Money Piece Hair Tutorial | Full Step By Step

My section for that little mohawk is going to come back just to the back crown get that round because of how the the sectioning is going to work. I do like to follow the shape of the head. Keeping a pretty consistent rectangle here, because it just makes for cleaner working. Is that looking all right? Am i in the way you work with nice clean parting? It'S going to make your life so much easier down. The road because we are going to be starting at the top and then working down. So if you work neat you're not going to be pushing a whole bunch of messy messy stuff out of the way so silky towards the you know right about the corner of my rectangle from the top i'm going to take that to directly behind the ear. Creating a nice panel to work with it's the side of her head. Take that out of my way and then to finish that off. I'M just going to divide this last back section just right in half, and this sets you up really for many different color and lightning techniques, because this really does section out three pretty important areas that you have to work with, because the hair along the part typically Is going to want to be a little bit lighter, it's going to be a little bit easier to get lighter and you're going to need to be putting a lot of focus on that your hair through the sides of the head. You might want to treat a different way just because whatever look you're going for so we've got her sectioned off up top again. Where we're going to be doing the tees, highlighting sides will be weaves and the back will be slices. I like to work i'm going to be standing in front of her so which one do you want me to stand in. I destroy these, so real, quick right up front on this front, hairline on a regular hairline. It'S going to give a little bit more, but you guys get the idea i like to do weaves along the hairline, because it gives it a nice, bold pop without so much of a harsh harsh line. So i'll just you know, grab some random going a little heavy on it, because chances are if they're, already your color client there's already some lightness through here. That'S why this is sort of refreshing at the same time as creating just come on in get it nice and tight. If that's the look you're going for the only not the only but the the one part of the head that i really try to focus on a real client of making sure i get as close as i can. Is this money piece because that's what makes it pop so much! That'S what makes that explosion around the face that everyone notices, because it's great you want it to look good all over, because you know you're providing a service, and this is your work. But it's that stuff around the face that they're gon na stare at that they're gon na notice right off the bat okay. So we've got our little money piece working, we're good now for the rest of this mohawk. I'M gon na go through i'm gon na take slightly thicker sections and we're gon na do tease highlights so. The whole point of a teased highlight is to get energy of a foil with the softness, a balayage or an ombre. So much it's not you're, not gon na get close to the root. So it's obviously not something that maybe you want to do on everybody, for what we're doing here. It'S pretty perfect! So i'm going to do a little bit batter of a weave. You can see decently thick and then just some light teasing, i'm holding on not real tight, because, more so than creating a nest at the root. I'M trying to see that i'm breaking up where the ends of the hair are because i don't have it super super tight with the t's. So there's ends all over here, i'm going to highlight to about there and what that's going to do. That'S going to avoid a line altogether, think about where that's hitting on all that different hair and then just to add a little bit more softness i'll turn. My brush just have more of like a feathered technique up at the top there. So you get a good saturation, i lock it up, and then chris also say or christos christos is saying how much space do you have between yourself here, i'm doing maybe half inch in between it's really going to be dictated by how much you want this curtain Up top to have lightness going throughout i'm going to get that out of my way. So when moving into these side panels, this hair is going to come for this type of haircut. It'S going to come down. It'S going to go back. It needs to look good in many different directions. I am going to follow the hairline and i'm going to do a really light weave first, because a lot of people even on a look like this, that does look a little more lived-in, do still want it to to show when they pull their hair back. Do like to do just a little little itsy bitsy along the hairline i'll just grab like small little baby lights, i'm eating he's cute and then i'll just leave that as an actual weave. I won't tease it or anything, i'm going to do both sides or just going to the back after this, so we get that little cute little weave in there. But then, once i move into once we go beyond the hairline and we get into the meat of the side section. I do like giving it a little bit more of a pop because we're doing a weave, it's not going to explode like a slice would, but i do want to start seeing some bands running through the hair cause. We are trying to marry this new look with. If she's got old blonde on uh on her ends, i like to follow my section angle, that with the hairline, because that makes it fine if the hair comes forward. Fine, if the hair goes back and it gives it enough of a diagonal to diffuse it as it comes down again just a nice little weave, i like to change up, i'm thicker some little. You can do morse code in their hair. If you want with dots and dashes whatever, whatever makes you happy and also makes them happy, because, let's not forget kind of what they're paying for i'm a big fan of olaplex ever since it came out, i've seen really amazing things. I'Ve been able to do really amazing things, i'd say not stress as much but, let's be honest, like we're all just stressing all the time, but it's nice that my stress is for nothing when i use olaplex and the hair feels great afterwards. It has a nice shiny, so back here, typically, the hair is more dense. It is darker, it doesn't see the light as much you can. You can go, you can get in there. A little bit back here is where i like to do full-on slices, because this is what's going to fall around like around the face, but like around the neck, that that heavy shadow that comes from back here nice pops of highlights here, will just help to break That up a little bit just uh make it explode a little bit more when they look in, i am going to start a fine everything i just said hold on to that, but forget it for a moment, because i'm going to start with a fine weave on The hairline just for pulling it up out of here like when she pulls her hair up sick any time, i'm doing anything along the hairline i like to do a fine weave just because it makes it a little bit softer again, whatever your little heart desires. As far as how much so here's a question, janine is saying, would you say this technique would have an age group or would you use it for mature? I have been using this on anybody because it's really it's not so much of a like a tick tock trend, as it is just a technique for making someone's hair look nice like it's not. I don't feel like this plays into any trend too hard. It would ice anybody out that may want it. That makes sense yeah. So if you want it more subtle, if somebody you know mature, doesn't want a crazy explosion of blonde, then you just change it up a little bit, maybe do a little smaller of a money piece, you know, don't be afraid to reference. Jen anderson, everyone of every age, wants to look like her. I'M mirroring the the hairline as far as my i like diagonals, because they blend, and you want a little bit of blending to happen when you're, using something more severe like a full on slice. Again, don't go crazy thick if you want more blonde, do more thin slices and then i'll use this piece, because i it's the last one you put in this will be what i check to make sure everything is done. So when you're checking the money pieces and you're like okay, they're they're good, but you know they're not going to fry off. If i give everything another minute or two i'll come back to this foil and look at it and be like oh yeah. No or look at it and go oh yeah perfect, because if this piece is good, then everything underneath it's going to be even better because that's got the added incubation of being surrounded by other foils and other hair. So if you look at this and you're like yeah, that's that's where i want it. Then you know that everything down here is going to be a-okay, because this all gets a little bit warmer. So that's exciting. We put the noodles in the oven and then we have lasagna, i processed it and toned it in those few seconds. What toner did you use and curled it? Actually i didn't tone this yeah. It was just technique because i have a demi over the whole base and i was afraid if i toned it, it would lift that off, but again all right there. So now that you've, seen where i put it in you've, got money in the front, and then these diffused highlights back here. That'S what the teasing does is. It makes it so that there's not a harsh line, but there is a highlight here and you'll see it. Just picks up nicely but diffuses itself, and then, when you come into the sides, we've got a little. Let me just adjust as you come into the sides. You'Ve got your highlights in here. You'Ve got your slices that definitely show up they're, definitely in there, but when the hair is down, it's nothing too extreme it'll blend nicely and then, as you make it into the back, where you've got a bit stronger, where you've got your whole slices, it holds its Own up against the depth and dark of the back of the head, so how about them? Apples just give her a little all the way around work hard on this. Look at it love it. Thank you guys so much for for joining us today, letting us be a part of uh your morning and can't wait for the next one. You