Blow Dry: Flat Wrap A Classic Bob

Hi, I'm Andrea and I'm a prosper. You stylist, this is my beautiful model. Paige Paige is a great one length, geometric haircut, so style Paige. Today we are going to use a very classic styling brush. It'S nine rose rubber base with this brush. We'Re able to get a lot of tension through the hair to keep it polished and looking smooth. This brush is great. It comes in five rows. It comes in seven rows. I preferred the nine row I'm able to work with a little bit more hair at a time and also get really great tension with it. So let me begin this blow-dry. First, I'm going to just power dry, the hair. I want there to be about 50 to 80 % dry. We call that the conversion point, but the conversion point is when it's not too wet, not too dry, but we can go right in with our flat rep and start really working the hair. So before we begin, I'm going to apply just a small amount of product really like just a nice light, hold gel I'm going to take my product and then through the mids and then of Paige's hair, really focus on getting nice product distribution. We don't want all of our product clumps in one area I like to comb the product move for even distribution. This is a great way to prep your hair before your blow dries to make sure that we have even saturation from roots to ends. So I'm going to use a blow dryer with a concentrator. I like to use this concentrator to direct my airflow stay in control, of where the hair is going to all time when you power dry, it lifts the hair with your fingers to create volume, be sure you direct your airflow down the hair shaft towards the ends. Now that I have the hair to the point of conversion, so again, that's when the hair is not too wet, but not too dry. I'M going to pick up my styling brush and I'm going to begin styling in the back again flat, rapping we're concentrating at the root working that back and forth back and forth using the head as an ironing board to really work out any kinks work out any Curl patterns that we need to it can lay best in its natural position for Paige's style. You want to start in the back to control the direction of the hair line when you flat wrap at the nape. Have your client tip their chin down for a smooth surface, always begin your flat reps, where the hair is the shortest, which is usually either below the occipital or in the fringe, work low and concentrate on this section before moving to the next section, you want to Use quarter inch section partings to work through the hair, making sure to wrap it around the head shape and not directing it out and away from that pay particular attention around the hairline. This is where the clients usually have more curl. You don't want to dry a part into the hair. This will leave the clients hair looking flat and it won't look as natural okay. So now that I've completed my flat rep portion of the blow dry and beginning to leave alone, I leave first, I like to brush the hair back in a way. It helps keep the hair out of my way. So I can grab nice clean sections when I grab my sections. I take my two fingers here, pick up the hair, I'm wanting to work with so I start low again and then I work higher. So I insert the brush right at the root. So I have nice tension and I really work the mid first a couple times if you need to, and then I concentrate on the ends, keeping them nice and low. If you want them a little more bevels, you can certainly turn your brush, and that will help the hair to have just the light Bend under. You want to keep your sections no larger than one to two inches the new leaf in bevel, depending on your clients density. This will allow you to thoroughly dry. Each section continue to leaf through the sections of the hair from the bottom to the top until the desired level of smoothness is achieved. Never move on to higher sections until the hair below is 100 % drag. If the hair is not dry and you continue to work through your blow-dry, this will cause the above section 2, also dampen lose their polish and shapes and ultimately make you work really hard for a blow-dry that isn't that great remember: to increase your elevation as you Work up the head to create volume through the top. This is our finished style when we complete our flat, wrap leaping and bubbling blow dry. This brush allows for a great tension and it's perfect for our geometric styles. This controls air flow, so you can direct it down. The hair shaft towards the end, apply a light, hold gel and then start your drive by lifting your fingers at the base for volume. The conversion point is about fifty to eighty percent dry start in the back. Focus at the root work, the hair back and forth. This will help remove any kinks or curl patterns don't blow dry and apart direct the rest of the hair out of the way and then use your index and middle finger to pick up the hair. Keep your elevation low at the beginning and then work higher you'll focus on the mids in the end and you'll want to turn the brush under for just a light bend and there you have it a style with knowledge, thanks for watching