How To Rehair A Violin Bow - Part 4 Of 4: Attaching The Hair To The Head [Hd]
- Posted on 25 March, 2018
- Long Hair
- By Anonymous
TUTORIAL BY FRENCH MASTER BOW MAKER GILLES NEHR
https://www.instagram.com/gillesnehr
Part 1: https://youtu.be/FU06LH6yJ6c
Part 2: https://youtu.be/aU4v0YvXD4s
Part 3: https://youtu.be/HIVAJrXi1SQ
Gilles Nehr has restored and rehaired on regular basis bows from Isaac Stern, Pinchas Zukerman, Itzhak Perlman, Joshua Bell, Sarah Chang, Augustin Dumay, Jian Wang, Kolja Blacher, Julian Steckel, Alina Pogostkina, Nicolas Altstaedt, Vilde Frang, Mi-Kyung Lee, Ulf Wallin, Guy Ben-Ziony and many more.
Gilles Nehr was also the exclusive caretaker of the Juilliard School bow collection in New York City.
Website: https://www.gillesnehr.com
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This tutorial was filmed using a HD camera placed between the eyes and the hands of the craftsman for an easier yet a more accurate view.
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Hello, this is Janelle and his fourth and final part of the video tutorial, when I teach or to rear volleyball, and today we're going to learn to comb the hair to make the second knot and that tied to her to thread with a plug. First, we're going to put some clear water in the mug and we can put a wooden clothespin and, on its side, make a loop with the hair around your fingers and you plunge the hank of hair inside the water. Really deep inside be careful to not get the Frog too close to the water in case the waters go after to the hair and and touch the zero edge. So would then stick the Frog to the wooden clothespin. You don't want the hair to get you meet. You want the hair to get really wet, so you would leave the hand side water for at least 10 minutes but and 15 minutes would be good. I heard some people use some kind of a baking soda or with soap, something like to to clean the hair from the chemicals. That'S our there when you buy them. I seen using anything against very, very small chance. Anyone can even feel this chemical. I don't even know what the feeling should be after the booster bar is frozen. I think the big fear is something any like oil or fat or something that you have to be very, very careful to, after your hand, very clean and wash your hand very well before to be arable. Something exists but if not to use soap or anything like this, could just only make it worse. I mean it's. The best way for me is what I do is to put on her hair for about 10-15 minutes even more. If you want into clean clear water and do in the same time, so here I get very, very wet, wet and also this, if chemical, it will go very naturally slowly out of the hair, nothing nothing fastness aggressive is the best. After the time you take the frog in one hand, you press and slide your fingers on her hair and you remove the excess of water. What type of ice you have isn't much important! What you must do is to protect the Joe with some thick leather glued to on each side. To be sure, there's no mark on Hannibal. You place the it's better, you put the winding part in the inside device and you secure it. You insert a button and you turn it until you reach the stick and you don't want. You want the Frog to be at the the resting position. You you place yourself beyond ahead of the bow myself Stern, this problem, but you could sit the position more convenient for you. You start coming in the hair from the Frog toward your direction. You pull the hair with a comb and when you come get stuck, you put it out and you place it just right after this nut, and you continue to put it into the end of the you reach the end of the hair. And you come back to the Frog and you do the same. You come when get stuck. You put it out. Just just put come right after this. This part when the hair get stuck, and you put it again and then exists as a knot will go. No little by little till the end of the hair, you, this interior, comes a hair from the Frog to the end of the Hank perfectly in one movement. Let'S stop now in this view and see how large is head, mortars and all large is a band of hair. So here is significantly larger this because a frog is larger than a head. So when you come from the larger section of the hair, you will have less hair crossing on each other, so band of hair will be more even if you start coming from more narrow section in the case of starting from the head, you start from a less Spread hank of hair and will have more hair crossing in each other to be clear if you put the frog wedge after the two plugs, if you put the wedge at the end, it end up being the same as it are starting from the head, because without The wedge, so here we as is narrower it's not as large. What someone can ask me is: why is a technique of rearing a bull from the head, it's so successful, and why mostly people use this technique to varible if it's not the best? What I have to admit is this technique is easier, it's easier, because if you let's say you have some not too small, I mean some hair crossing each other, and you come so here from the head to the Frog and there's no weight holding so here inside The Pharaoh so cross hair we go inside the Frog. Basically, you will hide all this cross head now. This crossed hair inside the Frog, and this you, you cannot do when you start from the Frog, because the wedge is already there. It is. I cannot move and you come and here arrived to the end and let it if there is some air or crossing each other. You cannot hide it. You have to be very perfect in this sense, but if the bad thing is like, if you start wearing from the head and you blue comes a hair firms had to zoo toward the Frog, you were have to report that there is the crosshair to crossed hair. Go inside the Frog and its ID it in a way that the bad side of of this is that the hoarder of the ways of hair are spread on the Pharaoh will change, and you will have no control of that order. If you do spread them out correctly, making them perfectly even then the hair won't be aligned anymore with the way they ordered at the head and we'll get cross hairs. So it's why even you have seen a very, very good rehab from the technique of revering forms head. I'M not saying I don't want to you know offend anyone who, using this technique, it's just like from a very good we hear from both techniques. At some point you cannot go, you cannot, you can get better. We here, I would say, like if you really perfectionist, as you want to to aim for the best way as possible. You have to start from the Frog, glues a wedge and then comes a hair on to other head and make the second knot, which is more difficult, but at the end you learning very good techniques that you can really improve until the best outcome. What you need to do is to measure or deeps mortises. I use myself a handle of a small file. You can serve to handle vertically and you reach the bottom of the motels. You place your nail on the end row at the top of the mortises. I report the distance unravel rate it. I use a paper pen to draw a mark, something you can remove easily following when you leave dry or you meet the climate or strong is a stick or much curves the bowl hours. You will know over time where to make your knot as a safe start. We make the knot to finish right, where the mark you made on the tables. What you want is that when your air is done and dry on the buoys and tighten, there is no tension at all on the stick, but you also do not want there to be too long. So following will you leave if it's dry fits humid or strong? Is a stick: how much curves a bowl, as you will know over time, where it makes a not as a safe start, will make the knot to finish right, where you make your mark on the tip? What you want is that when you, where is done and dry when the boys and titans is no tension under Alma stick, but you also do not want her to be too long from the to still better having the hair beat long. Then short, we hair making constant tension on the bow tension could hide about rehearse. This is true, but this can cause armed to the Bulls curve and frog and the head alignment. I would suggest to make rehearse slightly longer, at first and over your next rehearse arrived to perfect Highlands to prepare the thread we produce the same process as on the video part 2 of this tutorial. In the past, bow makers used to hold the thread between the teeth unless losing teeth is an issue for you as to just wear bell to a coral run your neck and attach the diverse thread to it. The same way, we touched it to my bench at the force minute of the video tutorial part 2. All the hair very tight without pulling too much start like at the tenth minutes of video tutorial part 2 going around the hair and making one knot. You make a second knot to secure the first one that time do not go around the hair. Be careful, do not put the hair in tension anymore, because it's not isn't strong enough to maintain hair. If pulled you go around the hair and finish the not the same way we did on video tutorial part 2. You Tandi frog over and pooja come through at ease ahead, not all the hand position between your fingers and remember which side of the hairband is aligned with the Frog you on your knee or the head. The same way we did for the Frog you put not all the way inside the more testy. You read the bottom, you phoebs ahey over the tea security in place with your finger, you place the front of the plug into here. Push the back of the plug forward and down with your finger first is then use a file you first a flat part of and before you reach, the ivory tip. Gender angle of the fire to its side in general is one side of the fire with his smooth and one side of the fire with as T's, you really must use the one with teeth to have a good grip if you feel forcing too much cut a Bit of the plugs back, if the mortise isn't deep enough cut a bit of the plugs height or dig the plug a bit more with a smoke out, you can refer to video part 1 of this tutorial at 6 minutes 30. So you do have to search where for how to use the gouge on the plug. Now you have a touch of hair to the head place, one finger in the middle of the hair band and slide into the Frog to end twist. The hair put the frog in his position to the stick as cruise button in when the button reach its position. Give it three turns you: we leave the hair drying with that tension for at least two or three hours minimum. So here we dry and stretch and get very even after this, when I rise to treat dry, you can untie the bow. You can apply some rosin, but not before. I would suggest personally to not use rosin powder, but this is up to you. So hair is still wet, but you should not see hanging hairs to no choose a flame to straight some hair hanging. This is the worst thing to do. It only can be bad. What you should do is try to improve your skill until perfection you. This was a forest and the last part, my video tutorial, how to rehear a violin bow and thank you for watching.
Comments
Jack Estephan: Dear Gilles, I know very well how much you gave effort and time to make those videos and specially the last one. I would like thank you for the positive vibes you have. Your videos with no doubt are the best out there, revealed detailed information and techniques never found on internet. The best thing in this life is to transfer the knowledge to the next generation, it is really useless to come and leave this world without giving. You are unlike many who decided to keep there trade secrets, i guarantee you that this will reflects lot of grace on your career. Thank you again for this great free courageous step you had taken to help the world with those videos. I will be waiting with impatience new episodes and new topics. Jack-Byblos
Friedemann Pods: Priceless! I have been in the industry for 45 years and have learned and practiced two instrument making trades. Today I have learned so much, thank you Giles for the detailed and humorous instruction.
Andrew Harmon: Thank you so much for these excellent videos. I just built my first nyckelharpa bow, and the techniques you taught me were absolutely invaluable. One really needs three or four hands and a prehensile tail to tie the knots though. I am confident that I'll get the hang of it. I'm very pleased with my first effort, and can't wait until tomorrow when we see how it plays.
Jeseppi Trade Wildfeather: Outstanding! I'm in tears of joy. Thank you so much. I have recently come to the idea of finishing at the tip, and voila! you came just at the right time. Looking forward to studying your other tutorials.
Matthew Kossnar: I just picked up a nice cello for a good price and the bow was absolutely stretched probably three quarters of an inch I was able to reuse the same hair thanks to your video.. there was still about 90% of the original hairs on the bow.. I am very proud of myself that I was just able to complete that basically in the time while watching you do yours. Awesome ! I also run a horse rescue so....
Jerome Adams: Great series of rehair instructions. Success on my first try! Thank you!!!! Be well.
Chris Willman: Thank you, this is the most detailed and best Rehair videos on youtube by far.
AndSendMe: Dear Gilles, thank you for this wonderful treasure. I have seen many methods of hairing a bow, with tricks to overcome or overthink the process. Yours is organic and pure, and comes with its own tests of success--fantastic!
ROGER VM: I going to try for the first time to rehear my violin bow and your videos were a lifesaver. From now on you are my favourite Luthier, perfectionist with details and also very funny. You are the best! Blessed you!
Michael Eisenman: This is a very helpful series of videos, Gilles; thank you. Regarding this particular video, after you mark the depth of the mortise on the ivory, it appears that you begin to tie your knot at the mark and continue towards the mortise. However, it seems that one should begin past the mark and end at the mark, which would be where the hair would bend beneath the plug. Where do you start your knot? Also, the video makes it appear that you do not lay the knot in the bottom of the mortise, parallel to the plug; rather, standing up. In this way, the hair has only one bend, where it exits the mortise. When I lay the knot parallel to the plug (as in the frog), the hair has two bends, with more length on the outside of the bend, which I must accommodate. Can you clarify? I believe that your frog-to-tip method makes more sense than the traditional method, and I want to do it correctly. (I am attempting to do it on a bow at this moment, and I am at the point of finishing the tip end.) Thanks again.
Jeffrey Forbes: Fabulous videos! Your skill & experience is obvious. Thank you so much for sharing this with us.
Kyle Taylor: Thanks so much for this series! I can't believe I've rehaired both my bows so easily! One question: What is the music at the beginning of your videos?? I really want the sheet music!
Violinman73: This really was an excellent video, I certainly learned a lot from the way you went though it. Thanks for sharing your knowledge and wisdom, plus I particularly loved the Russian dolls sequence!
Jean A: This has been very helpful. I have been rehairing bows for about 10 years and I have struggled with it off and on. It's good to watch how others do it and develop what works for you. Your method looks to be the best I have seen on YouTube. I like how you don't use a jig and start at the frog. I have tried both ways and found starting at the tip worked better for me but really it probably isn't better after watching your videos. Thanks for the video's. I think ⌚ them a few times will make the job easier for me in the long run.
Marco G: Merci beaucoup de partager vos connaissances! J'attendais avec impatience de voir la quatrième vidéo!
Mahmoud elias hriqes: Thank you very much. You did a wonderful and very accurate work. You gave me the knowledge of how to change the hair of the violin bow in a professional and accurate manner. Thanks again.
littlebuddytoo: Wonderful tutorial Gilles, thank you so much, I enjoy your patient soft spoken approach.
Ogareno: Hello! I have rehaired bows for about 1,5 years now - I have come by several bows where the flat part of the ferrule has been bent, as you mention in part 3 probably by cause of an excessively thick spreading wedge from a previous rehair. Is there a safe way to "straighten" the bent ferrule?
Thomas Mace: Maitre, thank you so much. This is a wonderful document of the Mirecourt technique that is worth watching over and over, and not just for Monica. I have two questions: When tying the knot at the head, why not use the same bench screw to hold the thread? Also, it looks as though you insert the hank into the tip with the knot pointing down (perpendicular to the face plate) rather than lying flat at the bottom of the mortise (parallel to the face plate). Is that a Mirecourt thing? Maybe I'm not seeing correctly.
Celio Marcos Rodrigues Sousa: muito bom obrigado
Leo violin: Very good tutorial. As an amateur i used to rehair from tip to frog. I always get trouble to make equal tension on the hair since the problem usually came from the last knot. Now i'm trying to do it from the frog first. Thankyou
R K: Hello Gilles, First, I want to say that your 4 part series on the bow rehair is excellent. I really appreciate the level lf detail you provided, and your sense of humor I’m going to attempt to rehair some bass bows that I have, and I have a question about how much hair I need to use. You mentioned that the cello bow would be 7.1 grams, so how much more should the bass bow have? Great videos! Ray Kallas
Jesse Maw: Hi Gilles, wonderful videos! What temperature water do you soak the hair in? I have been rehairing using a salt and pepper hair lately, and it seems to be drying rather quickly
Toms Techniques: Gilles, My wife recently brought out the viola she played through college and asked if there was anything I could do to make it playable again. I looked it over and all of the strings had failed through forty five years of storage and the sound post was rattling around inside, but he bridge was still present, hiding in the bottom of the case. Other than that, the instrument was in reasonable condition. What concerned me most was the hairless bow but I decided to attempt to get it all put back together for her and present it to her for Christmas. I started with the bow, since that would be the biggest challenge using your bow rehair series. Attaching the hair to the frog went well, but my knot came untied on the other end after the hair was trimmed to length. I suspect the thread I used wasn't synthetic, so the knot didn't lock with the flame. I didn't have time to order more hair, so I figured out a way to retie it and it worked out very well. The hair came out even and flat with no crossovers, so I was pleased and relieved. It took me an entire day to rehair the bow, so I should probably keep my day job, but it was a very rewarding learning experience. The big payoff was the smile of approval from my wife when she opened the case. :) Thank you for providing the videos. Tom
Bloomworks: Merci Mr. Nehr!!! I have been repairing fretted instruments for 10 years and now I am starting to repair Bass Violins, Violins, Violas and Cellos. So far I have glued 3 Bass Violins (with Hide Glue), and it was very successful. And now, because of your videos, I was able to re-hair my daughter's 3/4 Violin Bow. This way I don't have to buy a new bow, because a re-hair costs more than a new bow. Your videos are excellent!! Merci millions fois!!
Robert Roudman: Robert Roudman 1 month ago Thank you very much for your detailed explanations. I wish to become competent enough to re-hair the bows for my daughters middle school students. Thanks to your wonderful videos I am making progress using the many student bows that she has collected in need of re-hairing. One of the issues that I am having is in getting the knot to lay flat in the head/tip mortise so that I can press in the plug, it requires a 90 degree bend in the hair. In your video you say to put the knot into the mortise. This looks to be done without effort by you, where I need to struggle to get the knot to lie flat at the bottom of the mortise, the struggle is to get and maintain the 90 degree bend. In looking closer at the video, It almost seems that that the plug itself forces the knot to lie flat at the bottom of the mortise as it causes the hair to bend the 90 degrees as the plug becomes solidly wedged. Is there a step that I am missing? Thank you. Hopefully one of these days I will be able to re-hair my daughter's professional bows...but that I a long way off....
Leo violin: Really love this tutorial. Thank you very much
Chris Marlow: Great video, I've been doing this for quite a long time & love it when I learn something new.
Jacque C.: .... I loved the dramatics behind the plug retrieval SOOOOOO much! ❤️ Thank you for your awesome instructions! ❤️❤️❤️
gina walker: Hoorayy!!! Just finished a bow from your method although the knot tying was a bind! Looking good! Half past 4 in the morning!! And I lost 2 hairs coa they where split ones! This bow I have worked on hasn't been rehaired from 1930! Iam now drinking some Vodka;lemonade. I love you for showing me how not to panick!!! When I can put a photograph up I will. Youv'e just earned me money, and now I look Gorgeous! Nearly as good as your blonde mate!!!! xxxxx
Dave Bawden: All four videos are very good, and demonstrate all parts of the process clearly. 2nd or 3rd time through I started to pick up on some of the detail, like the double knot at the tip end to start tying the hair. Just one question - is the channel cut with the gouge on the bottom of the wedge to allow space for the whole length of the knot? On my first attempt at the standing up method, the wedge fitted well without the hair, but kept popping out with the hair. I think it may have been that the knot was too long - that is longer than the height of the groove. Thank you
batcello: before watching these videos: "How could anyone possibly charge $90 for a rehair?" After watching the videos: "How could anyone possibly charge only $90 for a rehair??!"
Theodore Chan: Excellent video series, Gilles. A question; when you tie the first knot, you make only a half knot to start, wind, and then a full knot to finish. When you tie the second knot, you make a full knot, wind, and then another full knot. Any reason?
Moin Mohazzab: totally great! many thanks. could you please tell me what wood should be used for the plugs? and what thread do you recommend for binding the hairs as well?
Jim Penson - Bluegrass Musician: I'm mostly a guitar/banjo luthier, but have restored violins as well. I think I have probably rehaired 8 or 10 bows. If its' possible, I think I am actually getting worse. I always have slack hairs. One thing I picked up in this video is to not put tension on the hank after you tie the knot. I have always done that, and maybe it's why I always have slack hair! Merci pour l'aide!
Seán Ó Fearghail: Absolutely brilliant! Please excuse the question but is the bottom /end of the hair touching the bottom of the mortise or the back wall? I will be trying this method and want to do it right. Again, thank you for the fantastic videos.
rodo torrecillas: de lo mejor que he visto!! tendras algun libro o informacion para compartir? medidas , materiales, etc. Thanks!!
Jose Luis Ortega Sanchez: Ojalá y estuviera también en español...o con subtítulos...aún así son excelentes los videos...
Fred Victor: Fantastique tutoriel ! en tant que français je regrette amèrement de pas avoir les commentaires en french ... un explication au début sur comment retirer correctement une mèche usée serait bienvenue. Anyway, merci beaucoup Maestro.
Ionel Clinci: What should I know more after seeing this video? It covers all. I tried once to start from the head to frog but I gave up suddenly. Fortunately had enough hair to put it from frog to head. I use the thread i bought from DICTUM. Is it all right? Seems a little thicker to me. You did a great job and extremely useful. Thanks!
RAJOL KUMAR MISHRA: EXCELLENT !!! Demonstration . Thank you sir.
Merlijn Baron: Merci bien! I'll need some time to perfect the technique, but I just did my first bow and I can play again! What to do with the first time putting rosin on the bow? Now the sound is not evenly over the whole bow.
Stephen Churchill: A fantastic tutorial.
嗜血弓: Very helpful video. Thank you!
Leo violin: Your last words is very inspiring about improve your skill rather than using flame to remove loose hair. Best tutorial.
Richard Beehner, Jr.: How did the yellow thread turn black? Did you ever harvest the bow shank from the garden? Couldn't hear about cleaning the bow hair assume water only. Thank you for sharing your craftsmanship, it is appreciated.
Patrick Clark: what type of chisel did you use for the plugs? I've tried looking for round chisels, but I can't find that style
Julio García: Hello, at 11:55 you are making the knot with a yellow thread/strand, but at 12:05 we can see that the yellow strand has turned black. Does this mean that you also burned the other side, and applied rosin while burning the knot? (burning process from the last part of 2nd video). Thank you,
Tymur Melnyk: THIS is quality bow rehair
joseph mumar: Excellent !!!thank you sir
lautenmacher: I cannot understand why in the first video you put the gap for hair on the opposite side when making the plug for the tip. I'm going to do my first rehair and just cut my first plugs with your guidance. Thanks for taking the time to do these videos.
peter georgy: Thanks a lot for the tutorial it’s really helpful Just a question I need very fine hair not a rough one as I used several ones after my luthier died but they weren’t as soft as the one he made me they make a light scratch noise So where can I buy a fine hair Thanks
viol999: I was taught to re-hair from the frog to the tip. Once I interviewed at a violin shop as a bow re-hairer and when they saw me hair the bow from the frog the owner and resident bow repairer both looked at each other and rolled their eyes. needless to say I didn't get a job.
Tatiana Acevedo: I had broken my bow while playing, and thought i'd have to pay to get it repaired. Turns out I just had to take it apart, put the wooden thingy in with the bow hair, then assemble it again. Thanks!
InfinitePawer: Hi i have 2 questions about rehair. 1. Is it ok for a rehair to appear to have few big gap that can see thru?? I mean those new hair dont seen to close with each other. 3. Should the hair put more in one side than the other according to which side player use to tilt their bow ?? TQ.
aaa silva: hi man, your videos are the best, i have a doubt please, when you attach the hair on the head you put it straight or you fold the tip inside the hole like you do in the frog ? best regards
Mar - Tes: Hi Maestro, very well done. Super job also funny at the same time.
S.J.W.Bach: the way i learned to rehair a bow is a little bit different and maybe better: you do't put the wedge in the frog before you have the hair attached to the head. before you attach it, you have to comb it from the frog to the end of the hair. than you make the knot and attach it to the head. after that you can comb the remaining imperfections into the frog and it will not make a big dfference because the hair is already very staright and after you put the wedge inside the frog and you got absolutely perfectly straight hair outside the frog and almost perfect if not perfectly straight hairs inside the frog too so it doesn't affect the distribution of the hair at the ferrule. but i guess if you are good enough the technique in the video will do exactly the same
Mo Mo: Thank you for the nice videos! I have a question: Why isn't it good to use an alcohol flame to shrink some to long hairs in the end? For example in the video "Florian Leonhard bow rehairing" they make a premium quality with this technique!? Byebye
violinsheets: What tools do you use and where can I buy them?
marie sourbinou: merci beaucoup pour le video ...de Grèce . Excellent video et bien détaillé.!
Joyful Noise: I had learned to comb the hair from the ends and work up. It seems to work better for getting tangles out.
Jonathan Fisher: Thank you for taking the time to make these! I hope monica didn't leave you ;)
season64: Thank you very much!
Robert Lavoie: Merveilleux.
InfinitePawer: Sorry to say may be it had been mention in the video but i really having a hard time to understand the accent so here i have to ask why put the comb with the hair while do that tighten job ?? So the hair wont get loose that easy ?? At the moment 2 things are extremely difficult for me after 2 attempts. 1) Make head plug which fit like yours without any gap 2) No hanging or crossing hair after whole things are done. But i have to say this rehair thing is fun. Thanks again for the tutorial .. By the way any suggestion if i plan to purchase wedge & plug online ?? You see am not a full time luthier so i lack of all this woodso have to get it from somewhere .. one of the local luthier nearby me dont mind to give me some since i use to buy violin string or bridge from him but he dont sell it. And i did craft my own bridge again & again (more than 10 bridges) for about 2 years and it fun too .. i wonder do you make tutorial about how to craft violin bridge ?? Again, thank you so much for this rehair tutorial. Have a great everyday.
Julie Jules: My bow hairs have become stretched out. I hope I can figure out how to shorten the bow hairs without taking it into a shop. Haha I'll probably ruin it though.
Alejandro MezaJ: Great Master,from México. Thankyou.
Fred Victor: I tried to download these very good vidéos to keep them safely but no way with 4/4 ! don't know why... thanks anyway Gilles NEHR
sam sam: I rehair bows on the north part of Vancouver Island. Your video is one of the best rehair video I've seen. Well done.
Fanny Buster: Its been said that you should never touch the bow hairs with your naked hands, Should you wear rubber gloves while repairing the bow hairs..?
Chase Lee: The Russian dolls hold the secret of making a great bow!
Julie Jules: That super dramatic part where you found the Russian doll was weird and funny. I thought I was on different video. It looks like it could be a real horror movie. Haha
Enéas Marchezoni: I'm sorry, what is this powder that you use in the video?
Edward Pacman: Thanks. I will use cheap hair and cheap bow to practice.
Cristian Hernández: Gracias
MasterYukie: I got my violin today and i already broken something ;-;
дима перминов: Матрёшка !super
superatech: Thank you
Dwight Brown: This needs more Monica!!
nadia974berive: Bonjour Auriez vous une version Française ? Cordialement
Marie Lafleur: vous êtes de langue Française ? SVP je serais intéressée d'un avis . je travaille sur d'anciennes déco de sapin de Noël qui étaient faites avec des fibres de verre qui sont exactement comme vos crins . donc il me faut les coller et j'utilse de la colle d'os . pour faire des mèches ...comme vous ça va . Mais je dois aussi faire ...des cercles et bien réguliers et là c'est mon plus gd problème . si vs êtes intéressé de voir à m'aider je vs dirai plus . merci .
Tim Li: What the hell is that cinematic music that appears at 13:05?????????
antony baiju: Please help i keep on forgetting to loosen the bow and the the fron it the hir got unattachedplease help me we dont have enough money to buy a new one help me plewse your my only hope.
Jijo: 13:23 hahahaa
adem şirin: Hii.you rub my oil on the hairs???
regreg: A good video to deceive beginners .A lot of bonds in the ferrule cause ebony to break. Don't use bonds on old bows.A good bow is more delicate.Beginners will not understand
Psalm 34: Ty!Jesus loves you. God sent him on the cross to die for YOU so you can be freed from sin and spend all eternity in heaven. He’s coming soon!
james mothersbaugh: Just a quick suggestion from someone who, for eight years of his life, had very long hair down to the middle of his back. When you begin to comb the wet hair out at about 3:10 of the video, try starting at the tip end of the ribbon of hair and work your way back to the frog. This allows you to remove just a few of the tangles at a time rather than bringing them all to a wad, having the comb come to a stop, and then having to remove the comb from the hair and re-insert the comb slightly closer to the tip. It's quicker and stresses the hair less than by starting at the frog and trying to comb the whole length of the ribbon right away. Just for fun, ask a woman with really long hair how she combs it out when having just washed it; I think she will agree.