Color Grading In Premiere Pro Cc - Get Pro Film Look
Color grading in Premiere Pro CC to get a pro film look
If you you're looking to make the look of your films standout and get your career to the next level but struggle with the color grading aspect... let this tutorial help you finally feel like you have a good grasp on making your images to look the way that you want them to and get a pro film look!
I have been where you have been and so I know that it can seem intimidating with all the different color correction tutorials and LUTs that are out there. Muddy looking images, shots that down't match together, skin tones that don't look quite right and that feeling of not knowing where to stop or when the grade looks right.
You can do it! Even if you're just a beginner or just starting out let this tutorial help you feel confident in Premiere Pro CC!
After I had tried everything to improve the look of my films, e.g. new camera, better grip, better lenses and cinematography training, the thing that finally helped my films look professional and land my first career job was what I did after the video edit in the color grade.
Adobe Premiere has made great strides not only advancing their editorial platform but in improving their color tools. In fact with the acquisition of Iridis SpeedGrade (a professional grading system) they have incorporated those industry standard tools now into Lumetri.
If you liked this tutorial and want a step-by-step training that goes all the way from familiarizing yourself with the tools to discovering the top grading secrets I want to invite you to free online workshop:
https://www.colorgradingcentral.com/co...
Or if you're just looking for something completely different and an easier alternative you can check out our plugin we've made for the Mac that's mentioned in the video:
Mac version:
Windows version:
Denver Riddle
CGC Founder & Colorist
https://www.colorgradingcentral.com
Facebook page: https://www.facebook.com/Color-Grading...
twitter: https://twitter.com/colorgrading
FB group (50K+ members): https://www.facebook.com/groups/colorg...
#colorgradinginpremiereprocc #colorgrading #colorgradingtutorial
Hey guys, my name is Denver, Riddle, I’m a colorist and filmmaker, and if you're wondering how can I make the look of my films stand out through color grading in Premiere Pro CC and make my films look big budget? Well, I’m going to reveal that here in this beginner crash course using the Lumetri color tools found in Adobe. We’re going to create this amazing look, you can download the look as LUT or look up table and easily apply this to your own footage.. Also, while YouTube is a fantastic resource for learning about so many different kinds of subjects, if you are looking for a step-by-step guide that takes you all the way through discovering the art of color grading and getting the big Hollywood film looks I want to let you Know about a free training workshop I’m going to be doing where I reveal my top color grading secrets to attend the just click the link below in the description, and I hope to see you there. Alright let’s do this thing Here inside let’s set up our workspace For color grading we’ll choose Color workspace and that will bring up the Lumetri color tools.. In the top section we have. The Scopes…we have the Program Panel, where we see the clip we are currently working on and the Lumetri Color panel over here on the side where we can perform our grading. It’s, also worth pointing out the Effects Control panel, where we can do some other things, including Adding and tracking color masks but more on that in a bit. Before we jump in and start grading this thing let’s discuss basic terminology for how we define color.. The three basic terms that we use to define color are Hue Saturation and Luma. Hue is the name. We call colors. Saturation is the intensity or vividness of a hue. And Luma? Is the brightness or shade of hue. It’s also important to know how to read the scopes which can be super beneficial. If you’re in the color workspace, the scopes should appear, but if not just click on the Lumetri scopes tab., The three scopes I always use are The waveform, the RGB parade and the vectorscope., The waveform let’s us correct for exposure.. If I overlay an image on top of the waveform, you can see that the trace the stuff you see here actually corresponds with the image of the girl dancing.. The RGB parade scope is helpful for correcting white balance issues. It reads similar to the waveform other than it’s broken out into the individual color channels of red, green and blue.. With this scope, it makes it easier to spot imbalances if either the image is too cool or too warm.. How that will show is one channel, elevated above the others.. The Vectorscope corresponds directly with the color wheel and I’ve overlaid it here for convenience.. It shows what colors are in the image, as well as their saturation.. The further the trace extends from the center of the scope, the more saturated or vivid, the colors are. Here’s, a simple but powerful workflow for color correction. We first correct the exposure or brightness of the image. Second, the white balance or color temperature. If there are any issues and, lastly, the saturation by either increasing or reducing it., This will make more sense as we actually do it. Let’S first make a correction to the exposure of this image using the basic correction panel.. Now, if you look at the controls in the basic corrections, panel, you’ll see controls for highlights and shadows, but also for whites and blacks. Lumetri uses a terminology that’s slightly different than other grading applications. But here’s. How the controls work, The Blacks control adjusts, the darkest parts or the very bottom darkest point…and, the Whites control adjusts the brightest or the very top of the image.. The Shadows control affects the tonal range between the shadows and the midtones. If say, you want to recover or darken details in the shadow areas and the Highlights control effects, the tonal range between the highlights and the midtones or the upper part of the image. If say again, you want to recover or brighten details in the highlight: areas. We’ll adjust the shadows first with the blacks control, while watching the waveform.. We want to bring the trace in the shadows down until the darkest parts of the image sit right above 0.. Then we’ll bring up the highlights with the whites control, so the brightest parts of the trace sits right about here near the top., Then let’s darken, the undertones or the area between the shadows and the midtones by pulling the shadows slider to the left…. This will help us remove that washed out look from the talents face. And then I’ll just adjust this a little more until we have good contrast and exposure.. This is the first step.. Next, we’ll fix the color temperature, since the image is looking cool.. Looking at the RGB Parade scope, the blue trace is elevated above the red and green.. Our goal is to “neutralize” or white balance. The whites and we’ll want to find something in the image that is white. In this case we’re going to use her sneakers as a reference.. Now we can do this manually with the temperature and tint sliders, or we can save some time and use Premiere’s, auto White Balance Selector. To do that. We just need to select and click on the white part of the image and voilaaa… the temperature and tint sliders automatically move to white balance, the shot and the traces are aligned in the RGB Parade Scope.. Now, if, for whatever reason, we’re not happy with the result, we can still manually adjust those sliders to our liking.. In this case, I think we can warm up the image a little bit. And that’s the second step.. As our final step, let’s boost the color a little bit by increasing the saturation. And here’s. What the clip looks like before and after the correction., Pretty amazing right On the next shot. We’Ll repeat the same procedure: going for a nice balance of exposure with the the blacks whites shadows and highlights controls…the color temperature in the shot looks off too so we’ll use the white balance eyedropper this time over. The truck in the background. I’ll then refine it. A little manually., Lastly, we’ll add some saturation too. Moving to the third shot. We wan na match it to the first shot for obvious reasons, since this is pretty much a wide version of the same scene.. To give us a good starting point, let’s copy the correction from the first clip to this one. We’ll go to the first shot, select it and use the keyboard shortcut command, ``, C'' (. If you're on a Mac, ) or control'' C''. If you’re on Windows, we’ll then go back to this clip… right click on it and choose Paste Attributes from the dropdown menu. Make sure the Lumetri Color effect is checked and click OK.. This copies the correction and gives us a good starting point, but you’ll see that we still have some matching issues.. The image is too dark. To help with matching. We can go to the Color Wheels & Match panel and activate the Comparison View.. Now we can see a side by side comparison of our clip and any other clip in the timeline.. There are also vertical and horizontal split options, but we’ll stick to the side by side. Option. Now here’s the really cool thing. In the side by side view we can compare them visually AND in the scopes as well. So this makes matching a breeze. To match the traces better. We’Ll bring up the general exposure using the exposure slider and then bring up the shadows with the blacks control.. We can see now in the Waveform that both traces look like they’re at the same level., That’s a nice looking match. Now let’s disable the Comparison View option. In the interest of time. I’Ve already gone ahead and performed color correction to these remaining clips.. But in this last shot you’ll see that the yellow pole looks greenish compared to the ones on the other shots.. Well, what’s really cool is that with Lumetri we can fix that one color., So let’s open the HSL Secondary panel and then with the eyedropper let’s click and drag through the pole to qualify it. To see what we’ve selected let’s turn on the highlight feature by clicking. Here. Now clearly our selection isn’t enough., So let’s improve our selection with the hue saturation and luma sliders., Then add just a little denoise and blur to soften the key.. Okay, now let’s turn the highlight feature: off. We’ll then drag the color wheels control until the pole loses that green tone… and Bam Doneski As a final touch, her face is looking a little dark so to lighten it. We’Ll accomplish that with a mask where we’re effectively relighting the scene, something really cool we can do in post. Now. In order to do this, using Lumetri, we’ll need to add a 2nd instance. To do that, we need to open the effect panel and then, If we go to the Project Panel, we’ll see a double arrow located at the upper right. Side… go ahead and click on that and choose Effects from the dropdown menu.. Once we find the Lumetri Color Effect, we’ll drag it to the Effect Control panel…, and this adds a second instance of lumetri, where we can now use a shape. Mask. I’ll go ahead and add a mask and size and position it over here face like so… and add some feathering, so this doesn’t stand out too much., Then to lighten his face. We’Ll increase the shadows…and highlights… Playing it back. You can that the talent’s face moves. So this is a problem. To address that we’ll want to track the shape to her face so going to the Effects Control Panel. We can easily do this by clicking on the track forward. Button. And badda bing bada, bang The shape moves perfectly with the movement of our talent’s face., Really amazing stuff. I love doing color grading in Premiere Pro CC., Okay, now it’s time for the really fun part and that’s creating an awesome. Look for these clips., The Orange/Teal! Look is a really popular look because it uses principles of color contrast to make the skin tones advance or pop out from the background. And frankly, it just looks awesome so you’re going to love this I’m gon na show you a quick way to apply the SAME. Look on top of all of these clips, and this will save you time and ensure you have a consistent look across the board. To do that. We’Ll go to the Project panel right click and select from the dropdown menu… choose New Item…, then Adjustment Layer., A prompt will appear and we’ll just click. Ok. We’ll drag the Adjustment Layer to the second video layer over top of our video clips and any adjustment or color treatments we apply here will be applied to all the clips underneath the adjustment layer. Pretty sweet, huh. Alright, now let’s create the look. Make sure the adjustment layer is selected and we’re going to skip and go straight past, the basic correction panel to the curves, where we’ll have more creative control. And a quick crash course on the way this works in case you haven’t Already used these in Photoshop is bottom point: adjusts the shadows, the top point adjusts the highlights and we can make as many points as we want on the curve in between to shape the tonal range.. In this case, we don’t want to affect the highlights or the shadows too much, so we’ll create contrast, in-between these areas, known as the undertones and midtones. I’ll, make a point here in the midtones and drag it up.. This improves our exposure but makes the undertones look a little washed out.. So let’s add another point here and drag it down to adjust the density of the undertones there. That looks nice. Now we have a much richer contrast. For color. We need to push teal into the overall image, but without affecting the skin tones.. So let me show you how we’ll do this we’ll go to the HSL Secondary panel and use the eyedropper to select our talent’s skin.. We’Ll then refine our selection with the Hue Sat and luma sliders. Then add some denoise and blur for good measure.. Then what we need to do, since we currently have our skin tones selected, is to actually invert our selection (, like so ), and now we can use the color wheel to introduce teal into the image with affecting the skin tones.. Now we are onto something… right, But we are not there yet.. Something is off. Because we pushed teal into the entire tonal range. Our shadows also look teal, so we’ll want to clean them up. So we can have clean black shadows. To do that, I’m going to show you a really awesome. Trick. I’ll add another instance of lumetri…. Go to the Hue Saturation Curves panel. Then go to the Luma. Vs Sat curve.. Now the way this tool works is the shadows. Are to the left and the highlights are to the right and then anywhere that we place points on the curve. We are able to adjust the saturation for that part of the tonal range by either pulling up to increase the saturation or pulling down to decrease it.. So this is really cool way for selectively reducing the saturation in the shadows without affecting anything else. So we’ll place a point here, so nothing above is affected and then we’ll drag the left point all the way down to reduce the saturation in the shadows. Voila. Our shadows are nice and clean and the skin tones and everything else kept their saturation.. If I toggle this instance of lumetri off and back on again…, you can see the difference it made in pulling the teal out of the shadows on the walls, her hair and the trash can.. Okay. So don’t forget that cool trick. Now just to play with these yellow poles to have them have a closer tone to her coat and skin tones. So this is more orange teal we’ll go to the Hue Saturation Curves panel and under the Hue vs Hue curve. We’Ll use the eyedropper to isolate the yellow, range. And drag it up to introduce more warmth into the poles.. As a final touch, I want to apply one of the LUTs from Ascend that’s available for download when you sign up for the free workshop.. Let’S add another instance of Lumetri and go to the creative panel. From there. We can browse our LUTs and I’ll choose the 3strip LUT. Now at first it’s too strong, but that’s okay, because we can dial it back to taste with the intensity slider.. What an awesome look Now, if any of this has seemed overwhelming to you. I want to let you know about a great alternative that we’ve developed as a plugin. For content creators who don’t want to specialize as a colorist but still need a professional look with on screen. Grading lightroom style controls, false color mode for landing. The correct exposure and real time preview of LUTs and presets you can find out more about Cinema Grade I’ll, have a link for it in the description below., So that’s just an alternative. Now I know that I covered a lot of things here, but my purpose was To help you get started with seeing a difference in your films today. If you’re looking for more guided help in discovering the power of color grading, I want to invite you to our 1-hour color grading workshop, where I reveal the top color grading secrets used in Hollywood And how best to do color grading in Premiere Pro CC. You’ll find a link to register for the workshop in the description below this video. In the web class. I reveal how I went from being a wedding videographer down to 0 wedding bookings during the recession of 2008 to improving the look of my films and landing client work with some of the biggest brands like Facebook.. I reveal the same techniques that have had the biggest impact on my career, so, if you’re serious and want to be guided every step of the the way you won’t want to miss it.. I also want to point that if you want to learn more about our Color Grading Academy it’s, the only way you can do, that. People ask if we do formal training well. This is your opportunity to discover that, and we’ll have a special offer for the it at the end of the presentation., So be sure to save your seat, click the subscribe button and then the bell for more grading videos. I hope you enjoyed this beginner crash course. As much I enjoyed creating it for you, and I look forward to seeing you at the training. Have a great day.
Comments
Color Grading Central: Color grading in Premiere Pro CC to get the pro film look!
Darshan Mehta: So i have been editing my videos a lot and basically never understood the fundamentals of Color, this is the 1st video I learned something super cool. Thanks
Ryan Hall: Colour grading has always seemed so complex to me. Even in uni, they had us watching YouTube tutorials to help show us how it's done, and it never seemed like something I could do. Thank you for simplifying it like this, huge help with my current project!
Mandy Nyunyu: I absolutely learned so much in this short video! I used to increase and decrease the corrections manually for every single clip. Glad I found out that I can actually copy paste it and how to use the adjustment layers. Great video for beginners, super easy to understand. Thank you so much for this!
Diego Teliz: I've watched quite a few color grading tutorials and I have to say that this is, BY FAR, the best one out there! Lots of info, super well explained and straight to the point. Well done!
Liam Thompson: You Sir, are a legend!
Quarker: Hey this is a really detailed tutorial, and thanks for posting! In my experience though, I use the colour wheel sliders to adjust the shadows and highlights instead of the basic correction tab. I've noticed the latter is a bit inferior, and actually works differently to the colour wheels. The basic correction sliders introduce clipping and crushing much earlier than the colour wheel sliders do.
Dave Mech: Loving the tempo, the information and the way you clearly explain everything in detail without being redundant / repetitive. Subbed!
Juliette Zyg: I've been trying to develop a specific style for all of my films and learning the basics of color correction like this is a HUGE help! Thank you!
artreyoo: Absolutely excellent tutorial. Great pace, clarity and value of information. I've learned quite a bit today. Thanks a lot.
Scott Bayvel: You explained everything so well in one video. Thank you so so much. this was literally everything I was looking for and things I didn't even know I would use
Freddie V: This is such a good tutorial video, Very easy to follow along and no waffle. To the point, and with succinct explanations!
InkedSoul: Thank you for really explaining in depth with professionalism and making me watch the video and take away something useful. The only colour correction tutorial that actually teaches you and doesn't ramble on for 10 minutes about useless information. Thank you so much man this really helped.
LATE NIGHT MUNCHIES: This being my first color grading video ever watched with no experience at all, I'll definitely be coming back over and over to ingrain your tips and advice. THANK YOU!
HawksNest: Great video! A lot of effort went into this and it was done in a very clear and easy to understand manner. Much appreciated man :)
Penta Rishabh: I was never good at color grading, but after watching this video i am not converted into a professional but still i learned so many things for doing good color grading.
Achitha Kithsindu: Explained super well and easy to understand. Thanks a lot
UnderWaterFilms: As the new lone Videographer for a good sized company, this helped me so much. Your explanation was incredibly simple yet informative and helped me give my footage that extra flare. I will for sure be following your channel from this point forward. Thanks, brother!
Jenny Nwene: This has to have been the clearest cleanest easiest to understand tutorial I've ever found. Thanks so much!
SNEAKchannel: this clip is so useful!! Bam!!!
Rocket Child: A great tutorial! (Will have to look at it a few times). I've been using Premier Pro for a few years, but the colour pannels were too confusing to understand. Now I can try something new in the future, thanks
Anatole Navarro: Thank you so much for this video. I was making such a mess with my color correction. This was very concise and easy to follow. Much appreciated : )
Wheres Wati: Thank you for the epic tutorial, even if I dont use half the tools you've given us, it is still super helpful for us noobs ✌&❤
Kristen Stephen: This was amazing! I’ll probably have to watch it 1,000 times before I get everything down thank you so much for making this. You’re really talented.
Nick Richards: Zero bs, zero time wasting. I actually learned something. Thank you!!
Muyiwa Rotimi: This is one of the most amazing, well-detailed colour grading tutorials I've ever watched. thank you so much for this.
Patrick Joshua: This is awesome! so far the best color grading tutorial I have ever watched on YouTube. Keep up the great work! looking forward to see more great stuffs
Endo Suanda: Thank you for wonderful tutorial. I got around 20% of this complex lesson to start, but I can go back to see the rest, step by step.
Fernando A: Muy buen tutorial, muchas gracias, aprendí mucho en tan sólo unos minutos.
Remco Gerritsen: This was incredibly helpful. I used to just grade "by eye", and getting really frustrated in the process. This video was a game changer on good practice - thanks a lot!
Gentle Objects: Hello there! Thank you so much for this. This is such a useful video. Been trying to learn how to color grade better and your video broke it down so simply yet packed full of information. I’ve learnt so much and I can’t wait to try it out
Chris Bryant: This is probably the BEST tutorial on anything I've ever seen. SUPER clear, step-by-step, and you seemed to know the questions I had in my head and answered them eloquently. Well deserved of 1m+ views!
Josep Bautista: By far, the best premiere tutorial I've ever seen here on Youtube.
Greg Brayton: This video just changed the game for me. I've been editing professionally for 15 years but always relied on colorists to deal with this part of the process (this laziness is 100% on me, haha). Color-grading alway seemed like magic to me, but you've done an amazing job of demystifying it. On big jobs, communication with the color team is going to be much more productive now that I understand more how the process works. And small jobs where I'm doing it all myself are going to look WAY better! Thank you!
Nick VanLoon: This has been the most helpful video I've ever watched on color grading in premiere. Coming from majorly photography and editing in Lightroom. Premiere was intimidating. Super excited to have nice color grading in my future videos. Seriously big thank you
JAMEYX Films: This is the first color correcting/grading video where I actually understood and learned something. Also the only one that finally taught me how to pop the skin tones so that you can get that orange teal look without it looking like an entire image tint. Thank you.
Tech Gram تك جرام: You are amazing man
ANTRAX 1.3: thank you for all these very clear explanations. finally a video explained calmly and without going in circles. simple clean and precise. thank you
Lucky Life TV: Great video, thank you so much. Clear, easy to follow and very helpful
Indpndntly Grwn Productions: Such a well explained video! Content, speed, and focus!!
Pedro Félix: This is a brilliant tutorial, covering most of the basic needs of colour correction! Thank you.
Freddie EJ: You really packed so much knowledge into such a short video! You've helped me understand so much, brilliant thank you!!!
Funky mimosa: really really amazing tutorial, it is like a magic behind magic:) for such huge info be introduced in such short amount of time with so clear explaination, thank you so much:)
Sonhos entre Pedras: É incrível como esse cara ensina de forma simples e didática. Tem muito BR que faz vídeo sobre Premiere e pensa que está salvando a Amazônia. Nem precisa entender todas as palavras que ele diz para absorver mais informação que esses youtubers made in Brasil
Azka Ray: I swear I've been watching tons of different videos about colour grading, but this is by far the most digestible video out of everything I've watched. Really appreciate the well made video. Thank you!
Rudy Visuals: This was absolutely awesome. I've been color correcting using colorista using the guided color correction mode and then just throwing on LUTS without really knowing the ins and outs of what it was I was doing. This explained it so well. Definitely going to try using the lumetri color tool instead for my next video. Thanks for sharing this! Awesome channel - I hit the sub button!
La Hitman: You really explain it well ! Been struggling but now I understand it. Thank you
Elohim Peña: Thank you, this was such a wonderful introduction into grading. I finally understand the basics of what HSL secondary is and does. Really great video!
Omar Fahmi: I've watched tons of color grading videos so far but this one was the best of them .. clear explanation, very handful and at the same time simple Thank you very much .. my problem is solved now
NOYB NOYB: This is the absolute best color-correction & color-grading quick training video on Youtube. Thank you so much. Quick question... I see a lot of how to make videos more cinematic but they are almost always with footage from outdoors. Its rare to see anything indoors/in studio. Any chance you could touch on that in a future video? Thanks again, I'll see you in your free training course soon!
Michalis Langas: Finally someone who visualises what they say in a compact way! Will look into your links too, very effective tutorial...
Mii Studio: Thanks so much man. In less than 30 minutes your tutorial helped me hugely improve the color grading skill.
DDRandDSLover: This was amazing and easy to understand! Thank you!
Nika Nanika: Thank you so much for sharing this information with us! Will try to implement this in my future projects!
CCMelodies: This was so amazing and helpful. Everything so clearly explained and shared, thank you!
Aaron Andrews: Absolutely amazing tutorial! I’ll finally start to understand how to colour!
Maëlys Baey: Very useful and very clearely explained, thank you!
Christopher Styles: Efficient, quick and articulate. A real pro, thanks for taking the time good sir!
Fracklo: Thank you SO MUCH for teaching us the basics man! The beginning of the video really helped improve my school tour video project's color (though slightly but it feels like a huge difference.).
Ramon Grutschnig: Amazing Tutorial, covers everything about color grading with just enough detail. Keep it up man!
Melodyman: Thank you for this man. I'm editing a music video right now and I'm so overwhelmed but I'm taking my time and learning as much as I can.
Maggie Kirkland: This is immensely helpful. Thank you so much. You're a fantastic trainer.
Ethan Harrison: So well done. Thanks for helping me through this! Would be lost without tutorials like this.
Avi Sandhu: this video guide is timeless! Thanks for posting and narrating so effectively
ratracer: This is one of best video editing tutorials I've seen since I've started shooting photos and videos. Not boring and very informative and easy to comprehend. Thanks!
Akong Ayalam: Very informative! Thank you so much for sharing this with us <3
im18yay: Wow this was an awesome tutorial! I don’t understand how it has dislikes. Thank you so much for this thorough video!
Whatsapp Vids: Great tips. I use Lightroom/Photoshop Camera Raw settings and export them as LUT and use it with Premiere Pro and it really makes my work fast and easy as I am more used to Photoshop/Lightroom color grading settings.
Louis Nadeau: It's the first time I see a color grading tutorial where everything is easy and clear. It really helps a lot! I think I will return to this video a lot for reference when I do my future videos. Thank you!
Allen Dean: I’m red/green color blind, so grading is really challenging for me! Thanks for your videos!
Sourabh Agashe: Explained so well. Super clean work ❤️
Andrew Sykes: Great video explained in a way that made sense and was fun too! Thank you.
Casa Mamaleón: Thank you so much for making a tutorial so useful and understandable
Mayura Abhayasinghe: Wow...your tutorials are amazing..very clear and very useful Thank you ♥️
Erick G: Bro, this was THE most fluid, informative and simple explanation of the color grading process. Thank you so much!
Dominic Perkins: So helpful, I've been struggling with grading in Premiere and most tutorials I've seen don't go beyond 'click the white balance selector' Thank you!
Gabriel: This is so damn helpful!! My cinematic footage went from looking dirt cheap grading to professional filmmaker mood
Nempie Blues: Amazing how much I learn from these videos when I don't even have this software, and my application is photographs! Always excellent, thank you!
HeliRy: For ages I’ve been trying to colour correct and edit with Resolve. Gave up after it tried numerous time to literally melt my computer lol. But Adobe… while not perfect, never fails. This is perfect.
Alex: Amazing! Thank you so much for putting this together!
Spencer Scanlon: Very cool! This was well broken down and easy to follow. Thanks Denver!
Joe Tyler: This was crazy helpful! I used to just apply LUTs and adjust random bars but it all makes sense now
Mortimer: Dude i really like the way you edit and your talent to explain al things you do. Please keep doing content for people like us that want to know more about good editing. You are doing great.
Luca Films: i watched this and tried everything simultaneously on my footage and damn, i feel like I learned A LOT. Took me 2 hours of time and played with those functions but now i feel like I'm way smarter than before. Thanks!!
Jordan Ness: Best tutorial I've see so far! Thanks man, I really learned a lot!
Rosalita Moon: I really love this video, it's super helpful. The surface for color grading in DaVinci is different and up until now I did not understand how to apply my knowledge from there to Premiere but this video came right in handy. Thank you!
Wodi BeRappin: absolutely loved this video this extremely helped me out I've never used premier pro not once before but after watching this video I feel pretty confident
john lee: great demonstration! just getting into premiere and i'm finding your content very useful!
W P: 4:49 Fix the color temperature 5:46 Increase the saturation
Pierre Edison Hermanus: this is so thorough and easy to understand, thank you
Olabanji Olasunkanmi Fesola: This is probably the best tutorial have come across here. Super cool and very understanding. Great job man
Pj: This tutorial is amazing, thanks! the only thing is im using an older version Premiere pro cc 17, so when i want to remove the teal from the shadows i cannot find the option "luma vs sat" is there any other way to do it?
Mothy: Wow, this is great. I am a long time audio engineer, this year I decided to turn my studio into a video/streaming studio as well, and boy I didn't know what I was in for, 5 gopros, a Canon and a BMPCC later I have a pretty sweet little video studio. I knew I was behind in my Premiere skills, but wow I had no idea again what I could achieve here. Thanks for these tips and looking forward to exploring the rest of your channel. Subbed and Dinged!
littlepowerplant: Really nice and easily explained!
Jojo Fi: This Video was sooo helpful. I watched a lot of premiere pro tutorials by now and i thought were "Oh, that's easy to remember" but here, i almost absorbed it. It was sooo easy and yet fun explained! I gotta subscribe you guys
Bryce Truong: Great tutorial for beginners! All the other videos out there don't bother explaining anything, and it's so confusing. Kudos
Theodore Cole Anderson: Great video! Only concern I have is with the desaturation of the shadows. The best part of having a lot of dynamic range is to be able to see colors within the shadows, and to desaturate them is a waste. Is there another way to keep the teal, and or any other color grade, from muddying the shadows with unwanted colors?
High FOurce: great tutorial, most people rush and dont explain things in a super detailed step by step fashion. this was professionally instructed. added to my adobe learning folder for sure.
Dhakadice: MAN, you showed me pretty much EVERYTHING I wish I could've done when editing my short film in....Premiere 5.5 or something. (Had to track all the masks manually using keyframes, create multiple layers where I darkened the darks and lit the lights using color key, etc) I've learned more from your video in 16 minutes than I've learned through all of high school and gymnasium put together. :D My next short is gonna be AWESOME thanks to your video! (well, the old one got a pretty good mileage out of the amateur actors and also had pretty good sound too, but next time, the picture's gonna be good too)
Purnhauser Karolina: Wow, that was really helpful, best golor grading tutorial I have ever seen. Thanks a lot for your work!