Advanced Hair Masking With Channels In Photoshop | Phlearn

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For hair masking on complex backgrounds, try this tutorial: https://phlearn.com/tutorial/30-days-p...

Today we show you how to use Channels to make detailed cutouts of hair in Photoshop! Learn how to quickly select people in a photo using Select Subject, and then use Channels to refine that selection, recovering all of the fine details and soft edges around their hair. Picture-perfect cutouts, every time!

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https://phlearn.com/mask-hair-channels...

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Today, i'm going to show you how to make advanced selections with channels that are going to help you create better cutouts. Hey there welcome to phlearn. My name is aaron nace, i'm so excited to show you channels. They are a very powerful feature in photoshop, we're going to use channels to refine our selection around our subject and be able to bring back more detail, especially in our subject's hair. So i want to go ahead and cut out my subjects the fastest way to do this is with select subject. So, let's go up here to select and then down here to select subject, let's go ahead and click there and you can see it's an automatic process. You don't have any control over it. It basically just selects your subject, and i got ta say most of the time. It does a very good job, but it usually needs a little bit of help, especially with hair and things like that, it's kind of difficult. So we have our selections around our subject. I'M going to go ahead and load a layer mask i'm going to click on my layer mask icon right down here there we go and that's going to put our subjects on a blank background. Now, just so, i can see what i'm doing i'm going to go ahead and create a solid color, fill layer and we're just going to make this white and then put this right underneath our subjects. Let'S go ahead and zoom into the hair of our subjects and it doesn't look bad, but if i hold shift and click on the layer mask for this subject, you can see there's a lot of detail in the original here. That'S simply not included in my cutout, and this is where channels come in by the way you can download the sample image and this psd on phlearn.com. You just follow the link down below that way. You guys can follow along so jumping into channels. The first thing we need to do is get our image back to how it was originally. So i'm going to hold shift and click on the layer mask which you can see just makes a black a big red x over my layer mask okay, it temporarily disables. It so now that we have that red x, we're gon na go to window and then down to channels, so we're gon na start with our channels by clicking on our red channel green channel and our blue channel. Now you can see skin and things like that. Look a little bit different depending on what channel you select and that's because it's kind of showing you how much of each color is in these channels. For instance, my red channel everyone's faces are pretty light because there's a lot of red in your skin in the blue channel they're pretty dark, because there's not a lot of blue in people's skin. Now the goal when using channels is to look for the most amount of contrast in light and dark. So, for instance, i want to cut out this hair, so red, green or blue. Well, in this case, and a lot of times with people blue is going to give you the most contrast, because the person's face or the person's hair is going to be darker compared to the background. So let's go ahead and duplicate that blue channel. We'Re going to simply click and drag it right here to the little plus icon, and you can see, i have a blue copy now. What i want to do is enhance this contrast. Okay, i want whatever like the darker object. I want to be darker and the background i want it to be lighter, so we're going to hit controller command, l for our levels and then i'm going to just make my darks a little bit darker. There we go, you can see we're enhancing this contrast and we're going to make our lights just a little bit lighter okay, not too crazy, but just a little bit. Something like that. There we go and we're using the difference between light and dark to make our selection. That looks fantastic, so let's go ahead and hit ok. So obviously this doesn't look great as an image, but keep in mind we're just going to use this to make a selection. Now, to turn a channel into a selection, it's actually very simple: all you have to do is hold control or command and click right here on the thumbnail, so controller command click there and you're going to see it's going to turn into a selection or you can Click on this little icon right down here on the bottom right, looks like a circle with a bunch of dots, that's going to go ahead and turn it into a selection. Now, a quick word of note: it always selects the lighter areas. Okay, so in this case basically selecting the background, so let's go back to our layers, i'm going to just turn my layer mask back on again just by clicking on it and our background is still selected. The light areas are selected. So what i need to do now is inverse my selection, because, basically, what i want to do is i want to paint my hair back visible right, because we can see the hair is just lacking a little bit of details. So let's go ahead and inverse our selection super easy to do, just go to select and then down here to inverse. So now the darker areas are selected, so the hair, the shirt sweater, even his hair. Anything that's darker than the background basically is going to get selected and now that it's selected, all we have to do is paint it visible on the layer mask. So let's go ahead and take a look at our layer, mask i'm going to hold alt or option and take a look at my layer mask here. We go now this little dots everywhere. That tells me that i have a selection. I personally find it a little bit in the way, sometimes when i'm trying to work, so i like to hit control to command h, to hide the selection. You can hit control or command h at any time to bring it back. Okay, so it's not deselecting. It'S simply hiding it visually. If this is the first time you've hit control or command h, it might ask you if you want to hide photoshop or hide extras. Just hit hide extras there we go so i'm going to hit controller command. H now check this out, because i still have my selection and remember: the selection is where the hair is because i still have my selection look at this, as i paint in i'm literally painting in more detail. Let'S go and zoom up here, so you guys can see this. I'M painting in the details of this hair so we're getting a much more accurate selection of the hair than we originally had through channels, and this is where the beauty of channels look at that. It'S amazing now, let's hold alt or option and i'm just going to click on that and we can see it in real time. You can see the hair just goes from. You know kind of looks a little fake paint this in there we go and it's a lot more realistic. Looking, so we're refining our layer mask through our selection that we made in channels this is going to work with this hair. Here you can see it's going to look a lot more natural now. I still do recommend using select subject because it's a fantastic way to get started, but channels, as you can see, are just a really good way to get more detail. Look at all that detail in the hair that we simply didn't get before now. I can do the same thing with our sweater, so i'm just going to make my brush a little bit smaller here again, because the sweater is darker than my background. I'M able to refine the edge of this sweater fantastic and we're going to go through and do this with the subjects here. Look how much more natural that looks! It'S really really nice. Now. This definitely works better. When you have a light, colored background and dark objects that you want to cut out, you're always looking for contrast. Okay, so that's what kind of what's helping us out here is the amount of contrast between our subjects and the background, but you can see my edges. Look much better there. We are and we'll just do the same thing down here too fantastic. Let'S go ahead and just deselect, because this area should be visible. So i'm just going to paint that white on my layer mask there. We go that looks good and then it looks like we had a little shirt that got cut out too. So we just need to make sure to include that shirt and look at that. Our subjects are really well cut out. I can make this background invisible and we can see all of this beautiful detail in their hair. So i want to just show you guys, a quick before and after to do that, i'm just going to duplicate this layer and then we'll just do select subject again. So, with just select subject, you can see the edges are kind of like a little bit gnarly, not like kind of crispy looking. We don't have all that much detail, and here with the channels we get a lot more detail. So here's the this is just with select subject and then here we are with channels. You can see way more detail in the edges, especially like here around the sweater select, subject kind of gives us this crispy crunchy edge. That doesn't look that good and once we introduce channels it softens it up and gives us a lot more detail now, there's millions of uses of channels, but basically the idea is: whenever you see a contrast between light or dark, you can turn that contrast into a Very accurate selection and then use that on a layer mask to cut out your subjects or do all kinds of other cool blending techniques follow the link down below you guys can download this psd and sample image. Thank you so much for watching. If you enjoyed this video hit that little subscribe button down there we're going to send you a free tutorial every single week, thanks again and i'll learn you later bye, everyone you

Edward Kennedy: Love your videos, but I'd really like to see a process for masking dark hair against a dark background. The are time when thats the shot, but then the client asks for something different.

ThePolishDane: Could you show more "difficult" examples, where the hair is not black and background black? Maybe blond/brown hair on a busy background, and how you would do that. I find myself mostly in those kinds of scenarios. :S

Jeanne Breen: This was an incredibly helpful tutorial. I downloaded the image and followed along with you. For practice, I used your technique on another pic of a woman with curly hair I found on Pexels. When I was done, and used the Move tool to drag the image into another file, I noticed two things: 1) there were 'ghostly remnants' of the image left behind and 2) as I began to drag the image, I could see the checkerboard pattern of the transparent background showing through portions of the image. Neither of the those things happened when I moved the image from the tutorial. I'm not sure what I did wrong. Any suggestions?

Caporai: Always a pain to mask someone with a background that blends together with the subject. The blue alpha channel mask selection will definitely help me for the hair issue though. I've been messy with it by expanding the selection and later feather it back.

Connecticut Early Music Festival: Aaron, I've sampled a number of video tutorials in an attempt to really understand channel masking of hair, and yours did the trick. I followed along with your image, then used your method on one of my own pics and it worked beautifully. Thank you!

Alec: You guys have been teaching me photoshop tips for so long that I only occasionally watch. It's always nice to tune in and see a different version of Aaron lol

AlienFreak69: I didn't know you could use channels like that. I'd love to see more things done with channels. It's the one aspect of PS that I generally avoid because I don't know how to take advantage of it.

Sarah Collins: Loving all the diversity in your sample images you’re using in your tutorials!

Bruce Williams: This is the second time I have seen this presentation. The first time was for your Creative Live class. Still one of my biggest struggles is masking out fine hair. Thank you for posting this.

Dave Vowles: Great vid, best hair selection tutorial I have seen. Sometimes it is difficult to follow the tutor's cursor as they move too fast and I constantly have to rewind. Thanks.

StaticBlaster: I've used layer masking in the free GIMP software. It's a pretty sweet tool to preserve detail especially in hair.

Glenn Barnette: Needed this! Way better than cloning or using brushes! Thanks!

Shangzhou Li: Your tutorial is awesome and full of energy. Thank you

kurt lindner: I remember learning this technique in school on CS6, still works great in some situations though.

Brent Gilbert: wow thanks for the tutorial on cutting out dark hair on an already nearly white background, would have never been able to cut out this extremely busy portrait with much lower contrast without this tut! lol

sonjon1000: Great information, really well presented, many thanks

Hengameh Hjh: Thank you guys so much your videos are incredible I've learned so much with you guys thanks a lot

Lauren Vacula: such incredible editing tips!! thank you!

Travis Smith: How awesome... Your explanations in this tutorial... Have been very helpful... Thanks a million...

Allen Jeng: Thank you Aaron for the tutorial. Does this selection method work for dark grey backgrounds?

Time to HEAL: I appreciate all these valuable information you create for us ⭐️

Halo Kosovo: I like how non of these tutorials on hair masking, there never be a photo in real life with complicated background done... they're all just happened to be studio photos on the cleanest background ever!

Regina Best: Aaron is the Bob Ross of photoshop! Thanks! I've been watching you for many years now and I love the growth!

Robson Teixeira: Thank's I'm about to get a job as photo editor on a studio, and I was having problem with hair selection on some images, you saved me

oscar umaña: No puedo activar la transición en los ajustes de pincel. Tienes algún truco o solución para ello? Gracias

Helgi Mogensen: Hey Aron, love your stuff. I have problems when I'm cutting out hair on a colour background and putting the subject on a different colour background. It just looks fake. Could you maybe help me out.

Pau Elcacho: almost all tutorials are with stock photos and white backgrounds would love to see a realistic one turning into a dark background.

Abdull Khosa: Thanks a lot dear. What a professional method! I LIKE It

Wehad Hamad: Thank you so much your video is helpful even for beginners..

Liz Clayton: Excellent as always!

Britton Woodruff: Fantastic video! Thank you

Ruben Van-Gundy: Hell yeah! Thank you so much. I've been wondering about this for awhile now.

John Rumball Photography: Great video, but when I follow this and add a dark solid color background behind my subject, it doesn't look so great... I see a lot of white in her hair edges. How do I fix that?

1pt21jigawatt: Great tutorial, thanks Aaron

Vvider Mavin: Thanks sir. It's very helpful to me

Reebs: I’ve done it 20 times in a row. Finally got to the end making every change you did, but then what, the selection doesn’t actually change when I paint in after the levels change

Leather Face: Do you have a video on a pure selection? Subject plus hair? Thanks.

StaticBlaster: Just wondering if I can get a job with experience using the free GIMP software. Do I really need to use photoshop during the experience phase? I understand I'll probably be using photoshop on the job. But what do you think, Mr. Nace?

Agam Bhasin: As always...its brilliant!

AttiTudE PriNcX: That's Amazing One

Shamus Tigertail: What tool are you using to "paint" with? I missed that part.

I666U: cool upload, your videos are always helpful. TY

Amit Kumar Agrawal: finally i found you here.i have heard about you but today i have watched your skills

Deepak Maurya Arts: It's amazing ❤❤❤

Jhordan Meneses: if you have white BG yes it is easy to select hair, how about busy background?

Dimple Uppal: all videos on this subject are using really simple subjects and backgrounds. In this one BG is already white. didnt work for me as my subject had a fine blakc hair on a complex background of a room with dark wall paper.

hoah: This guy has ridiculously well trained posture. How is he even doing that?

André Garay: We can’t get enough of Aaron ‍♂️

Christine: THANK YOU!

Freaks child: I have see thoroughly you tutorial but when I practice a layer see over the background layer please help me how i remove patch from hair in different background

Orion Orion: Perfect !

Italo Arriaza: Thanks❤

Jaime E. Campuzano T.: Thank you Aaron!!!

David Otalora: I have tried all hair selection techniques with photographs of dog hair and with none have been successful. Is it possible that I send you a picture and you try to do a better job than mine? Greetings

Knightmare: Tried this on a background that wasn't even complex, this method did not work at all one bit

Kenneth Ochoa: that's so awesome dr. phearn

DJ Sichan: You should change the background color and see the result again. You forgot it.

Hector J. Valdez: Could you make videos for Affinity Photo? I’m not paying for subscriptions anymore

Evan The Octopus: Question. My Channel layers Are colored, how do I set them to black and white as default?

Coron Fletcher: This did not help with an image taken in front of a green screen .. All this did was bring the green screen back around the hair

monsterclass: Midlist gpu recommendations for photoshop?

Swashy893: Doesn't work. I'm on a white back ground like you and the blue channel doesn't magically select my hair

Rick L: I’m in the market to buy a Wacom tablet. What’ feature should I look for when buying ?

Antonio Rossi Primerano: Grazie !!

LEGATO: thx you very much

digigoliath: SMASHING the LIKE Button!!!

Info Codex: great

Steph antiques: Thanks Phlearn for putting food on my table

Chris P: thankyou

magic Spells corner: superbs

Bobby B: Somehow oesn't work in the newest version of PS.

Michael Barletta: The likes were at 666 before I got here. Your welcome

bryk701: Photoshop Einstein :)

H M: Aoran plz teach how to create better hair for people with thin hair.

BHS Multimedia - Online Tutorials: "Did he just say... flern?"

gopi mk: your are leader

Invincible Vettel 5: First! - Nice work Aaron!

Kayultra: @5:25

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