How To Cut Layered Bob Haircut Step By Step - Short Bob Hairstyles

Okay guys, so hopefully you can hear me - hopefully oh you're, coming back in now. I do apologize for before guys, and this is the haircut that Graham was doing. Can someone please give me a thumbs up just to make me aware if you can hear me? Okay, I'm gon na try and talk loudly and I'm gon na try and make sure you can hear everything. We'Re saying good. Thank you so much for giving me that thumbs up. So I'm gon na show you what Graham's been working on, while Graham obviously dries the hair. I'M going to talk you through what he did so initially. This is the side that Graham initially cut and what he did was. He took a vertical section in the back from the crown to the name he pulled the hair out. He established his length of the crown and his length of the nape to be able to understand and control those two lengths. He took the vertical sections now before he cut that first section. What he did is he put an area of fish connection on the top. The area of this connection on the top was a circular zone which was split into two. Hopefully you can see it. Can everyone hear me okay? Now, if you can hear me, okay, please give me the thumbs up. I'D really appreciate it. I do apologize for the sound before guys, excellent. Okay, thank you guys! Thank you. So basically, we had a circular area of disconnection. Graham then split that disconnection into two zones he's gon na work that at the end, so if I'll work you through and discuss with you how he cut this particular shape. So far, it took a vertical section from the crown to the nape. The reason it took a vertical section is because it enabled him to control the length at the crown and the length at the nape. He worked a parallel vertical section, so, in other words, a secondary vertical section and directed the roots from number 2 to section number. 1, the cutting line of section number 1 was longer at the crown shorter than middle of the head were the occipital bone and then slightly shorter at the name. Once he cut those two vertical sections, he then took horizontal sections at the nape, pulled the hair horizontally. That way, now what he's doing he's able to control the length from the front a lot more by taking a horizontal section, he then worked up the back of the head horizontally, establishing and maintaining length at the front of the shape. Okay, once he did that, he then took the length of the crown and the length at the front here took a horizontal section at the top lifted, the hair above the base and cut a link that went shorter to longer every subsequent horizontal section working down the Side he pulled up to section number 1 here that way what he did is he loosened the shape? Okay again for the guys who are tuning in I'm, so sorry for the previous interruption with the sound. We don't really know what it was we figuring it maybe was. Maybe it was the phone that I was using, so we swapped to Graham's phone. Hopefully you can hear us much better. Now and again. I really am sorry for the disturbance in the sound. The good thing is: we've managed to. Hopefully you obviously didn't see how bran just cut this side, so Graham's gon na walk back through it once he irons the hair. So what Graham's done now is he's worked externally first, so let me quickly sorry internally. First, let me quickly show you a diagram and let me quickly talk you through the diagram, because this explains how he cut the hair car, so he styled on the bottom. You can see he started at the back. He took a vertical section, which is the one in the center. He the reason it doesn't have a little red line in it is because he pulled it straight out from the base and cut it. Then he worked a subsequent vertical section, either side directing two to one and two on this side to number one. That way he's got about an inch of hair in the center, which is a really clear guide for him to come off horizontally. So, as you can see, he then worked horizontal sections up and round okay and what he did is he directed all the hair backwards? You can see it there in that diagram. Now, okay, you can obviously see that the blue line is the cutting lines. The red lines which are solid is the direction in which the hair is moving when it was being cut internally. The staggered red lines - these ones here, show the direction of the hair to the cutting line. Okay, this drawing allows you to see the zones, the sectioning pattern, the method of working and the cutting line. Okay, so that's how he cut it. He'S gon na walk you through it one more time once he's finished ironing and he's going to show you the cutting lines. Okay, so, Graham yes, we're back on, they can hear us, it's all good. I don't actually think it was your volume as such. I think it was my phone, so you know yeah so you're going through in your ironing the hair. Now so talk me through how you whine what you're doing yeah. So I'm just wondering because I've really focused on my blow-dryer. I don't have to go because I'll focus on my Bruce. I don't really need to focus my attention on the Bruce Minh, and I mean all I'm trying to do now is just shine a bit, I'm not trying to change my blow-dry at all. So I'm taking fine sections and then I'm if she just not concentrating on the root, I'm looking more at the ends through here and just putting a slight bevel on the hair, because I don't want the hair to sit really straight. I don't want anything like that. I still want their hair to be able to look like it's moving as we come through, so I'm just finishing this middle column and I'm gon na iron. The left behind the ear, cut it and show you some of the limps I created through there and what I really like so far, John, if you come and have a look, I really like this profile show through here already seeing that lymph up it just sits. Just above the actual suitable bone even later on, my idea is actually to lift this up quite high to back through here. I'M glad you just said that Susan, thank you for your question. Are you going to cut the bottom off so at the moment? Susan? Graham? Basically has worked all of his internal shape. All of his internal links have been chosen based on what he wants the length of the crown to be and what he wants. The links at the moment, the weight distribution within the internal lengths, the external length, which would be classed as safe, for example, the outlines at the moment were Arella irrelevant because he can adapt the outlines if he wants, for example, Susan. Just to answer your question. He could now take the external links all the way up, grab out and completely change the shape he could drop it down. He could work slightly more parallel to the floor, so the external links can always be decided as long as the internal links are long enough to give you the options that you want. I wanted to say, if you think about this in a Salim scenario and your client willing to hear to actually move out or flick out, I could actually leave the external lamps as they are. So all depends when it comes down to more your consultation on what the actual client wanted ulemas to actually do, because you could leave this I've actually bend out and move around just a bit soft after yeah yeah, rather than too hard. That'S look. I was actually looking quite beautiful, even though young than anything to the outlines. No, once you pop it out, run in that a bit it's going to really come to life. I always always imagined it as a picture without a frame, I think Frank, always changes. Okay, now I start picking the hair up, so you can actually see it. So let me come on srg yeah, so I started vertically section number one in a sense about so I'm just gon na pick that up for you and show you so section number one in the center back. I picked it up now. One of my notes to be longer towards the top so I'll think of my vertical direction of hair, as it runs through section number one. If you look at the root, it's all going to be below its base section number two on either side that they had the direction of the hair depending on what size family knot is how they're going to be left or right horizontally. Then what I've done? I'Ve come through horizontally because I wanted to control the length from the center behind the ear and in front through here. So then section number one at the bottom, using my vertical length as a guide making sure using the same direction of hair. How higher lift it up or down looking for de strengthen the guide, and then my legs increased towards behind the ears and my limbs got longer and then, where as horizontal sessions towards the top I'm entering vertically. So if we just have a look, Elvis come through and pick up a length between be here so then because I'm working vertically, I want to control the length, but I have less control of so then I came through using the same direction of hair. I'M going to come through then that way, I can check to make sure that it's clean, beautiful, let's be look at it. So then, what I'm gon na do just quickly as what Johnny was talking about before I'm going to take two horizontal sections, starting from the top from here, I'm going to use my thumb to hold the hair out the way instead of a clip, and then from Here using the same direction of their vertically at the back from here, your sound is perfect by the way now. Thank you another so from there and then I'm gon na work from shorter to longer this way working cleanly. So what this is gon na do is just gon na add a little bit more movement and softness towards the front through here and because I'm using the same direction of hair and as it sits in it, Susan sit really softly. So there's not going to be any visible weight on anything like that section number. Two again just ask your question BAM. First of all, guys for those of you who have tuned in. Thank you so much for tuning in we apologize for the technical problem we had before. Do you get loads of love beautiful shape in our fantastic shape? Guys, if you have any questions and you want to throw them a gram, please feel free to now. We'Ve got a bit more control over this thing and you can hear us properly. This can run a little bit smoother than it was before so, Graham, why are you standing on that? Why were you standing on that side of the head and directing the hair in that way? Why did you not stand on say the same side as you were cutting? What'S the logic in that easy, easy? Okay, so I'm gon na start from that point. So the minute, what you probably can see when you actually look is my how my experiment is sitting at the minute is more to do. Have a hair killer, I'm just trying to actually just get the limit off quickly and then I do the refining after she'll get rid of the bulk basic. I mean you see a lot of people trying to do this straightaway when actually you've got to cut off. So just go straight in for the kill get rid of it alone: hello, Andrea, hi, George, hey Jesus, how you been hey, you know thank you for tuning in guys, please feel free to share the video by putting the share button on the bottom there we can Get bit more daylight there. You go. That'S looking beautiful my question here from Susan, so thank you for your second question. I really appreciate it. Did you take any hair below the Perito, bun, parrot or ridge story to Leia? That'S the question that she's asking so basically gee what you're doing is you're just getting the shaping quite rapidly and then you're going to spend time, refining it that's beautiful, so making sure the head shape is in the right position. So this is the key really to controlling your balance or one of the one of the factors. Let me let me come on. Let'S fight to get the meat get, let me catch you, sorry. I love watching that happen. Yeah, it just makes it the whole [ __ ] come alive, does is absolutely gorgeous yeah and that's obviously, without you refining it that's it should be. Okay, we've got another question here from Ben. Is there any advantage to starting internal for different hair textures or quality or quantities, or does it come to where you want the most so you're? Basically, you're aiming for this length here in the front nanometer, so this is basically the guide that Graham's aiming for and that length there was achieved by when he cut the the internal length on the top got beautiful compliment here from Kaz saying salte precise. I love it Ron same beautiful shape, Jennifer same wonder, vol I'm assuming Jennifer could be from she could be from from Germany. Maybe I'm not sure that's looking really good mate so that so, basically your club cutting all the external lengths. Are you so now's the time we are basically going to start to refine and just looking killing me absolutely killer, so why now were you are using a chipping technique? What'S the tell me the difference between a chipping technique enough so club? That'S think I'm using really just to get a length off quickly. I'M I'm really just looking to get my balancing when I'm using the club party, I'm not messing around and just getting the benefit now with the, and I can almost point a straight line and what you notice. As I'm pointing my point and pull out point and pull out so then that way the hair doesn't move, so I'm almost retracting the scissor blade a little bit more through that also, and then just very gently just refine it. You know if you're working in a salon scenario, this is a very quick way of actually refining the hair and if it was in a salon, I would be utilizing my mirror a lot question here again from Ben Ben. Thanks for your questions, man, brilliant. Can you also flatten the line with chipping taking a little bit more weight? I think I think what Ben's kind of referring to is when you by chipping, can you can you flatten the shape a little bit or does it kind of soften a line yeah? Thank you enough. It'S very sweet of you, so the haircuts looking really good loads of loads of questions and Sharlene is saying. Can you start this video from the beginning Charlene? I wish I could tell him, but by all means when this video is finished, Graham still got a lot of work to do, but once it's finished you'll be able to obviously recap a little bit in regards to what Graham has done and I'm sure he's going To recap, towards the end - and you know that's the beauty of these - what I love about the mannequin head, I'm using these are our own mannequin heads because of the color of the hair and the color of the skin. So we've got a question here or two questions here. The first one is: would this hairstyle work on baby, fine hair as Debbie Debbie? Thank you for your question and if I scroll down this is from Jennifer. What'S the name of the artist, he is so fantastic. So this is the artist. His name is Graham Hoban. He is an absolute genius, probably one of the best that I know don't get a big yet and don't get all red and embarrassed. Can you please answer the question regarding the fine hair that looks absolutely sick on? Maybe what I would do is actually start with the external them first. In that way, you can actually create maintaining weight. You know I can see you're checking your balance now. Yes, so talk us through very quickly, so obviously grams, already kind of worked. This side he's also used as scissors as he's chipping his used club cutting and he's used the Clipper to refine the line that he's gone man the front and he's made sure the head is upright he's repositioned his body so that his eye level and he's looking At obviously, you could do that with a mirror usually, but he doesn't have a luxury because is in my front room, oh yeah, so your skill can actually slightly underneath the shape now on here. Just slightly gave the scissors, if you zoom in, can you see those shorter as they're they're, underneath it's not necessarily the hair? On top, I don't wan na Curtis more the hair on the underneath. It'S like the hairline. Isn'T it really, if you imagine almost like the yellow pages or something like that, if you hold it right and the heads up right, but when you to the other page, is slightly forward telephone, never to all of the pages come out from the underneath and that's Why you're, almost trying to do just through here is I'm just trying to really just chip away just these shorter. So another question here from Andrea, deep er Andreia: do you insure when you create your external lens, the star one side and finish and then move on to the other side to check their balances or deed? In other words, do you cut one side first and then get it perfect and then go the other side? How do you tend to work it then? We combine this way, so you consider probably on both sides, lots and lots and lots of love guys for those of you who are tuning in. Please feel free to share this. Let'S, let's get lots of people to view this beautiful haircut. That Graham's doing I mean you can see that you can see there the precision of it. Then we come on the furniture, the balance and this connection yeah. It'S looking really good. Let me come in so you're using the Clipper to almost grade the edges. Tell me talk to me about that. Just gives that had sex was quite fit on these mannequins. I can afford to do that. I don't myself, I went stealing. Oh that's what was gon na. Do it for me, literally just dips that corn off the bottom? Doesn'T it I mean that's looking killing my absolutely killer so so guys like eanes mentioned obviously, and Ben's mentioned we had the curly, look that I did last Tuesday with her brain. Then we had a need to a beautiful color using the davines color on Davin s. Education on Facebook, Island on Facebook and then what we did was again today grams in a beautiful haircut for hair brained and on Thursday we have the amazing Evie who's going to color this exact mannequin, so she's going to again come to my house and what she's Gon na be coloring the mannequin for, for you, I'm not sure what colors she's gon na be doing, I'm pretty sure she's going to be doing something which is focused on the struggles that people were having at the moment in the salons going back after the lockdown. You know people coloring on hair, making mistakes. Things are that I'm taking a session that runs from this front section to the top of the head. So technically it's going to the area where the now I have a decision to make through, because I know I'm going to leave this length longer. I'M going to use this length here and then my limbs are going to increase and I'm going to put the cone behind that when I cut this quite quickly, increasing towards the front ever so slightly just so thin. That way and create some movement towards the front and now what I'm going to do? I'M going to take section number two and I've been a direct section number two back to my previous session. So there's two to one of them in there, so I can catch it. Let'S look at the route, so what you're looking at now and why you're not in focusing on what's going on behind my fingers? Obviously, it's important to kind of clean it absolutely but focusing on what's going on behind my fingers and that way I can understand it, for the legs are going to be doing what I want them to do and then obviously, once I get my fingers up here Once they're moving on Jake um, do me a favor? Can we flip it around so that the white bag got a white background for its sake, yeah, then that way you cuts off at what back thanks mate. So how do you guarantee that section number two is basically coming towards like where I'm standing? How do you guarantee that this way, then what I need to be doing is looking at the route magnified a mirror here. Why I could then do is look in front of my fingers to make sure this hair is traveling back this way in that direction. It'S looking amazing. The feedback you're getting is is like you getting lots of love GE. 2. Subunit. We'Re come quite surprised after four months, and I came here to kill honestly I mean always comes alive as soon as your frame and the question is it's technique or another question here we is so important. This from George. We are so important coming one cutting what I'm assuming his meaning. Is it important to have a philosophy of common it once and cutting it once and what's the benefit of that he's talking about, for instance, here I'm just going to pull there they're out, I'm going to see my god no look at my route and I'm just Gon na cut it, I'm not gon na keep, trying and coming to hair and the benefit of doing this is that you're just going to work through your shape quickly. But it also shows that you're, confident in your technique and your understanding and what you're doing when I see people just coming in here constantly it's they're just almost too scared to cut that piece of hair. Okay, so measure one decision, yeah exactly it's just about yeah. I'Ve got a question Jpop question. Just now you when you, when you're taking the section you're about to cut you actually sectioned off section 1 and section 2, and you used section 3 as the guides now cut. Let'S say section 4: how come you comb section? 1 away to do it allows me to see the route and the skin on either side and see the other side and come from the front and come from above it's the moment of truth people yeah. They swear to produce this. What a pressure hits him? It'S not good nice, that's shockingly bad for you, Graham yeah, that's killer! I'Ve changed a lot through now. Is that when I was being hard on myself, I guess the most important thing for me was getting everything really clean and now, when I'm teaching, actually it's not necessarily how clean it is because cleanliness is going to come with time. It'S more about understanding our berlin's doing what you want them to do and our velocity increasing is very consistent or decreasing, and if they are perfect, if they're not clean, it doesn't matter, cleanliness will come with time. That'S not the most important thing. The most important thing is what the limits are actually doing so guys for those of you tuning in. Thank you so much for tuning in people G, the love you'll get in his life. People are really enjoying watching OCONUS, so last zone, okay. So this is our. Let me just zoom into this: this is the zone that Graham, is now working on, okay, and you can see already that the lengths gon na be longer than the length at the top. So let's have a look, and Graham can talk us through that. Let me come on this side, so do you use they date like on every zone? And why me for me, because we're these things will be clipped up. It started to dry, so the heads driving this area through there excuse me much you gon na work. So my parting on my son is gon na, create one side of my section through here now that allows me to see my route and then through here, question here from Ben. Is them is this? Is a [ __, ] destination question he's his vertical shape round? At the front in areas, so, for instance, here one is a mindful of is that route coming out of the base so through here? What I'm going to do when I place my fingers on the road ahead through here, and I'm going to pull straight out pre-existing. So what we are talking about and what G's talking by now is literally the roots, look at the roots yeah, so in effect G, if I'm right and understanding what you've done is you've taken a section which is this wide and you're cutting it in small bite Sizes to manage the direction of the roots, you're, basically you're, having section one now it was quite a large section. Wasn'T really you don't have to. I prefer to you know, there's people out there, that would say not yeah. So I've got a question here. G when we used day day and when we use milk milk with oil yeah use a cutting, no sir, so I think when you know, would you maybe would you use yeah, so I yeah exactly they so for me, mashaallah. Let me show you guys, so this is the product that these are the two products. That George is asking about: their obviously davon s products - and this is de de - and this is a milk - and the difference is the consistency. So de de is much more water basis, much softer it's much better as a cutting lotion, whereas the oil milk is beautiful to condition the hair can leave a residue /, it's very, very moisture, driven the problem with using this is a cutting lotion. Is it can very very much overload the hair and that could be a problem on your blow drying it? So you only really need to spray a little bit and then you can stop with the milk and focus more on the day day. So whatcha through my section, is still clean and I'm just directing this last section. So that's the roots you can see where the roots have been there. It'S like a focus moving that way and if you look from this way, it's living above the base basic okay. So this kind of style - I really like it there's a question here from George he's asking whether or not you use the round brush to blow-dry the hair. There'S a question here: is this doll head or weak Johnny? So this is actually an allele on mannequin. We have them manufactured specifically for us, they there's a cert, there's certain things that we've had change to make them a bit more specific for us. The fact that the skin is white makes it really really graphic when working externally, all the hair in the roots have been placed straight upward so that it will in effect, grow suppose to the natural fall. So if you basically cut it well, you can really see it. If you cut it wrong, you can really really see it. Also at the back, there is a little a in the center back, and that gives you a little sense of point to help. You control your balance. The hair is very, very dense, so that way you can really create some amazing shapes and build a lot of depth to the shape. So if you want to inquire about the mannequins, if you want to go on info at or email info, that's a lil on education com. So that's info at allele on education! Comm! If you want to message us there or visit our website www.weg.net on education comm, you can visit the shop and look at all the different teaching tools that we have cutting equipment, drying, equipment. Anything you need or anything that we use. We sell on our shop, including the mannequins, so this kind of shaped Junior yeah, it's a very commercial look. I mean I could see you doing this really easily in the salon which one of our courses tend to have these kind of shapes, and is there anything happening at the moment that you can maybe refer to in regards to Bennett this year we actually had supposes That we had in our UK Academy - and we were really excited because running especially one which is called 7/4, which is something that we were excited about and it doesn't look like definitely but even more exciting. Now, coming from the 1st of September, we're at the opening of online studio, so that's gon na be really really exciting and you're actually going to be able to do another on digitizer doing looks like this Fallon trendy commercial. No, I'm just going to finish drying! In turn, you can see that I'm not worrying about any specific quality to move and really focusing on the grid, and then who's going to come through very gently is bhai, not almost like. He told me to send a famine in agony pitching crap to the head. In there guys, if you look on the bottom, I'm just typing in the website and also the email address, if you would like to inquire about any education or any tools or equipment, these are the ways to get in touch Trudie. So we've got a question here from Jurina Mohammed. She wants to know the address please and which place. Is this so we're in London we're actually in my home, where, in my lived, where my quote, what would be considered as my dining room and Graham is, did a beautiful haircut, obviously, for you guys, really really cool salon, look which you're going to see him refine And personalize once he's finished drying. Obviously Graham's turned the hairdryer down, which slows down the blow-dry process, but at least you can hear us better so guys for those of you who are watching. Let me just do a very, very quick recap, while Graham irons, there there, you can use any product before you are on a really long okay. So this is the shape that Graham, is cutting guys. He has actually basically cut the shape, but he's going to walk back through it towards the end of this and really talk through step by step. What he's done, let me quickly walk you through our diagram board. So again, if you're interested in the diagram boards, you could obviously purchase them from a LAN education at the website or email us, and we can arrange that for you, so the color code in the bottom. Let me zoom in on that that will help you understand what everything means. Okay, once you understand the key, the key is probably one of the most important part of the diagram. Okay, this diagram shows how Graham cut the shape the black lines represent. The sectioning pattern that he was using you can see he started off vertically in the back for three sections, then he came off horizontally through to the side. It'S a beautiful, drawing, I think, by Graham very precise, very clean the internal red lines. These ones here are basically showing the direction of the route movement, so section 1 and 2 was pulled down to section. 1, 3 was pulled down to section 2 and so forth, thus increasing in length vertically, and then you can see as a sections went round. The hair was directed backwards, the roots were pulled backwards in order for them to increase the length within the horizontal lengths. Then he cut the external links and they moved into the crown, which was the second zone that he cut and then the third zone was basically the fringe area. So I'm going to zoom back out so Graham now that you're riding the shape, obviously you're, going to start you're putting in the finishing touches of this, and you are basically trying to simply close the cuticle. So once I finished ironing, I'm just going to come from personal life and length I created on top. I want something that is very movable and very Sun unfriendly and, as I was saying before, something that you'd be doing working with disconnection on one of our salon. Forces either in our Academy space or from the 1st of September, actually doing it with us, live on zoom. So from the 1st of September, you'll be actually to be able to start looking in either live demonstrations cut alone classes, guided color, yep Greg's coming through even color courses live as well, and also we're going to have a subscription service as well. We'Re actually going to be doing step-by-step haircuts, you're going to be colors and cuts yep. The log things that you're gon na be able to watch whenever you want to in the freedom of your own home, which is gon na, be great because it's gon na answer. Everything that we wards yourself, you know i Kevin mean we can travel to you, but also now in the comfort of your own home and do haircuts by yourself as well all colors by yourself as well, which is great it's a great opportunity because change doesn't so There'S a question here from Romulo: hi May: are you guys traveling this year I have an upcoming class in September in Montreal, and just I was just wondering if you guys got any any info on that. So it's interesting you've asked that the answer is yeah cuz. I was literally speaking to somebody two hours ago regarding that the date is going to go ahead. Thank You, Graham. Let me come on this way. The great the date is going to go ahead at the moment, obviously, depending on lockdowns and and you know, for example, if people have you know a second wave and so forth, things will people just obviously they're open to change. They understand the circumstances are what they are, so people are obviously conscious of that, so the class will be going along. So please get in touch with your sales reps. But I've told me through this tree you literally think directly and I you're not changing the line. Are you yeah you're, just changing the density aren't ya? How do you know how big to go? I just want to come in maybe the first two centimeters of it just to really soften that now as a real changer as a really good question here. Guy G from the guy with Lee brown Lee: this is a really good question, so the question is - and this is a really like common thing - which people affected. Why is there a way to correct when a Bob on the right side, flips up and the left goes under and how and you don't want the flip out - you don't want a flip out. Sorry about my reading. You know that that's a massive problem that we tend to find in a salon scenario all the time and what it all comes down to, unfortunately, is choice of, learn correct, so when you're actually doing your, what we tend to, how we teach our staff in the People coming on courses there's actually understanding your consultation and understanding what you're looking at so, for instance, when we start a consultation, we're going to look at something that we have, whether hair we're going to be looking at the movement with looking at the roots. So we have we break it down into fixed and variable analysis now fixed analysis. It'S things that you can't change your present, so when you're actually looking at the hair density, the hair texture to hair movement and then a variable analysis of things that you can change. So your choice that limit is going to be one of them, so when you actually have their hair wet and a client sitting in front of you, you need to be able to look and shoes that if it has cooking out on this side well, if he Only wants to lose a centimeter. Is that centimeter going to get rid of flip or do you need to go shorter? Then you have to think of what does the client on a go got short and then you need to be able to understand or explain to a client that if I do go short, this is going to be more beneficial for you and, it's being confident to Say to a client: you need to take that off to get rid of that flip. This is what we need to do, so, unfortunately, it all just comes down to choice of lengths. It'S not necessarily. I completely agree with what Graham is saying anything I would add to that - is, for example, when you're, when you're talking about external links, flicking it in specific ways. Obviously, there's the growth pattern element of that and there's a massive massive factor, which is obviously the choice of length, but there's also the weight distribution of the internal lengths. So, for example, you might cut the external length to resemble you know the shape that kind of runs parallel to the floor. But if the internal links have been the way it's been reduced or removed, that obviously can release texture and allow texture to move. So really think about how much weight needs to be maintained on the external length and think about the choice of length. Like Graham, was saying in regards to controlling that movement to you, that's looking really beautiful. How do you know when to stop pointing, and you know, are you going to go back over your external length again because, obviously, once you bring the length down from above, it can affect the way the external length is saying: do you okay got areas here so You'Re tilting the head or keeping it up. Bravo: okay, so you're lifting up the star, gotcha yeah, so you're lifting up a stand. Obviously to stop you bending so now, obviously guys what they. What they can see is that the line is is kind of distort and it'll bear took me through. That so did would you spray it again into position and then cut recut it so you're coming into natural form, so because all the weights come from above and has been placed on that obviously change how it changes, how the external length is looking. So the question there's a question here: Jiabao: can we buy the comb and scissors from the website? The answer is yes, we can. So if you look at what Graham is doing now, guys he's gon na spend the next 5-10 minutes just really working. That line making sure that it's perfect before we, we style the hair. To finish, you can see he's working in small chunks moving his body around the head. Looking at it from a distance is much harder for Graham to stand back so that Graham can look at it from a distance and we're gon na go in again. If I wanted to start a gentle a bit to clippers, this have to be really careful where the Clippers are so many people just take a chunk out of it. Oh we've got lots of people loving. The haircut JP has just joined in sit amazing haircut, Graham yeah, happy birthday chubs the 24. Yesterday, it's a young dad now, probably amazing death, so Jake you're you're you're, literally guiding the clip of the surface of the head. I'M loving the silhouette mate. So, there's a question here from George: why are you using this specific home? Great question, George? So this is the view 105. So I'm using this actual comb just because of the teeth, so the tea for a lot wider on one side, and this side is like a general normal width or the wider side of a cone. But with this side it just loosens up the actual texture of the hair. For me and it's not too much tension, get loads of love got gee, mm-hmm people love in this shape. I think shapes like this. People can relate to quite easily could have seen it before. You know they've seen these kind of built-up shapes at the crown be slightly flatter silhouettes around the nape, these sharp lines - very commercial, very sound friendly, something which I think the thing is a lot of people kind of it can see the haircut and kind of relates It but not necessarily always understand how to achieve it. G, so can you give us maybe two or three tips on what would you say are the key things to help you create this shape successfully? Let me come this way and then the reason I wanted to take horizontal sections. So then, that way can control those towards the front and then that way using the disconnection just allows me to use a little bit more, create a little bit more movement through the top and get rid of the actual parting in a way through here. Just looking beautiful G really beautiful come on down sorry, so you've, basically you're, basically moving the internal links, then going back over the external links again to make sure they're really bloody, sharp and they know is I mean that looks beautiful G he's something I'm looking at G doing this, and first of all I'm getting jealous cuz. I want to have a go. My second of always like it's, it's so hard to cut without a mirror doing sure, but listen and and four G to get it to this kind of level without mirror. Is amazing, you know getting your balance like that mate is like I'm his hard work with the mirror to do without that's gorgeous so guys for those of you who are watching this haircut in a couple of weeks, we literally started today to renovate our online analog Studio, it will be done within the next two weeks and we're looking to launch our online platform in the beginning of September, as well as the subscription we're also going to be doing interactive online classes, which you're going to be seeing advertised very soon and how to Book them and so forth. So the idea is we're, add we're adding like an online arm to our education. We are going to be doing traveling once everything kind of unlocks itself and people start traveling again. We are able to travel again, gee you're, getting lots of love, lovely haircut, hello. So when you do that with your fingers, you rub it on that gene. What does that it's, the cuticles? How does it make the hair react? It'S almost so I'm using again the governess, but the really strong hairspray this time, so you've moved it all around with the width at the oil, milk and now you're, basically going to be place. The outline down spray, the outline things like that, I mean that looks beautiful, there's a question here from Susan. What did you put into? Would you just do me a favor Susan, I'm just slightly rephrase the question, so I can understand that I think maybe she might be when I insert a product, and so when the moment is using, let me zoom into the product to give more time it's the Governess, so this is really good for just making sure that hair does not move yeah, I mean that's looking gorgeous. I love the profile of it. I love the texture. I love the strength of the outline when you come out or not down and put that confer. It'S going to be killer cool so guys if you've got any last-minute questions. Now is a time to ask gee. Would you mind game from the beginning, just one last description of exactly how you cut it increased as well increase in guys? I just want to say thank you so much for tuning in today. Please feel free to share this video, beautiful hair cut the middle zoom run. The hair got one lost country, beautiful, hair cut here by Graham, you can see, he's got loads of texture, but it's also got a strength around the external lengths. It'S got that movement inside that weight at the crown. If you do have any questions feel free to email us at info Illinois, education, comm, we will be posting some final photographs of this after I'd like to thank you for tuning in I'd like to thank hairbrained for allowing us to do a take over again. I apologize for the disruption the beginning with the sound. Hopefully, you've enjoyed this last bit. Thank you for tuning in and we'll see you on Thursday same time at Davin s, education on Facebook. Thank you guys, tchau tchau, true to them.