How To Ventilate A Mini Frontal: 5By5 Closure Ventilation With Natural Hairline

So I know this is not the usual interest guys I used to, but I got a comment on my on the community post. I put up that. Can I do a tutorial on how to make a five by five pleasure and how to make the hairline look. Very natural, so these days dedicated to you to ask that question. I feel like I'll use the it's basically almost the same process, it's a similar process, so this video is dedicated to you soon if you're watching this leave a comment down in the comment section. So hi guys, this tutorial is basically the second spot in the series of how to ventilate. The first part was how to cut the lace. So if you're curious on that, you can go and check the video out I'll. Have it linked up there. But this part is basically the how to make the body of a five by five closure. So if you don't know making a five by five closure, I'm making any size of closure, it's basically almost the same pattern. The only difference has to basically do with the front of the closure, so the first part on how to make a 5x5 closure is getting the base right. So, if you don't know what the base is a base is the back of the closure. That'S those hairs that are ventilated towards the back that is used to cover the waves today, so it bases the back of the closure. So the thing with the base is that all these strands in the base are ventilated towards the back and the base is really very dense, dense, meaning very, very thick. Just because it's the main purpose of a base is to cover the back of the closure. The shape of a base is a shape. The base basically has like four cardinal points. If you can see there, I use the chalk to clearly Mark the four point points. So you're ventilating it in like a diagonal manner, a straight line and a diagonal Manner, and that is the same pattern you're going to be following from the beginning of the base down to the end of the base. At this point, I zoomed in for you guys to see what I mean by when I say: ventilating diagonal, Mana, a diagonal manner basically just means this type of slant line here, you're going to go into the ventilating this line by line by line in a slant Manner, but now I've been sitting in this way, you're going to get that diagonal pattern shape that I was talking about and this one you it doesn't really matter you're, just it has like you're following exactly the line that has been given this. It'S not like you're forming your own line or anything so getting this diagonal online should actually not be a problem. Mind you, whether diagonal or not, you're still ventilating towards the back. If you make a mistake compensation towards the side, it's not really going to give that coverage of the base that you will need, so whether you're ventilating diagonal or straight line you're still going to ventilate it towards the back. I know you may be confused on what it I mean by a straight line pattern, but I'll explain that later, but basically the first pattern you're going to be noting, is the diagonal pattern, which is this first side. So if you look at that, the way of ventilating that you realize that there's no particular horizontal line, there's no definite horizontal line for you to say, okay, this is how the line is supposed to be so for you to get the illusion of a horizontal. A straight line you have to ventilate up down up down, just look at it when I'm talking, you understand better you're ventilating up down up down that way. It'S going to give kind of like an illusion that okay, yes, it is in a straight line, then once you're done with that side, you didn't need for the both sides and when you are done you get something like this. Then the endings are also going to do that diagonal of the textbook about so the starting with that go now you're going with straight line pattern then you're doing diagonal at this point. You'Re ignoring the center pattern, here's first because the center pattern you're not really going to mind the center part when you're doing the base. So basically it's just the same pattern started with. They are going to be continuing for the whole 10 lines. Like I've said in previous videos. Some people got 30 lines of Base because they liked, when their pattern is short, but to me I prefer 10 lines of beads. I feel like 10 lines of Base. It'S just a sweet spot, so once you're done with 10 lines of base now you know that okay you're done with the base, and you can start your body of the closure. I'M sincerely sorry for the way the video turned out and the way my face was showing on stuff. I honestly didn't know it was this bad until this, but I promise it gets better. As the video goes on, no one is going to persecute use the lines. The baselines are now up to 10., so some people end up stopping at seven or eight or basically, when they've gotten the required coverage for the back of the hair that they please. So, if you can stop at Seven, you can stop. If you can stop at five, maybe the hair has covered. The back of the closure has covered very well same towards um. Do what rocks your boat most times? I just end up going to the 10 lines, but once you've done with the 10 lines of Base, following the exact same pattern of diagonal straight line and diagonal you're going to get like a full coverage of the back of the closure. And I'm going to show you what that means. This right here is how I said a full coverage of the back, so once I'm done with the paint, the base is 10 lines of this. Let me explain something when I say 10 lines of this, someone asks why can't you make it 20 or 30 lines of this 10 lines of this go to somewhere here, if you're doing a 20 line base or a 30 line base, it's going to get to Somewhere here, do you understand, and this is make the pattern short yeah. I don't like short patterns. I feel when the pattern is very long and this simple kind of so I just for 10 lines on this. So I'm supposed pattern. Most factors patterns. You guys have 30 lines of Base 20 lines on base. The base is basically the hair that has been slated towards the back to cover the bundles at the back. Do you understand, because I've not go as much as 20 lines of these 30 lines of this? But me 10 lines of this is perfect, so hi guys this is closure ventilation. Video is not going as Planet. It'S honestly not going as planned. I'Ve been ventilating a lot more than I've been filming, but I came here to explain something so if you've watched my previous video I'll link that video below where I was teaching, you guys how to make a 2x4 player, you realize that what's making a 2x4 closure, I'M making a five by five closure, it's kind of the same. If I was making a 2x4 closure, I'm making any kind of closure it's kind of the same. The only difference is that for this other kind of closures, the front has a frontal effect. So you have to leave a space in front for the frontal effect. So apart from that it's kind of the same, so I just want to explain why I've got it in the closure before I start filming. Okay, so you guys understand what I've been doing. I filmed up until where I did the piece the base is usually to cover the back. That'S wefts. This base is like this and like this I feel opportunity I did the base. How this side is is how the base is. I don't need to understand, but how this side is. How deep is I filmed up until when I did the base, then I'm going to start filming when I'm doing this side, the exact same thing: you did to one side the exact same thing after which you start doing your diagonal pattern. So this is the diagonal pattern, since it's like a center pattern again, so this side is going like this. If you understand so this side is now something like this. So it's all going like this and like this, like this, like this and like this, but it gets to the end, then I have to Max from somewhere that I'll start my front part. This is not a five by five pillow. This is a four by five. Okay, four by five closure is like a sweet spot between a four by four closure that has a short pattern and a five by five closure, especially when the hair is not enough. Most times. I just advise the person to go for a four by five. It still gives the frontal effect. It still gives what you want. It'S just not as wide as a five by five. Do you understand sorry, they are doing construction at the back, ignore the sound, but basically that is what I've done up until here. I'Ve done my 10 lines of Base. I think I feel that I think I feel Maybe I think I feel maybe when I was doing one line of days or two lines of Bezos, but basically what I was doing. There is what you drop until you get your 10 lines when you get your 10 lines. What you start with your diagonal pattern so from here now, I'm going to start the diagonal pattern at this side to show you guys what I meant. When I say you start your diagonal, but I've been able to explain how I got to this point and now I'm on the body of the closure, but the body of the closure moment. You have two sides. You have this side to this side. This entity said so I've been doing one side since so let me start this other side, so I'm going to show you how that works, and our student really decided to show you what I've been doing this. But let's go like I explained earlier exactly what you're doing to the left hand side. This is why you're doing this right hand side. I was not able to record when I was ventilating the right hand side, but I'm showing you guys how I was able to do the left hand side. So you get what I did in the other hand, so basically, when you're done with the base you're going to start the body of the closure, the main demand when you're doing the body of the closure there's something they do, that they call one line spacing in Which you ventilate one line, you leave another line. You leave that the next line open then eventually the underlying the girl, I'm trying to say you can place one line. You leave the next line, opener the next line from beginning to end. If you see what happens, you see that that next line has a whole space before this one, I'm ventilating, that's exactly what this whole one-line spacing is about, and you're ventilating it in a diagonal pattern. At this point, you're trying to do it to cover up the straight line pattern. So by the time you do your first three to four lines: it's not going to get to the center pattern like if you see where this one stops now. Can you guys see where things stopped it if the center pattern starts, where the other, where this other hair ended? That'S where the center pattern is supposed to start? But if you guys can see it did not the center pattern. The other line did not stop there and that's how it's going to continue going breaking breaking breaking until you get to the center party after which it continues. As you can see from this line, it had already started to get to the center pattern. The center button. Basically starts where this other hair ends to get what I'm trying to see. So basically, I still come to get into the center pattern. This is where the center pattern begins to form so yeah. You have to be very intentional about how wide or narrow you want. Your pattern to be, if you want your button to be wide, then you make the space be plenty. Maybe you lift two pieces, but if you want your pattern to be small, you just leave maybe just one line and stuff, but basically that's just how you're going to be doing this side, and it's just this exact same pattern between the left hand, side they're, going To change his right hand, side in essence, the body of a closure you're, basically just doing one line spacing with the diagonal pattern. Diagonal basically adjust this slant line. So doing one line spacing with the diagonal pattern you didn't for both the left hand, side and right hand side now how the diagonal line and pattern is going to be facing now how the line is going to be facing, and that's only depends on what part Of the closure, it is if it's on the left hand side it's going to face that way. If it's on the right hand, side it's going to face that way, and that way, you're going to be ventilating all your hairs towards that direction. I feel like I will teach direction of heads in a separate video if you're not going to be interested in that. Please just leave a comment down in the comment section, but now just know that the full body of the closure - I told you this base this body this Con, this ending for the base, you're ventilating your hairs towards the back for the body of ventilating, your hands Towards the side, then, for the engine you're going to ventilate your head towards the back, when I get to the end of Explain the ending better, but now we are still on the body and by the time you follow through it. What I've explained you're going to get at this point? This point is still the point where this is the same partner. I'M going to follow through here, I'm making a two by four closure, basically any type of equation. It'S not at this point that I'm not teach you the difference between what is obtainable for a two by four closure and what is obtainable for in frontal closure, such as four by four four by five and the rest of them. The problem with this Double Split. Nothing that I was using for this particular closure. I see how initially this trance will look scattered. It'S trying to look so scattered and just look like they're going in two different directions, but once and basically once you use wax thick and hot comb, it has a way of sleeping and just giving it a particular direction. Or basically, these two may continue with the diagonal pattern up until here from here, I was already reaching the closing the closing, like. I said this like the front side of the closure so already getting to the closing and I'm going to teach you guys how to close the closure briefly here, but I feel like I'll be able to teach everything I want to teach here. So if you're interested, I can drop a full video on that. I know I've promised a lot of videos at this point, but I can drop a full video on that. If you're interested foreign into three parts, the body, the base, the body and the ending, did you understand the base, the body and the front? The front is where you now have the front if you're fish you're doing the frontal effect and then the closing the loan? If you're doing just closing for normal short closure, you're doing those closures closing but for wide closure, you're doing frontal effects when you get to the front of the closure here, yeah, you have to be very careful just so you will not encroach into this area. That is meant for the frontal effects, so basically, what I do is I just basically remarked and redo the markings and make the markings a little bit Bolder. So I won't understand what I'm doing I've earlier showed you guys how to Mark in the previous video if you've not watched that video I'll have it linked below. But basically this is a four by five closure so and it has a frontal effect. So I'm going to be leaving a 1.2 inch allowance in front. If you guys can see that box in front of that, I'm measuring here that's a 1.2 inch allowance that I'm leaving that's a 1.2 inch space, I'm leaving for the frontal effect. So once I've measured that pattern, I'm sure see it. I'Ve measured 1.2 space once I'm sure that is up to that 1.2 inches, I'm saying okay, so where this one stops now, that's the other side that is not marked once she stops. I know that. Okay, that's why I'm going to be closing the closure and closing the closure you're not encroaching in the 1.2 inch space for the frontal effect you're. Just closing the closure, like that, can you guys understand what I've been explaining now after you mark out that 1.2 inch allowance, you're going to be doing for the frontal effect, then you're going to close the closure? Basically, closing the closure just basically means covering the pattern that you've been doing for a while. You know we've been doing online spacing throughout the body of the closure and a good closure you're not supposed to know the pattern as first glance, a strange person who is not familiar with ventilation should not see the pattern on your closure, animated pickles, that this is The pattern you're doing in the closure so to prevent that you have to close the closure. Closing the closure just basically enthusiasing a straight line pattern. Basically, your ventilating hairs in the horizontal Manner and just in a straight line just to cover up that place, because if you allow this one line spacing to extend without closing it, you say that the one last piece will just become very noticing. But that's going to be a very tacky work, so when you're closing the closure you're just ventilating in a straight line pattern mind you you're still going to observe that one line space that I spoke earlier about you're still going to observe the one line spacing you're, Not going to ventilating a straight line pattern, then, when you see that you can continue with the one line space, can you continue if you cannot continue to one last piece, you just ventilate your straight line pattern. Where you see you can continue online space. You can you continue. I did like a paper illustration. I don't know if you watch my previous videos, where I actually do paper illustrations for you to understand better. So if you know that's something you're going to be interested in watching, I can actually drop the video, because I did that one quite a while ago, but basically that's what closure making I'm close. Closing of your closure and tools, you're just putting these strands in a straight line pattern. Once you see that okay, this strand is going to. If I'm putting this strand here, it's going to look it's not going to form the straight line! You'Re not going to put this strand there once that. Okay, this trend, I'm putting it, can actually form a straight line. Then you put the Strand today then, once you see that okay, yes, you can actually form the one line spacing because you are still doing the one last person, despite the fact that you're doing you're closing, but that um straight line pattern you're doing at the ending That line that you marked as the ending of the um closing of the closure when you're doing a straight line pattern there, then that solution pattern is to cover the pattern. The actual line pattern is going to body and one line spacing pattern you've been doing since, if you guys understand what I'm saying, but that was straight line. Pattern is cover the online spacing pattern I've been doing since and then, when you see that okay, you can continue the one line space like this one, I'm doing here. If you guys can look closely, you see that I continue the one line space in there. Then the ones that cannot continue the one line space I'm just going to leave it blank. Do my straight line pattern. Then, if you can continue one last question you can you combine. The one last piece is what forms the pattern and makes the pattern as good as the pattern. You usually look, so you have to still be very Vigilant about it. If you don't understand anything, just start, dropping your questions down there. So when you're done closing the two sides of the closure you're going to have something like this, please ignore the fact that one side of my closing is jumping and the other side is not jumping. That'S the mistake that I made and if I was I'm going to just, do the clothes and I would have adjusted the closing the mistake but based on I was doing the frontal effect I'll cover it. I just said to go here: I'm remeasuring the frontal effect mine is a 4x5 closure empty. So you have to keep on measuring to extreme make sure that you do not extend more than that five volt that length five, because you're not that generous to ventilate extra. For client, so now what? When you get to this frontal effect? But I want you guys to be very watchful about this. I divide the 1.2 inches into three parts. I'Ll divide you 1.2 inches into three parts: that's 0.4 inches in one 0.4, inches in one and zero point four inches in one. So now what I usually do is that the one that is closest to the closing that's the first part. I usually use two to three strands. What I mean by two to three strands down: picking two strands when I'm ventilating or I'm picking three strands when ventilating three strands a bit are like three, three hair when ventilating that way, you know that is like the mid. It'S sort of like your hairline: this is your hairline, so you have to make it look very natural, but it's the inside inside of a hairline. You know, as your hairline becomes forward, the density reduces that it has to become lighter. It'S no longer be as thick as it usually would be so as you're going forward you're, making it lighter and lighter so the first side I used to do. Ventilation two is to three, and this is the first idea that I'm doing ventilation two is to three: what makes this a frontal effect you might as well as you call the frontal effect well, this is exactly the pattern that they use for the a the front Of the frontal, but slightly different, but this is basically almost the same pattern. They use for the front of a frontal. But then what's the pattern? You'Re talking about the pattern is no pattern. They call this pattern. Disorganize pattern. You don't have you're putting the Strand anywhere. You, like anywhere the spirit, leads you put it if you start putting it in deafness placement, it starts to have a pattern. It'S longer a pattern you have to put his scatter disorganized in any way like, but just have it in mind that any strand you're ventilating your ventilating it to the back. That'S what I said that time: you've based your ventilating to the back, the body to the side, the front, the front that frontal effect to the back. That way it gives that kind of frontal effects Vibe. It gives the illusion of like a frontal you get so any strand of ventilating towards this frontal ventilating to the back. Remember when I said you're dividing the front of the 1.2 inch allowance, you get to the frontal effect into three parts and the first part you're doing two to three strands. This second part now you're doing one to two strands, meaning you can pick one strand. You can pick two strands. You guys know that this pin has different um strands and these numbers right. They have two to three. They have three to four and that's beside the point, so you can be switching up your PIN or you can just opt to use twist to three pin and use it for everything. But basically, this second side now you're picking one is to two strands, meaning you can pick one strand. You can pick two strands. You know this is ready going forward. It'S going it's already going towards your hairline and it's already becoming less dense. It'S coming. It'S already becoming quite scanty, so you also have to illustrate that in your closure, if the person you're making a crucial for look at the person's hairline to know that okay, this person really does not have a full hairline and you're trying to imitate the person's hairline. So make this middle side kind of scanty, not so scanty that they will be seen the pattern of the closing, but just counting enough that I can cover it up, but can also give the illusion of a frontal effect to get now. This is the final side, and this is the hairline itself like this is the final hairline and remember. I said the hairline is supposed to be as natural as possible, so here now you're using one strand alone, one strand alone, I'm emphasizing is because that one strand alone, it has a way of making the distance look very light and giving the illusion of a scanty Front - and this thing this Canty hairline that is not dense. Do you understand what I'm trying to say, you're picking just one strand and you're, going to just put it in the holes just to enough to make sure that it's very scan? It is scanty you're not going to make it very expensive because make very scans. It'S going to be obvious, and it's going to look very bold, so you have to find a thin line between making it look full enough to not look belt and making it scanty enough to look like a hairline. You understand it may seem scattered hair as I was ventilating it, but basically me I don't really follow up with the pattern because I'm already used to it. I just sometimes I can do the the three at the same time. I just know I'm putting two strands. One strand and one to two and one strand like that, so I just ventilated, scattered and most as what I usually do is that some ventilating it I'm styling it you get. So if I ventilate a little and I'm wondering, is it enough? What I'll do is that I will style the front I'll, put wax, stick and hot comb and style it. If I see that, ah it's not this thing, you know for it's not flat enough. I mean it's not full enough, then I'll put more and that's just basically how I do it. You guys know something: there's no perfect and all right and wrong with this hairline basic. What I do is I'll refill it, and sometimes I can Wick the hair already, and I realize that oh, the hairline is not fully enough and I just refill it a little. It'S not bad and it's totally acceptable. But one thing: you need to notice that you're going to be sewing with as close to the beginning of the ventilation as you're going to sewing away from top of the closure. So you have to it's where you've insulated um base to the back to cover those bundles the waves at the back. You have to also ventilate to the side to cover the website the side I forgot to do that here, but basically I had to now go back and redo, like 40 lines of ventilation, to the side to cover the waves that is going to be sewn at The two sets I want you to do that you're, going to have like a very clean, looking closure without weights that are straight. That'S a mistake that I've actually been making, and I just I was basically able to correct myself when I figured that out so you're going to be ventilating bases also to the two sides thick like four five lines of base, if not more just to cover up Those waves there's going to be stream because, if it's showing it's going to look very funny, believe me Shasha, that's basically what he has to do with the hairline. So when you're done with the closure, you're going to get something like this, like I said earlier, you can still refill it when you weak the hair, if you find out that it's still looking very scanty, this is how the front of the closure was looking when It wasn't on your block head and then this is how the back of the closure is. Looking, I see how neat it's looking mind you. I was supposed to stitch the edges of the closure, but I didn't do that, but it's fine, it's understandable, but Shasha. This is basically the finished work of all. There are many days of stress so, and this was when I finally weeked it, and this was when I styled it - you can style this four by five closure. As the C part Center pattern, zigzag pattern, basically any style. You want, and it still gives, can you guys see the hairline. Are you seeing how scanty the front of the hairline is looking? So thanks a lot for watching this video. I do hope you enjoyed it and I'll see you in my next one bye,