The 2022 Money Piece Face Framing Hair Trend

See all of that glow around that face? Hey everyone! Welcome back to the channel thanks! So much for being here. If you are new hit the subscribe button, give it a thumbs up and don't forget to comment down below what you think about this video. Today'S video is an express blonding technique, uh similar to money piece, but not quite it is called bright lights and the inspiration for this came from when i was walking around soho in london. I'Ve got a little collection that i'm going to be doing live over on facebook on joyco global's facebook, page uh you'll have already seen it because it'll be last night. This is wednesday, so um yeah. That is what we're doing so. You can head over to joyco uh facebook page. You can see what i did there live, but i'm gon na be bringing you the whole sort of techniques, because i need to prese. I need to prepare them anyway for the live, so i thought i might as well bring them the day after i go live so uh you'll be getting to see me live, do it, but then also you can refresh yourself on these videos, but where this technique Come from is when i was walking around soho and you see people sort of looking in windows and you get this sort of flood of light on their face and it illuminated their face. That is where i got the inspiration from i'm working on this mannequin here and she's like a ready, orange or yeah like red orange, probably like a level seven but a lot of warmth in there, and i want to knock that out completely. So i'm going to be working with lumishine's glasses and that's going to be aaa, so we're not going to actually drop the depth, but what we're going to do is neutralize the tone. So that's what we're going to do today, we're going to be putting um four foils through this front area. We'Re gon na put in three through here three through here. That'S what's gon na create that sort of impact at the front and then we're just gon na color it with a gloss afterwards to create that whole look and then i'll be, and then i did this live. I was gon na say i was gon na. Do this live? I am gon na do this live, but you'll have already seen it so uh, let's get into the video, so we're gon na be working with a middle parting on this mannequin uh. When i cut this, i'm gon na do the haircut as well. I'M going to a little bit of like a shag, a little bit softer, so there's gon na be like a lot of layering uh, really sort of breaking this up at the front. But i don't want to create too much breaking with layering or framing of like yeah feathering, if we call it that still because, as soon as we start texturizing this front, what we're going to get is the break of color, and i want to keep all that Impact through here so when i come to cutting i'll, probably take this front section out and really sort of tweak it um by eye, but this is where all the texture is going to be all through here. So with this sectioning pattern, what i'm going to do you know i love the high point of the head to use it everyone's got a different high point of the head and that's why i think colors and cuts as well. They uh they fit the client better. So when we work with that high point, we can work and and see where everybody will suit it differently and then what i'm going to be guided by from that high point. There is also that jawline so where i have just sort of taken that through so. If you look there high point head, it just comes down and then curves to that jawline and that's going to be our first section. So i'm just going to clip this out of the way because we won't be working with this just yet what a catch there. So there's our first front section there we're going to continue that on the other side as well about an inch in front of the ear there. But the reason this section this section pattern - might work differently on on everybody's client, because the high point will be different and then, where their jawline sort of comes in just there that sort of squareness through there and i've gone through. That will be different on everybody. As well so products i'm using today are blonde life and 20 volt, that's the powder, and then i'm going to be toning with silver and violet mixed together of the quick tone and, like i said, lumishine 8a, just to like matte off this glow. Remember all i want is tinfoil, so there's one two, three four: five: six, seven, eight nine and ten four foils through that hairline there, and then we want three up through here. So what i'm just going to do? I'M just going to use the curvature of the head or the partial ridge and the way you get that where that head starts to curve away from the comb in there and then in there. That'S how i'm going to distinguish where i want my sections to form again working points of reference, because, when we're working with curvature as the head everybody's head shapes are different. So this is the thing with me as a colorist. I love to work with these planes. In the head to make people to make colors and haircuts fit their head there, we go all balanced up. What we're going to do is going to take this hairline foil, clip this out. Remember we only want four here and my sections are a normal section size and my comb is gon na be on the scalp and i'm just flicking around in circles. So i'm picking as much hair up as possible, but we still want all of that texture and dimension in there that we're going to get from when we do highlight and then just mold that foil to the head get our lightener. Let'S just start down here to secure and then start to feather up into that hairline, creating a really nice soft root, light or root area, really nice and soft. So you can see when we work through here working on the flat of the brush and then when we come up into here. Work on the side of the brush creates nice soft and then let's get our saturation making sure we get enough product on this hair. That we're not losing that foil at that root area and if you do a tip, which is why i've put that bend there get your comb and you can just shimmy that back up and then just nice and neat. So there's one then going to do a slice. This is what's going to give us all that impact of color fall number two. So we've got a baby light, really tight baby light, a slice we are going to go with a normal weave. You see that just an average weed - and this is what's going to give us all of that dimensions and coverage as well, so we're going to start off so we're starting off really soft on that root area, baby light, adding that slice packed into the middle because That'S what's going to give us that real mass color coverage and then, as we work back into the into the hair, we're then going to go into an average weave and then into a baby light again. So it's just about using our different foiling techniques. All in one look to create something quite impactful, so baby light slice, normal weave and come in with a baby light again the softness of that weave through there you tell what we're going to do already at the sides if we're working with three on each side. What do you think would be? Let me know in the comments down below before i start: what weebs are we or what um order of weaves? Are we gon na do on the side to make sure we continue with this technique? There we go and you're thinking. Why did we section all the way back into there, because i wanted to use the high point of the head to make sure we picked out this jawline? Let'S move on to the side, so here i'm going to start just at this back point now we're going to start with a regular weave, we're going to do a slice and then, with that little bit left up there we're going to do our baby, like you. Can already sort of see how impactful this is going to be around that face? We'Ve got all of this blonde and now onto the other side, and then let's go up into that. Okay, so that hair is going to be sort of sitting there and we've got all of this blonde, all like just framing that face, but as if, like a light, is going to be on it because there's going to be quite a bit of blonde in there. So i'm going to get this 8a on i'm just going to uh speed it up. So you'd have to sit through me doing a whole color forehead color, and then you can revisit me at the result. Sassy colored, i'm gon na. Let it develop for 20 minutes. Go up tone for five minutes with silver and violet, bring her back all styled ready for you, and here she is so i've still got to cut it, but i just wanted to show you that little glow that we have around that hairline. I just think it's stunning and i've gone for a side part. I don't think there's enough side parts anymore, but if that has come across on camera, how it looks in real life. I hope it is so you can all see, but you just got this beautiful glow all around that hairline and that's what bright lights is so the bright lights is the bright lights of soho you're. Looking at you look in a window and then you have all of this sort of light pouring onto your face a bit like a sort of selfie light ring light. But that is what we get and you see like all of that face frame there. But you got that depth. I just want to touch on as well. How nice is that brunette? That is the eight a on the level, seven mannequin and it is just stunning, so i'm going to do a haircut on it. I want to exaggerate this front. Somehow. I'M going to work on a little haircut um, but yeah. I hope you hope that does come across. Let me just get it sort of moving a little bit now. You can see all of that glow around that face, and that is basically what we wanted. We wanted a really quick way to add some, some like blonde or whatever, like copper. You could do an intensity over this. It would just look stunning as if they were sort of looking into a into like a restaurant red light or whatever blue light sort of pouring out of them. You could you could do that, but that is it in 10 foils and you can see. We'Ve still got this, so we keep a little bit of natural in there, which is that little baby light at the front. We we didn't, do it right on the hair long. She wanted that little bit of shadow in, but that is bright lights really quick technique. I mean tin foils, you do a foil a minute. It'S a ten minute application. It was a little bit longer today because i wanted to do the gloss all over here, but again, 20 minute development, five minute on the silver and violet quick tone, and then we get that really nice looking result. So i hope you've enjoyed this technique. If you could use it in salon, if you do, let me know in the comments down below um and if you, if you were on the live last night, thank you for watching. I'M live again this coming monday, uh on joyco's facebook, page and i'll be doing. I think it's ribbon lights. I think it is the ribbon lights one and the ribbon lights. One is in sort of 15 foils, 15, 24 oils. I think it is and um yeah that gives you a lot of dimension and that is like the chelsea sort of uh vibe, where a little bit sort of yeah going out a little bit more relaxed, but that little bit sexy so yeah if you've enjoyed it. Let me know in the comments down below if you are new, hit the subscribe and comment down below and let me know if you're going to use this um and until next time i'll see you on the next video you