Modern Mullet Haircut For Women! Step By Step Tutorial

Hi Reverend it's Morgan Roy and I'm here with my model, this is Sidney and today I'm going to show you how to cut a modern mullet. So, to start, I'm just going to show you the sectioning that I've already planned out on Sidney's hairs and Sidney already has a little bit of a mullet going on. But it's been about three months since her last haircut. So what I've done underneath is I've sectioned off where I want to retain all of Sidney's length, so that has just been braided away so that when I clip it down, I don't have to worry with too many clip marks and then along the primal Ridge. I have more sectioning and I'm clipped a little higher up on the bridle Ridge, and this is so that I can really sort of take down the sides nice and tight. So I'm gon na get started, and this start at centre-back and I'm just gon na have Sidney look down ever so slightly and when I love it, Sidney's head shape, and I think this is important for us to be doing. Is I like to see if it's important to build up any volume in the crown and with Sidney she's quite petite, so we can definitely do something. That'S going to exaggerate the head shape a little bit and also give her a little bit of height. So one of my favorite techniques to use in a haircut is graduation and whenever I need to get myself centered, especially in a scenario like today, I always feel for the back of the head, where the ears are and then that way. I find it's a lot easier to find center back on the head, I'm very excited to be doing another hair, brained live and I'm hoping that there will be people tuning in and you can go ahead and ask questions. One of the places that I like to go to for inspiration is, I love well, hair, brained, obviously, but then I also love to look to the runway, so here I'm going to go ahead and graduate, so this will really be the shortest place on Sydney's haircut And I'm gon na build in a little bit of a wait line through graduation and I've got my good friend, Tristan Morrison, behind the camera tonight. So if you have any questions, my good buddy here is gon na read them off to me. So lots of people tuning in and lots of love out there from Brooklyn from all over the US a lot of hearts and thanks for being here to you, Morgan, so good, stuff, nice and I am at the Toronto Aveda Institute and Academy. We just finished up our day here, so it's nice to continue some education for those of for those at home that maybe might not be able to make it to Toronto, but you're always welcome. You can come visit me here, or I also work at Civello and recha. Bella was on one of these hair brands not too long ago. So if you haven't checked that out, make sure to so I'm over directing to the previous section and what this is going to do, is it's going to build up a little bit of weight behind Sydney's ear, because what can happen when we cut mullets is they Can tend to get a little too small on top, and then we have too much volume through the body through the bottom. So what this is going to do is it's just gon na build up that little bit of graduation and give the round of the head a little more shape. The other reason why you see me sort of stop and check to look at my work. It'S because to me, haircutting has some similarities to driving and when we're taught to drive people will tell us you need to go straight, but if we were to just hold the steering wheel straight, we would crash because it's important when we're driving to kind of move With the road - and so the same is true when I'm cutting hair, I like to stop and check to make sure that what I'm creating is actually working with what I'm trying to create. So I'm gon na actually stop there because, as I was saying, I want to make sure that I'm building up a little bit of weight just behind Sydney's ear, so I'm gon na go ahead and I'm gon na do the same thing. On the opposite side. Just spinning around Sydney, so a lot of a lot of great questions. What would you describe as a modern, mullets, so great question? And I was having this debate earlier today because I was wanting to know like what's the difference between a mullet and a shag, because I have a tendency to use the word shag because for me, a mullet kind of has well being up in Canada. I think of hockey hair - and you know you kind of - would be like. Oh that person has a mullet, but then you know you think of people like David Bowie and he had a mullet and it was amazing. So I don't think we kind of have the same sort of negative feelings around a mullet anymore. But to talk about inspiration like my favorite source of inspiration, is I love the vogue runway app and it posts all of the collections, including the latest collection. That was done in Tokyo for Valentino and if you looked at a lot of the models hair, there was a strong sort of mullet influence where a lot of the models, both men and women, had quite cropped on top and then a lot of length through the Ends so I think, in order to make something modern, it's important to think of the person - that's gon na be wearing it so for Sydney, this isn't her first mullet. She definitely like loves having haircuts that really stand out. So I think it's really about incorporating the fashion piece. That'S what makes mullet modern we're not talking about. You know someone that has a Flowbee and they've decided to cut their hair at home and by accident they get a mullet. I'M talking about. You know people that really are thinking about their image and as hair stylist. I think it's important for us to also look into consider our guests image. We'Ve got lots of love coming in got so many people watching we had adam federico watching so hey Adam. We have a lot of people asking why cutting on the inside of your hands versus over top of your knuckles, ah very good question, so I like to cut on the inside of my hand for two reasons: the inside of my hand is a lot flatter, so It'S easier for me to cut flatter shapes when I'm on the inside of my hand, when I work over my fingers, my fingers have a tendency to curve to what I'm cutting to the other reason is for body. I want to be a hairdresser for a hundred years. Well, I want to live to 100, but maybe I can do hair until I'm 80 at some point I'll become a thin hair specialist, so I don't have to do the blow dress, but when I'm in a cutting position for graduation electricity, if you want to back Up a little, you can see a little bunch and by working palm to palm myself down my shoulders are relaxed. My knee is in the same line as my foot, so there's no pressure on my body. If anything, I'm getting a bit of a workout, which is great. So when I go to my second side and I slide my foot over the same thing happens: we're now. I get to lunge down again and there's no pressure on my shoulder. So I really think for the health of the ear dresser, it's important to consider not only your hand position, but your your body position, so we got a lot of people that tuned in. So what are you doing right now? Let me recap, so I just pulled out the section that I had pre sectioned off of Sydney's haircut for this modern mullet and above that I did a little bit of triangular, graduation, so graduation being something that sits shorter to longer on top and triangular, meaning. My starting point is at the back and it's progressively going to get longer towards the sides and along the way, I made sure that I liked the way that this was sitting in from here. I'M going to go into the side and, as I told you previously, Sydney already had a little bit of pre-cut areas and I'm gon na go back to that afterwards. But I'm gon na go in with now something that starts at the front and I'm gon na work towards the back. And what this is going to do. Is it's gon na push the hair back in away from Sydney's face, but because I have this piece at the back, it's almost gon na intersect and kind of just push over the shoulder. So for this, I'm gon na do a layering technique and Sydney's gon na help me out by just tipping her head ever so slightly to the side and I'm going to comb away from me and work very short. And why should that? Her head tipped is because, with my cutting hand, it's very hard to get my hand nice and close to her head, just making sure I have the right length there. So we got lots of love coming in. We got some love coming in from our friend, Leslie Spencer, hey Leslie, how's it going a lot of people saying that they would love you to come back and do work at the salon. One question just came in from Louisa: would you recommend this kind of haircut on thicker hair, so a good question Louisa and thank you everyone for tuning in, I feel like with any haircut. It'S really important to do a proper consultation, so I'm hesitant to say who this is gon na be perfect for because I think anything when it's been customized well works for everybody. It'S almost like restaurants. I don't think any restaurant is gon na turn you away any more because they all know the importance of customization like if I want to go eat with you know a vegan, that's gluten-free and can't have any nuts most restaurants are gon na accommodate. For that now, and so I think, with hair dressing, when we understand our technique, we can go ahead and customize something so well that yes, suitability wise. This could work for anybody, so a couple people that have just kind of tuned in so why don't you just kind of recap, what kind of haircut you're doing and who you are and happy that everybody's joining in with hair brained? Well, thanks everyone for tuning in I'm Morgan, Roy, I'm creative director here at the Aveda Institute Toronto, as well as the Civello salon group and I've just been cutting away on Sydney's hair today and we're doing what I'm calling a modern mullet inspired by all of the Beautiful runway models for this year's spring/summer collections, and what I'm doing in here is I'm working basically a round concave and why we say round is that I'm starting at the front and the weight of this is gon na slowly push to the back and concave, because I'M really cutting a layer that is so high that it would almost be like the inside of a circle, and you can see that I'm doing that with my hand. So I'm just combing away and Sidney she's, even helping me out by having her head slightly tip to the side so Sidney you. Let me know if you get tired, so Chantelle wants to know if you're using a cutting aid or a lotion, Oh so hi. Chantelle. Thank you so much for your question. No, today, I'm not using a cutting aid or a lotion. I just have water in Sidney's hair right now and I was planning on using a little bit of volumizing tonic afterwards and today I did not put in any cutting. Probably because my hands are extremely dry and I don't want it to be too slippery, we have so many friends watching from around the globe. We have our friend mr. Christian Hayden watching and Tracy Newton. So we thank you guys for tuning in and lots of love coming in about the haircut and some people want to kind of a quick recap because they're joining it all right. So I'll finish off this last section and I'll spin Sydney round so that you can see what I've done so far, but right here on I'm doing and you could do this technique either wet or dry. Sometimes I find that when I'm working from shorter to longer on the inside of a layer like a concave, I like to do it dry, just because it's easier for the hair to glide through my fingers. But to recap what I've done so far is I started and sent her back with about I'd, say about three inch section clipped out of the way of Sydney's previous haircut in here I started through Center back working from center to the outside. Over directing to the previous, to create a slightly graduated triangular shape and what that's gon na do for Sydney is just to give her a little bit more lift in her profile and then from there. I came around to the front and I started my first section here, which is a traveling guide line where I'm working to the previous. Until I intersect with my last section at the back, so a couple people wanted to know they saw a braid, so the braid was where I had the hair clipped up at the back and why I used to braid and not a clip. If sometimes I, like the texture that a braid leaves me with, whereas a clip I get a clip mark use a clip, I just had a tendency that with braids it gets the hair up and out of the way, and so some people are asking about this Technique could you slide cut this concave that you're working on right now? Could you slide it as well? Absolutely you could slide catch. You could why I'm not slide cutting today, as I find when I'm working like a technique like this, I have control. In the left hand to keep the length, whereas when I'm sliding, I really have to be mindful of the pressure that I'm using. So for me, I just feel like I have a little bit more control. But yes, by all means you could go ahead and you could slide cut so lots of love coming in people saying how much they like your hair, that it looks like a Linda variation on the 90. So that's a nice compliment, compliment for my videographer and very good friend and talented educator, Tristan who's behind the camera and great, and I'm just about to meet up with the last section here, nice and close. So when I'm over directing what I'm looking for is basically that I've run out of hair, which I have and if I was to take a horizontal section and look at it from the top. I would basically see a very large point, and that's because this piece has been over direct to this piece, and this piece has been over directed to here. So why did I decide to use that method instead of slide cutting is simply because I feel like I have more control and I'm just going to do a little check to make sure that this is collapsing in nice and tight on Sydney, because when I talk Get someone's bone structure. I don't like to talk about ideals, because I feel like there's really no such thing as ideal anymore, and we see it in sport. Certain body types are going to be more ideal, for maybe a certain you know. Long-Distance runners have a different body than sprinters, but all of the bodies are important and I feel like with Sydney you know she asked me she goes. Do you think this is gon na work? With my face shape, I said your face is gorgeous. It doesn't matter what I do so I think it's really important that if we're confident in what we're doing, we can go ahead and make the right decisions for our guests, so I'm gon na stand in front. So we have lots of people. We have lots of people that are shouting out to you. We have Tracy sackless, it's tuning in hey, Tracy, how's it going thanks for checking it out, and so on this side it's a little bit tricky. So I'm gon na stand in front and I'm gon na come towards me with my fingertips, pointing down, and I always check for balance by picking up a little piece from the opposite side. And I know we all have a favorite side of cutting here. Lots of people saying they can't wait to see finish. What'S the name of this haircut for people who are tuning in what again what we calling this haircut so for those of you turning tuning in. Thank you so much for watching. This is my model, Sydney and the name. We got its modern mullet and that actually came from bouncing the idea off of Sydney. He said what do you like? Better shag, mullet and she said she goes mullet, and so I think really, when you're creating looks not just for models like Sydney is a student here at the school. So if she doesn't like her hair, I'm gon na see her every day and we're gon na work on it until she does but fingers crossed. I think I think we're good. I think it's really important to get to know your guests if you can like. I know when I go ahead and I cut a new clients hair. I always try to really get to know them and with the ability with social media, we can look at their photos on Facebook. We can look at their photos on Instagram and really kind of get to know what they're like outside of them just coming into the salon. So I'm doing the same thing on this side that I did on the other, where I've got my fingertips pointing down and I'm removing a little bit more weight just here on the parietal Ridge and then what you're seeing is I'm slowly elevating with my left hand And my right hand is really just cutting, so it's my left, that's doing all of the work and as long as I practiced, my scissor handling my right hand really gets a break. So why are you standing in the front on this side and in the back on the other side? I have so very good question, so I wish I could cut here with both hands. It'D be a little more expensive because I'd have to buy two sets of scissors right here me people out there scissors are expensive, but for me what I'm trying to achieve is a really short piece of hair. So my angle goes from very short to long. If I was to stand this way, it would be tricky because my fingertips naturally want to point downward and I also be cutting into the hair so from where I want the longer tips, I'd be going into the shorter tips. So what I do to make it more similar to the first side is, I stand in front, but they don't have to be mindful that I'm over directing and so how I'm making sure that I'm walking towards the back is I'm slowly moving, my body to the Back of Sidney's haircut, the other thing about standing in front. What I like about it is, I can check, and I can look at my guests to see how they're doing, because I don't know - I think for most hairstylist. We maybe don't discuss it in school, but I think it's really important to not only do your consultation in the beginning, but to sort of ask questions along the way. Ask your guests. How does it feel? Do you like how it's looking but to bear in mind that sometimes it's like cooking and things in the middle? Don'T always look so beautiful until you're about done, but thank you so much for tuning in. I am a huge believer of education. I love how accessible education is nowadays. I think it's incredible what hair brained has been able to do. I love their podcasts, I'm someone who has to commute to work, so I definitely always listen to my podcast and in addition to that, it's such an amazing tool for not just us as hairstylist, but to give our clients like for them to leave the salon, and I had a YouTube channel, it's called Morgan, Droid Beauty. If you'd like to you, go ahead and subscribe, but I tell my guess if they don't know how to flat iron curl, instead of them finding someone else on the internet and I'm not sure what they're learning I'd go ahead. And I tell them like check it out right here. I go through the steps of what you need to do to flatter and curl your hair properly. So our good friend Darlene wants to know if you would do this on textured hair. So very good question thanks for asking Darlene shout out to one of our amazing and talented educators here at the Aveda Institute Toronto, sorry a little biased, but for textured hair. Absolutely I think what you need to consider with textured hair is that your whole shape is going to expand. So I know for a one-length technique on straight hair. It'S gon na lay very flat to the body. The moment I put that on curly hair, it's just gon na expand and get bigger. I did talk to Sydney. Sydney does have wavy hair. She has a tendency to let her hair dry. So we knew that this would be something that if she let her dry, it would sit nice and flat to her head and bone structure, but still complement her. So, yes, I'm curly hair for someone that opened something that's a bit more aggressive for sure. Okay. So I'm gon na move on to the top, but let me recap the back first so to get this started, I started off with about a three inch section that was horizontal, that I had braided out of the way, instead of using a clip from there from Center back, I worked previous to previous with graduation on either side to create slight trying to their graduation in the back. Then I came around to the front and I started right here at the temple creating a guideline that was working from very short to longer and I slowly walked all the way to my last section of the piece in the back: creating a corner on either side Of Sidney's haircut, so a few people wanting to know where you got your clips. What kind of scissors do you use? Okay? So for Clips I love the wise part clips. I have a tendency to buy the gold ones, but they're all good, as well as the wise Park comb, and I feel like it's really important when you're choosing your tools that you don't use anything that's too big. The head is only so large, and so when I see people using very large tools, it makes me think of someone drinking soup with a lot of it would just get really messy and hard to get. You know the soup in your mouth. So when I look at people that use very large tools to cut hair, I wonder like do they cut themselves? They find it hard to move the hair around, because I have pretty small hands. So I like to use our tools and I also look to my role models and my mentors and I look to see what tools they use and if they tell me that they're amazing, like I love it. When I get the opportunity to talk to Gerard - and I say you know what type of scissors do you think I should be using, I love the B max, I think, they're a great scissor so now that I've got that wet down lots of people joining in And watching so from here, I'm gon na section off at the apex so looking to see at Sydney's, head where's, the highest point and sorry I'm gon na section at the crown cuz. I want to make sure that I've layered the crown short enough that it gets supported by the graduation that's sitting below what kind of water bottle is that from my good buddy, Tristan Morrison, I've got this wonderful hair, brained water bottle. So if you need a really beautiful water bottle, this is the go-to okay. So now I'm going to be working over the fingers. I was asked before why I worked in the palm of my hand or under my fingers, and I explained that what that creates is a flatter line by working over my fingers. What I can do is, I can actually create something that sits a little bit rounder. Just by bending my fingers slightly and what this will do is it'll follow the round of Sydney's head and again, I'm going to use probably one of my favorite shapes, which is triangular so you're gon na see my body position is gon na stay the same so That my hands or my fingertips can be pointing downward, but all I'm doing is I'm combing away from me. So I'm looking to make sure that I see the spine of the comb because I think one thing that we do habitually as hairdressers is. We tend to really over comb our work and I teach here at the Aveda Institute. I teach two days a week and I love being a part of Education Sydney. My model today, she's, actually a student here, and I have to say one of the most energizing things that I think hair stylists can do, is teach and be a mentor. So if you feel like you know, you need something to inspire you throughout your salon week. I would highly recommend you know check out your local school see if you can, you know, do a demo for them get to know your new up-and-coming hairdressing professionals. So, on the opposite side, my body is in the same place. The only thing that changes is this time when I'm combing, I want to make sure to see the teeth at home and what that's gon na do is it's gon na make the first side and the second side the same so you can see my graduation is Just sitting below my finger and then when I go to comb, I'm just elevating and really using that round of my fingertip lots of people saying how much they love, how you've modernized this and it's just kind of sitting really nice on on Sydney. Lots of people tuning in so when we're done this, we can do a recap: Sydney, a turn to the frontier and reach a far sectioning. All right. We got the back so for this modern mullet, we talked with Sydney made sure that she felt comfortable with everything that was gon na go on. I had about a three inch section that I had braided away and that's where you're seeing her previous haircut or her length from her previous haircut from there. I graduated a triangular graduation, meaning. My guideline was in the center and I progressively got a little bit longer towards the outside and I stopped at the mastoid here. I did the same thing on the opposite side, of course checking for balance along the way, but this is really disconnected from that bottom piece and then working along to the side. I came in with a concave, so working very short and over directing to the previous. Until I met back up with that little bit of graduation on the side doing the same thing on the opposite side, and so, if you've just tuned in all I've finished completing is the layering that's sitting in the crown of Sydney's here and then I just have To work on to the top! So for that, I'm going to do something a little different where I'm going to stand so that my fingertips are towards the front of Sidney's head and I'm actually gon na work shorter along the front to slightly longer in the back. Because, as I mentioned before, Sidney's quite petite, so if I can build a little bit of height in her haircut, that's still modern we're not talking. You know like Dolly Parton here, I'm gon na try to do that by making sure that I could planned out. My haircut properly, I do love Dolly Parton, so if there's anyone that's near Dollywood, that would love for me to come and teach. I would love to come and teach you, because that's something that I think all of us, educators, love to do - is definitely meet new people and see what's happening locally in your city, and so I'm just going to start with my first section here right at the Front and I'm going to establish and Sidney and I had spoke, and she said that she was totally open to a microfridge or something a little shorter and I've had the luxury of getting to know Sidney over the past couple of weeks to get to know what She likes because I really think that's more or less how we get lucky with our haircuts is: if we really get to know our clients, so you can see, as I was working along the back, I did meet up with the piece that was sitting in the Crown at the back, so we have a question coming in from Tracy. What would you say? The difference is between a mullet and a shag. So thank you for your question Tracy and I really think the difference between a mullet and a shag is a mullet. I feel like is slightly more aggressive, meaning it's going to be sure in length than what a shag would, but I think there really is no strong definition. So if you have a guest that hates the word mullet but loves to refer to her hair is a shag, I feel like call it a shag, but if they hate the word, shag then call it a mullet. But if there's anyone on the hairbrained community, that's watching, please, if you know what the difference is. Please let us know Tristan and I would love to know and I'm sure so would Sydney. So why don't you talk about how important it is like the suitability for picking this for somebody, because you know, I think a lot of people are out there. Looking saying you know, when would you use this on somebody, and so I think suitability is key to kind of look at for a haircut like this absolutely and one of the most important things that I think actually Sydney - and I were talking about this - and I Was saying you know what Sydney I still love cutting like long round layers and just trimming the ends and giving a woman a beautiful blow-dry and knowing that she's gon na feel amazing about her haircut. So I really think most of it is actually removing. First yourself, from what you're doing and knowing that what you're creating is going to be worn by your guests, and so, if you can establish sir who your guest is what does she do? What does she need to do in the morning to get ready? I know for myself: even I've learned what works for me by having so many different haircuts, and I've really had the privilege of being able to. You know, grow my hair out numerous times so that I could learn from that experience and figure out. Okay, when I'm growing out, you know what pixie, how often do I need to have a cut and when I'm having it cut, do I need it to be cut into a bob or do I want to grow it out into a shag or mullet? So I think your own personal experience definitely helps, but I think it's really important that you connect with your guests, like I was saying earlier with social media. It'S amazing because we can actually get into our clients photo albums. You know if you want to know what is their lifestyle ask to see hey? Can I see a few pictures of you that you've posted on Instagram or Facebook or you have a Pinterest account? Can I see how you like to decorate your home and then also to you, know, check in make sure your guest is loving what they have done? Whenever I cut a new clients hair, I always make sure they have my business card. I make sure that they can contact me on Instagram and I want to know is it working for you, because if it's not then come on in and let me adjust it okay, so what are you doing with the haircut so for the top? I started through the very front and I've kept my fingers in the same direction the whole time and that's because I'm hiding Sidney's fringe, the shortest oh and from there I'm working ever so slightly longer towards the crown and what this is gon na do is it's Gon na build up a little bit of length in Sidney's crown I've, I'm working just through the top and again the same way that I did through the back, I'm just controlling through my combing to make sure that I'm getting a flat shape across the top. So if I go ahead and cross-check, I want to make sure that I'm seeing a flat line so just checking all the way through, and I know that by keeping my over direction consistent, I will be able to go through and make sure that I am getting That nice flat shape across the top, so even with Tristan standing right in front of menu. What you'll see is I'm combing in the same way, but I'm just combing that hair away from myself ever so slightly towards the guide line. So I'm not combing on both sides just to ensure that I'm getting the right over direction. Lots of support there from the hairbrained community. Well, thanks harebrained, I'm almost on my last section here because I did go ahead and I cut shorter pieces below or at the parietal Ridge on Sidney. So I'm just gon na go in and I think the other way to keep a shape. Modern is to have elements of disconnection. I think what we've learned along the way through hairdressing is not everything needs to connect in. I think one of my big sort of moments of hairdressing was realizing that a fringe or bangs are disconnection. You know how many of us actually cut someone's fringe and then take it all the way through rarely if ever, unless they want sort of that haircut. So we got lots of nice things. Johari saying one of the things he loves about hair brain is the diversity of the educators and the haircuts, and we definitely agree here. Brain does have a really diverse group of people that you know spend their time trying to give back to the community. We got Jules saying how much she loves hair all right, so just gon na clean up Sydney a little bit here before I were fine and I am gon na go in with the diffuser Sydney's hair dries quick and I'm gon na be using the Aveda volumizing Tonic, why, like Aveda volumizing tonic, is it's nice and shiny? It gives a little bit of hold, but not too much hold. Not enough said me if you can see yourself in the mirror there, and I really want to just emphasize Sydney's natural curl so by using the volumizing tonic and a diffuser it'll, really simulate what she's gon na be doing at home. Where she told me, she mostly just lets her hair air dry, but I know that with cold Canadian winters on occasion, we need to use a diffuser to get things dry faster. It'S important and amazing the quality of educators and guest artists, I'm working a sauce and a lot of it I think, has to do with yes, sir, and from here I think it's really about suitability. So I like to change my perspective. I'Ve been working sort of a lot behind Sydney. I'Ve worked a little bit beside her at one point. I was on the side of her, but I haven't gotten right in front of her yet and I always tell my students that their last check should really be getting right into their clients space and get right in front of them, because when Sydney goes home, she's, Not gon na stand behind a chair to look at herself she's gon na walk right up to the mirror, the same way that I would or that you would as a hair, stylist and she's gon na take a look. So I think it's really important for us. As hairstylist to change our perspective and we're doing something that not a lot of people are doing like we're allowed to get into our clients personal space lots of support, we have serese from our thatching fringe salon up supporting you and nice to see you online Charisse. At hair brained, we have so many people sending their support from the community. Well, thank you, everybody. I know that I constantly feel inspired by people that I've taught along the way. You know Tracy Charisse people that I've even actually never connected with, but I've been able to follow them on hair brained on Instagram. I just feel like we're so lucky as hair stylist right now to have amazing wonderful tools like you know, hair brained, and so, if you can't, you know make it to a show. You can only see the show online, so just refining I'll clean Sydney up a little bit. We know how uncomfortable it is to sit with hair. All over our faces, mind you I'm sure, as hair stylist, you've all gone home with a bunch of hair. On your face, that's not yours. I know on occasion I've gone out for dinner and there's been here in my food, but I checked to make sure it didn't fall off me first. So I'm sure I'm not the only one interested. So what are you a little bit about what you're thinking about when you're customizing a fringe? So really what I'm looking at when I'm customizing a fringe is, I do want to pay attention to looking at the face, shape and face shape balance, and where do you want to highlight so for a lot of women? We love our cheekbones and why our cheekbones are so important is because they really house the most important asset on the face, which is your eyes. So if I draw more attention in through here, I know it's gon na be complimentary. One thing that I had discussed with Sydney was she had these strong sideburns and at one point we have sort of thought about placing them in through the side like this, but I said to her: I go, you know as someone that has a rounder face shape. I find that if I keep the hair sort of sitting up and on my cheekbone even through styling, I get a nice lift running through. So I don't think it's always about covering up, maybe something that you're a little self-conscious of it's almost exposing other areas to minimize, and I think, as far as like fringe length goes, I know that parting, we don't know if Sydney's fringe or forehead starts here or It'S here or it's here, so it's a really a long gating way to cut hair. So with a fringe, the shorter I go, the more the proportions are going to become elongated and with her dark hair it does create a pretty strong horizontal. So I know that I can probably take the fringe up quite five before it really starts to elongate or stretch Sydney's face because she has such high bones and such a nice little narrow chin. But I'm pretty much finished. I'M just gon na look to make sure that there's no weight that needs to be removed, and I think of anything just through the crown where I had my to sort of over directions come together. I really just want to check to make sure that there's no extra length and by creating a tiny bit of texture in the crown, I know that Sydney will be able to style this in very various ways. If I take out too much, though it's gon na fall flat and she's, not gon na get that height in her haircut that I tried so hard to get. So let me recap, as I clean off Sydney here, I started in the back of Sydney's hut, so starting in the back, and I didn't actually cut anything in here. This was all of Sydney's previous hair, previous haircut. So it's about a three inch section. That'S horizontal! Above that I worked triangular graduation and then came around through the side, so completely disconnected and worked a piece that works from shorter to longer that I've slowly worked towards my last section at the back, creating a very strong corner, which you can see here. That'S just kind of hugging and giving a little bit more shape to Sydney's profile from there. I sectioned off at the crown and worked this time over my fingers to create a beautiful round layer over directing to the previous to create something that's going to sit with the bottom so triangular and then coming around to the front, starting at the fringe and working From a little bit shorter to the length that was sitting in the crown and then working previous to previous, to create a nice square shape running through the top and then just detailing with a little bit of pointing along the fringe and then diffusing. Naturally. So it'll be pretty close to how Sydney's gon na be able to wear her hair at home and for styling options, so before Sydney leaves. I would probably show her that if she wants to wear it even more aggressive, she could go ahead and tuck her hair. Behind her ears, and then she has a different look if she wants to go even a step further, you know slaves mall. Today she could even twist that hair out of the way and shop, all of her friends, thinking that she has a short haircut. So I think it's also important that we show our guests the importance or sort of different ways that they can go ahead and style their hair. So that's all for me. Thank you so much care and community. If you want to find out more, you can always find me on Instagram or on Facebook under Morgan Roy beauty. Thank you. So much for tuning in