's graduation, so you can go from a line. You look at it here. You go from a line to graduation into layering, so this is up and down. So vertical is what we call technique. Technique is a one-length graduation load on the vertical across the side is where we call our shape. So if i pull the hair forwards - and i cut it, it's going to end up being rounded it's a round shape. If i pull all the hair back - and i cut it, it's going to end up being triangle so again that left and right so from this way, is where we see our shape. This is the slave language. This is how we understand how we find it easier, easier to understand and easier to teach. So i hope that answers your question. Carlos is it yes, let's wait for his answer and i've got a new one. With what facts will you choose the frame with what what uh plan to write it in greek, and i can translate for you so with what the face shape with what facts? Will you choose the frame facts like a fax machine? I'M not sure, sorry what you mean um, i write it in greek and maybe i can translate it for you all right. So that's nice. So what we're going to do is we're just doing the same thing on the second side now coming across and if you just took over a bit that's great a little bit of tension. If you see what i'm doing with my scissors as well as i'm turning my scissors a little bit over the top, so i'm not coming at this angle so much i'm coming more over the top! This helps everything blend a lot better, so it's almost like you're skimming the top of the section with the scissors more than the underneath. This is really just going to help everything blend better, so it's my kind of like top tip secret. To be honest, so i'm not going to keep cross checking because i'm going to cross-check all of it now when i finish so, i'm going to do the last side here and then we're going to finish the other side afterwards. So again, just tilt away from me gorgeous beautiful. So obviously, when i'm talking about suitability and what suits you always have to look with your eyes, you know nothing beats visually. So what i always do is i move the hair around when i'm going to do a model or a client. I move the hair off the face and i see what it looks like if i like the way it looks, then i'm happy and if i don't, i try and change something. So i think the best thing to do with suitability is to just look at your client and move the hair around and decide. Does it look better with more hair on their face? Does it look better with more hair off the face? You know the lens that you're doing the weight in the back, so it's a very visual game, but always trying it out before you cut, obviously having a look and then changing appropriately, actually with what how you're gon na decide the question from before about the fringe Or a frame, what uh, again it's it's very visual. You know. Obviously you can ask the client about manageability, so you've got to ask: is this going to be manageable for the client and are they going to want that? So someone might say to me: i want a fringe and i go okay, but you have a very strong growth pattern, and so, if i do it, you're gon na end up having to blow dry it every morning for 20 minutes. Is that what you want? You probably go, no, no, so you can say: okay, are you going to wear an actual curly? Is that what they want? Do they realize that they have a very strong growth pattern and it will never sit like a full fringe? It will always separate. These. Are the things you have to tell the client before you start after that you can look visually and you can just put your hand and say: does that look nice? Does it look nice higher? Does it look nice lower? What will suit her visually try and understand what you're doing i mean? That'S, why we're lucky as hairdressers we're very visual. We can actually look with our eyes and touch the hair and feel it and move it around and see what works and that's what i always do. I have a very good look before. I understand what the client is willing and wants to achieve as well beautiful, so i've finished most of the haircut now. What i'm going to be doing is i'm going to be cross, checking it and so the way i cross check this is. I do something very, very nice and easy and it makes everything blend so beautifully. So i'm going to show you my secret. Now you come from the party from the top you curve around the head to the ear. You move the hair away that you don't want to deal with, and you start by using a lot of elevation. So, even though we cut the hair down, i'm actually going to be lifting this up and i'm going to be making sure that we have a nice clean angle coming up. So this is still graduated but we're just refining it with more elevation. And it's a bit cheeky, but what it does is it makes everything blend so beautifully so beautifully. So what we're doing is again we're just taking the hair away, picking the hair up, i'm very conscious. You see, i'm not cross, checking the bottom. The reason why i'm not crest checking the bottom is because i've already cross checked it before so remember throughout the haircut, i've been cross-checking the bottom, so i don't want to keep cross checking it, but i can see now the way that it's sitting beautifully. So every section i take is just working back from the head, so i'm just working back from the head every time cool. So if you are enjoying this guys, please like it, please share it. It means a lot to me and the team back at the slate academy in london. We really really appreciate the hair brain community. It'S been over two years now, we've been doing hair brain lives, so we can't thank you guys enough for tuning in all the time and sharing it with us through all the things that have been going on in the world. It'S nice to have a community like hair brain that we can connect with even from so far away beautiful. So what i'm going to do is i'm going to do the second side, but we can see that that's blending beautifully so again just cross checking the top, because the bottom we've already done it beautiful. So it's just making sure that the top is smooth and that will help everything blend really well. So this is like a bit of a cheek that just helps everything blend just by refining that top section cool. So what we'll be doing is we'll be adding a little bit of curl product to it and we'll be giving it a gentle dryer. But before i do that what i want to do is i want to refine the bottom of this haircut. So i'm going to be actually doing a touch of scissor at the corner now as well cool, so the bottom is dry, which is great. It allows me to just go in straight away and start to cut it. So what i'm going to do is i'm going to put my chrome in i'm going to work from the bottom. So you see these three dots, i'm really going to try and keep my scissors where those three dots are. So as we go in, i'm just going to be opening and closing before i even get to the hair, and then i'm going to be going in and just removing. So i'm working with the same part of the comb with the same part of my scissors and again just going in and coming out, maybe i'll go into a bit of the light. So maybe you can see better so again, just opening and closing, and what i'm actually doing is, as i'm going in, i'm not turning the comb out like this, i'm actually going in and i'm turning the chrome the other way. So it saves the length. So i go in this way and then i turn it and that way when you're coming out, you save a bit of the length. Otherwise, if you go this way, you might just whack it off so again, i'm turning it out coming in starting the scissor overcome from before you even touch the hair and then turning it out beautiful, and that is how you do a box bob. So this is great on curly hair. This is great on straight hair. It doesn't really matter box bobs. They always look good they're, quite low graduation, where they start the weight from, and it's just a bit softer, very nice beautiful. So just doing that kind of helps accentuate the graduation as well makes it really nice and tight beautiful. Let'S get some creamy product in there, okay, so this is just a bit of a curl cream cool, so this is coming towards the end guys. So please, let us know if you like the video it's nice to do a real human. Thank you for being with us. You know i love working with dolls, but there's something about being with people that you've just missed a little bit over the last few months. I hope you guys have enjoyed watching it too, so i i like it when it's more expanded as well. Yeah sticking out beautifully nice. So again, i'm just trying to get that product to really go everywhere as well, nice, okay! So let us know what you think guys, let us know where you're tuning in from we're going to give it a little bit of a dry now as well. So if you did like the video, please please like and share it you'll appreciate it a lot. Any questions you have speak now before you hold your piece um. Also, if you did like the video, please check out our website. So if you go a bit closer george, you have slave hair education and if you just go online and write slate hair dot com, you can go to our website and we have a blog there with the live videos that we've done over the years as well. We update each week so, let's start to dry it off. You feeling a bit lots of footage, yeah yeah cool, so we got one of these folding diffusers come over on the other way. Okay, so yeah, it's just a very, very simple haircut, but it has a really strong result. I hope you guys like it. I think the easiest way that we started it was so recording as well. Let me just blow some of this up for you all right. So you need to please stand up and what we'll do is we'll just take the gun off and we can show you the haircut stand here for us cool. Why don't you spin around a little bit for us, so we can see gorgeous very nice, beautiful cool, so thank you so much for tuning in everyone. It'S been amazing. As always, we can't wait to see you next month for another live with me, but our cutting director, james acres, will be going live within this month on hairbrand as well. For my london academy, we look forward to seeing you soon. Peace and love goodnight from us cheers bye,