Jon Renau Parker Wig Review | 22F16S8 Venice Blonde | Tazs Wig Closet

Hey everybody: this is TAS. Welcome back to toss away closet. I'M excited today to do an unboxing and review of the brand-new Parker's style by genre. No new for fall 2019. I'M going to show it in the color Venice blonde, which is twenty two f-16s eight. So, let's get started with the unboxing now the weather conditions outside is. There was harsh sunshine. Earlier today when I started this review and when you have a lot of harsh Sun coming into the window, plus some some studio lighting, it's really hard to see. Colors, that's why I try to take you outside for a look at the colors with each review. I'Ve opened the outside box, but I have not looked inside yet so here's the box that it came in alright, so right away. We know it's a lace front. I love the John or no lace. Fronts are always so beautiful and there's the tag. Let'S take a look, there's the little care pamphlet in there. It'S kind of breezy out here today and then obviously the tissue paper there there look at that inside lays Parker right away. I notice that Fitz Venice blonde is the very a she tone blonde. It has some really light cool highlights in it. They always package it in a way that protects the wig. So after removing the net beautiful blonde, I own Venice blonde on Mila, and I also have that word review out there. This one seems even more ashy in tone, I think than Mila. There'S an inside look at the cap, there's that beautiful temple to Temple smart lace front. It does not extend into the ear tab and it's supposed to have a left, monofilament side, part very, very nice, construction, the lace front and the side part seem to be very soft and pliable okay. So this is what it looks like right away. I can tell that there's limited permit ease that the fibers are very fine. It'S about average depth city doesn't seem too thick or heavy. This is gon na, be a cute one. Let me go ahead and put it on for the first time I always cinch them. The adjusters just a bit and it looks like there's going to be just as a standard belted nape there with Velcro adjusters as soon as I put it on I'll remark on the fit now. Remember, I'm a 21 and a quarter inch circumference. So that's a petite average size and with a little bit of a breeze going here, I think you can really see just how light and delicate these fibers are. It feels really nice on my head, so I'm thinking this is probably average size right out of the box. I sensed it cinched it in slightly to accommodate a petite average circumference, that's exactly what an average cap should do so with the adjusters. You should be able to get a half an inch adjustment either way. So if it's average you can fit down to a petite average. I wouldn't want to speculate if it would fit an average large. Let'S go on inside and review this style. So now that we have Parker unboxed, I took it off. I gave it some shakes. I remove the tag and just kind of swirled around on the cap, just to kind of set those fibers free. That'S all I have done. I haven't used any styling or any styling product. I literally have had this on about three to five minutes of that new fall collection by John Renault Parker is the one that I was anticipating the most it just kind of ticks off all the boxes. For me, I'm not disappointed it's a short little bob cut, it's classic and practical, but they've really elevated it with a lot of spicy texture and a little bit of wave, I'm really liking. What I see so, let's run down the specs, because I think this layering really makes this style so in the front you're going to see about an eight point: seven five inch, bang area. So if you're familiar with styles, like genre, knows ignite, it's probably gon na hit you about the same place that you're ignite well now in the back you're, going to see a nine inch crown and that meets up with a four inch nape. So the way that layering meets up it creates a voluminous kind of a Ledge effect in the back there's a six point: seven five inch layer on the sides. This style weighs about three point: three ounces and features a lace front left. Monofilament part. The lace front is well done and, as we noticed in the unboxing, it does not extend back into the ear tab, but it does run temple to Temple, and then you have a left, monofilament side, part that goes nearly back to the crown. I feel like that side part creates some visible scalp appearance, because the density is just so nice on the top. So for those of you that have not seen of the color Venice blonde, 22, f16s. 8. Let'S go ahead and unpack this color real, quick. What you're going to notice on this particular color? This is going from my own eye is a medium to a light ash blonde base color and then it's kind of finally highlighted with a natural pale light blonde color, and all of that is on a medium brown root. So my overall impression of this color is that it's more neutral too ashy in tone. It'S going to please all of the ash blonde lovers out there. So now that we've been through the specs on Parker, let's go ahead and dig a little bit deeper and breakdown. This style, so it does. It reminds me of one of those classic bob cuts that we used to see kind of heavy and round and polished, and it's been elevated or modernized for today's world. I think it could go easily from a very casual look to an evening or even a more sophisticated look, a professional look, starting at the crown about half way down. It is straight there's not a whole lot of volume on the crown and then based on where those layers and DES meet you're going to see quite a bit of volume and, like I said in the back a little bit of a legend. What I really love is the texturizing that they've done they've done a lot of texturizing on these waves, so the waves kind of creeped out right around the lower fourth or third of this style and then they're heavily razored or thinned on the ends. Now around the face, it's just kind of a delicate wave or a delicate curl, and it does seem to go away from the face. This style looks like it has a lot of hair and a big your density. Doesn'T it I'm here to tell you that it's just an average density they've done such a great job with this, it is not heavy at all. Only at three point three ounces: each of these hairs are very delicate and fine and wispy. It'S a very fine texture. Baby, fine very light and a very dry separated feeling. Another thing that is very pleasing on this style is that it's not loaded with heavy thick permit ease so you're going to find just a thin layer of permit ease around that monofilament on the top and at the crown where you would typically find the most on A voluminous bottom is a lot of permit use at the bottom. I'M not really sensing that there is there is permit, ease there, but it doesn't seem to be too thick or too heavy, and I'm really impressed with the movement of these fibers as well. So this is the best part when you go to style it and make it your own. So right out of the box, you've got that left, mana, part right and there's not much permit ease, there's not you're not going to get a lot of volume. That'S gon na stay on the top, I'm a big fan of permit to use, and I really like a lot of lift on the top. So I'm going to have to achieve that through styling, because there's not a lot of natural ingredients. They'Re gon na give that to me, one of the tricks that I am going to do here is to mess with that part a little bit. I'Ve got an inch to an inch and a half parting space, but I can work with on this style and still stay well within that monofilament. So what I'm going to do is just take some fiber and separate it. A little bit differently. Part it just a tad differently than what it was how it came out of the box and when that happens, you'll see that's automatically going to create just a little bit of lift on top, because those fibers were laying in the Box a certain way, and we Try to take it out of that pattern. It'S going to resist a little bit and create some volume. You can always use the heat from your hand to kind of tamp down that part again, but again, I'm looking for a little bit of volume and by just playing around with that part a little bit. I'M able to get the volume that I want. How many of you are always curious about how glasses fit with the wig now we're all built differently? It depends on your glasses and, and things like that, but I want to try. So I have my readers here. I always tried to fit them between the ear and the ear tab. First, if that doesn't work, if it's not a secure fit, then I'll slip them under the ear tab, so it seems to work perfectly between the ear and the ear tab. The glasses are resting on the ear very comfortably and it seems very secure, I'm finding that you can definitely get a nice ear tuck. The density is not too thick, there's no permit ease there and I think it's super cute. Wearing it off of the face is definitely gon na, be something you'll want to think about when deciding on how to wear it so just kind of scooping it back, you might want to use a little bit of spray or something it's a nice wispy. Look to it, so I really like that. Edgy modern, look on my style, so I like to bring up the texture and the wave in all of my Styles. So if you wanted a more smooth look, you could just smooth those layers with your hands. Use the heat from your hands, and obviously here you can see it's really not gon na - take much to really tame and smooth these fibres. I like it big and wild, and I want to bring out the texture. So I think what I'll do is just spritz. The layers each one individually spritz those layers with some water kind of scrunch them in and just kind of separate, a little bit with my fingers. That'S gon na bring out all of that modern texture. You could use a little bit of wink spray. On top of this, just to kind of give it that wet, air-dried look, but when this dries, if you resist combing and brushing it, it should stay in that textured pattern. So, thank you so much everybody for joining me for a review of the new John Renault Parker, see you next time on Taz's weed closet,