How To Fade & Create Texture In Mens Hair | Full Haircut Tutorial | Step By Step

So you cook this yourself yeah, gentlemen. You'Ve got a bad job. Gon na lie. You'Ve got loads of texture like that's what bye guys welcome back to the air regal jet on the new Tube channel, the Hun's collective. Today we've got Matt in the chair nope! That'S just reveal something to me there that he caught his own here after watching one of our videos. I'Ve got a sane way, she's done a pretty good job, so, whatever weird they wouldn't together alien we're doing we're doing good I've seen you know I have seen. I have had worse jobs in the chair from previous places, so you know you're doing a good job man, but anyway we spoke to massive out there about what it like they were, and he likes to sort of mid skin fade is advanced the skin or yeah Basket so a mid skin fade top it at the back a little bit, not too high at the crown, and then we just curious about the topic, like it's short low-maintenance and then just we can wear it a little bit more across from it. Isn'T too high or the hairline it's just so it makes it a little slightly. They follow through the foot there as well, and we've got a very thick course here. So what I was thinking we do today for it for the texture. On that I mean I've got a sailor and look at your head just have a look at this everyone right, so any barbers watching out there has he done a good job or not, because I think that's an actually a really really good job. I mean look at the texture in there. It'S pretty good and the blends there as well. I mean oh man, I'm proud, I feel ready. Proud of these videos are finally paying off, I feel very proud and that him so what we thought we could do to texturize it and do a little technique that I picked up a while back. Actually, um we're working on very thick, coarse hair to make it very choppy you can. Obviously you know you can point cut into it. You could raise her if you want to you know: if you've got a pair of sexualizes, you can use them if you like, but a good little technique for this, so really making that super super choppy almost like an overgrown crop. Can I grow now to crop? Look is you pick it up and you cook the length, so you work all through one length and then what you do is your weight from one side here down to just before the fringe and like based like a cross on the top, where you pick up Sections loosely very, very thin so as thin as you can possibly get them and you cut them at the base office of the actual head itself. So you take it so your fingers are touching the scalp and I'll. Do it now or you cut him up, and you do another section and another section: what does basically when the hair is all off? It'S like a long short long, short long, short long so, but because you do it across as he wears it or it's cutting. So it's different angles, but it just creates such a lovely, broken or choppy texture to the hair cuts. So I'm gon na go on these today. I know that we've done this one. Yes, so they're being nice to see that finished. Look it looking really nice and the thing is it grows out with so much texture as well, so because, obviously you're cutting it's such a sharp angle, and you could have so shortened areas that you do get a real messed up texture, so it wicks. I wouldn't do it on fire here. I do it on thicker here, just just to remember that, because I find I will show it off too much where it will almost show late lines with a thicker kind of covers it. So without anything in it, you won't see it too much so yeah. Well, do that and obviously we'll do a medium to sort of yeah. Our medium skin fade on the sides as well. What we're going to do more than doing a more like I say, a shallow blend, I think, will do. I think I think we'll use the blend point quite high, so we'll work it fairly high into the blade blend point as well. So normally what I do is, I do like say like a nice skin line here and then 1/2 1 1/2, but I think I'll be waking up and off at the half so really show off that graduation. Who decides so a wider blend and angle? Then what we've done previous one of the videos so I'll give it a wash and the condition? And then we'll start. So you start off. I taught you: what does it take the zero yeah for the liner, yet Wow nice open off yeah yeah Wow. What on me? That'S awesome, that's breeze! That'S a film that fall is one day you know do a little before spin it you get. You know whoever's in your house just to spin you around on the share like we do. You know like it's, so I am so that's all being in shampoo conditioned. So what I'm gon na do now is I'm gon na pull the horseshoe and there's what someone wake a horseshoe on this one, because we're gon na fade and we gon na work on the back in sides. First, it's always nice just to kind of again separate the top to the backing sides. So with this I can see on the sides and my theory - it's it doesn't concave too much. So I'm gon na take this horse. You just slightly higher up and use that as well as I can my little guide to where to come off at the number two. As long as it is through here, it's a little bit short of the crown a little bit shorter than what I do. But you know Fair Play done it himself. You know you didn't know. So you see the waiter here in kind of almost sticks out already there and that's one of the reasons why I was I was chose of governs awards for higher blend, especially working. The highest sort of the blending point would be slightly higher because I think it'll really help to spit the hair to not stick out as much. I think we leave a bit too much air here. I think you'll find it hard. I think it's struggle as the week's go on now again, I'm more. I always try and imagine the haircut that I'm doing on the clients of my own accord, so I wanted to last III find it very difficult to get haircuts. You know three children at home. It'S not normally free time and obviously working and stop, and you know I tend to be kind of out and about and and Stauffer that as well. So it's it's kind of hard to try and find the time to sit down. Give me self an hour to get a haircut, so I always imagine this here could take in say five to six weeks to grow hours. Ideally and yeah. Do you know what it's not grace on my pockets? If a client doesn't come back that often bought? I think, ethically this way I work. I think it's nice to get a bit of longevity out of a haircut, because things can happen in you know people's lives really I always get out and about for hair, because as long as they still feeling slightly confident with a haircut that's grown after five or Six weeks they're now happy, so I think that's one of the reasons why I was looking as I was watching the hairs fall. That'S why it's always nice to a really good consultation with the clients is that you can start to see how things are specially. When I wash the hair as well, I'm doing a consultation myself without the client, knowing some as I'm washing it, I'm feeling for lumps and bumps and moles and things of that as I'm washing the hair. So, that's why I always think it's a really good thing to wash the hair before him, because you can do a little bit of a kind of private consultation. I'M knowing now. You all know that I do that now and you know I've done that for at least apply at the sound doesn't realize and do that some I'm going to chat with them. So, but it's just another way of me trying to make sure that I'm I'm not missing things. You know like a little like kind of again little moles at the back of the head or something you don't want to go straight in with the Clipper and realize that afterwards. So I always find this point nice to do that. So I'm just working the horseshoe see it's quite high, but it needs to be I'm just worried about this bit sticking up too much. So I think if we gon na be higher with that, it'll help will still maintain the squareness there's a subway. You can open off and keep it everything nice and sew it nice and square in there in the blend and also and we connect through the top as well poor Hollywood stars at the bad. You know nice, you got applied stuff, you know shopping me. Surely I've seen it, but you know still can't believe, haven't, replied yeah I missed win. You know all right here we go so yeah. This is a slightly higher horseshoe book. If you look at that, as the crown sits in so here, it goes a little bit faster through here now when we look to create the horse. Sure no people have asked me how all the comments are. So how do we find a horseshoe? What you're looking at is you're looking for the right, you don't put the shape of the head, so you want to find the squareness in the head. So what you do I'll just angle, it towards Julia, is wait. A co coming from down here so by the cheek right cause everyone's head will concave here slightly as well through the sample and then kind of slightly come out. That'Ll be higher up towards the recession. Point we do place it along here side of the year and that's where you start to see with that lens should finish that point there so wearing almost imagine, like a ninety behinds degree angle there and then into the top looking bounce up nation straight. That'S the rounded head, that's whether that's so that's the the top of that! That'S the apex completely flat and now we're looking for that point where it hits on the side there. Now, where the horseshoe is, that's that's the round of his head. As you can see, it's completely flat over the goose straight around and the battle will looking for when we're trying at the small shoe and we're trying to find out what the shape where the round of our head is. That'S the way we do. We go, I'm gon na try off the side, switch I'm working with the Clippers. So, as per usual, I'm going to start my number two and I'm gon na put the line in ready to blend and treat the squareness someone open off, get imaginin coming up and off the head. So we're looking for here and just weapons where that starts to kick out a little bit on the sides there. This will really kind of help me to keep up square and screen there. We go basically by removing that hair we're still working off and, following the shape of Matt's head, it's going to help get rid of that kick-outs cut by blending this through and off and square we're, not leaving the hair to sit over how they won't kick out. So I think that's why it's nice to do a bit of a slightly higher blend on this one or just say a wider fade marry it should we say so, I'm going to blend this in just create the guides of the connection, the transition to the top. So worth it up, cutie comb, nice and straight C facing the ceiling and it create a square shape. We will use this technique now and just skim over hope feedback. Nice blending into the two, but also try and cap off any of them here - is that sticking out as well. So look in the mirror. Now you see that yourself much in squareness in there as well ya, know sitting out like that, but I give you too many more tips. You make eyes we go to blending in ready for the transition to the top. Now I'm gon na put my zero line in front a medium. A medium high fade ball. What we're gon na remember is that we're doing our very wide blend right, so I'm not gon na put the zero in as high as a normally would just we're. Gon na have a very a lot of its felt exposed base because you were in the half by all right so I'll do it just slightly below sorts of the temple here. What this will look like a medium skin fade just gon na drop it down at the back, so create that nice profile get up on too high to the clown. So and when you put your zero in just working a little bit past the back and out the middle at the back of the head there, just because when you come to match it from the other side, it's much easier to see as you get around here, Because you, if you finish here as you get around this side, you can't see where you're you've finished. So, if you go just a little bit further past the the middle, the center back here, you can see as you're working around to see. You know where to finish and where to match. You second see that, somewhere to finish Sceptile, I know I can match it off perfectly. You just make sure it's a cross-check in the mirror that you've got the same height either side. What'S flying into me a good way you can check, is you know, imagine the cameras, the mirror and I'll see you guys side this a-hole, you turn your head to face. The camera format is place. One finger at the temple here with a plate where the zero line starts and place the other line there and just bring your fingers out now that matters evenly. If it's that much even easier yeah, that's how you know you gon na pay for me, even on the other side, this is the same way to measure side bend. So if you want the side, bends level put one finger in look in the mirror, we'll do the sign in and then you know how to match it up all right. So I'm going to do that now, myself, just a double check, so bring you in and them in and bring it out both fit yeah. How much is very cool, there's no point in getting all the way to the end, and then I'm seeing that it's a bit lopsided again it'll be like any symmetric fade. Then what are the minis now just shape it up a little bit through here, just through the side bends a little bit as well? We start level with the ear good way to do. It is you, it is a little bit a bit coming through to get the line. Nice and straight is slide across the Clipper and then work off get a nice even line without going into the beer too much down the bottom. Here we go now. I'M gon na move on to off wheels right. So go start my blend now so, starting with my and my guard open, so open blade hold down gon na wake open off so roughly say about there all right, I'm gon na use the rest of the one and the one half the blend of split in. Do it, oh, I know, but I'm making sure again, staying with the same principles, I'm keeping everything working through the angle of the blade to create that kind of pull off here corner. So it's still going to maintain that squareness in there as well. You know go in between might open God and the closed guard lock that line a little bit more and then again just working down the lever, just until you get down to zero to get that out this way through the guard open and close. Just until you get to look exactly how you want it, no I'm going to move to my one guard open and we're open to my blend and down two closed. Today'S wait opens up 1/2 Koscheck in the mirror. Yet staying nice and square that's fine gone. I switched to my half guard to make sure we get rid of any darker areas. You let this open at the minute, work it into the one and then just trying to close the believer ever so slightly. I was always a bit further down and now I'm gon na go through this side and do the same thing on meet in the back same thing again: regarde, nice and flats, and you just comment up and offs in slow motion we're working off. I know right because when you get used to it you can add a bit of speed in there as well to work through the lever. Okay, on sir, the one open God we can open off. There'S the one you still a nice chap in the mirth make sure it's still nice and square yeah still working and then on to the half guard open first and with the teeth being so small on this guard, I always go over the area quite a few Times just to make sure we've picked up what we're looking for. Sometimes my close dog you're waking up into that one you go and now we'll meet at the back. So, as you can see, if you bring the camera this side well behind me by working into the middle, you can see both sides of the face. You can see exactly what you need to finish. That'S why it's always quite nice to start one side, then the other side and then match at the back, because you can't can sometimes get a bit lost. I'M guilty of it myself is that when you you work from one side, you go all around. You get a bit lost as you get down to this side, so I think we're doing both sides and then match it in the middle. It'S a bit like when you put your zero line and do them one side, the other side and their match in the middle it just it just helps to alleviate any air. Any any mistakes, basically same idea slightly the same motion again a bit more. There'S will bit across that line is something the light some bouncing office. I can just see it a bit more there we go so look so different when you cover that lines. It just always just double check. Now, I'm here I'll just blend in sideburns, working from the open guard, too close and just leaving the teeth against the skin shoes. Take that little bit more off. That'S our line, one guard and wipe it off it off you're, looking through the guard again and welcome through the lever, quotes God and then on to my half guard. No I'll do is I'll just go over it using my size, one home or my thinner scissors. As well just like and get in a little bit closer, so I'm going over slightly and using the one one comb just working through where the one meets the one half priority, I'm working through with a half mix, the one yep. No, that is the button side. Stop so what we do is wait for your top down. It'S dried off come out from the crowd, so I can see if I sit at that blend point there, the top of their hair sit okay! If that we on that land point, that's why we know we forget the round of the head, because we slip them we'll put that in there leave him literally when we ask so yeah. So, as you can see, as you bring this over into where we blended the two into they do the corner and what we've allowed ourselves to do is just make it very minimal and very used to blend no math means we found the perfect. This was an angle of the round of the head. This is just nicely on there, so against all I'm trying to do is save myself time and effort. Really that's what I'm trying to do so. Look in the Lynn top I'm gon na find a length that we like what we'll do. I ask just for them to Matt, and then you tell me if you like it or not. Okay, I reckon late instead, my short low-maintenance, I reckon, if we lost about that much of your parish. You see that is that love all right. It'S roughly just a poor pass in Los Angeles is off you sort of average sized sections you normally would select, say I don't know two or three teeth on the the wider teeth and some of the comb is what we're looking for here now, I'm using the Smaller teeth to fine and sepia to pick it off I'll, just find it grips it a bit easier just before the crowd and stop same thing again. Working through this side turn it over cities. You need to slide the fingers into the actual section itself and then cut that, as you can see, I'm following the shape of his hairline as well put in just to the crown boomba house. Once again, here they'll bring my fingers insula guys from when we've just blend it into the guy. I just cut there and they're very, very small sections. You connect them two together, you know I'll do just across yeah, just bring it across horizontally cuz. That'S it's just right on a blend with the fringe at the way, they're lovely transition from the cop at a nice corner in there as well, setting the loveliness where she will not have. This would be a really nice sort of before-and-after, because you'll really see where it's starting to kind of true down on the sides and kick out, whereas now you're not getting that. So not just because we put it right off it's because we've angled it we've kept it sitting just at the right length where that does grow outwards. If we left here sitting over it, it would have kind of the the section then even the popped out, so we'll have almost went like this and around as it grew out shape of Matt's fringe. Just before the crown again like they always do. Leave that clown. For lust, will you drive it all off? No wait this through again starting section from the recession line. We'Ve got our nice guide for that transition, you're a size, that's up just by getting that round of the head in the horseshoe section, perfect dude's working around the plan got the crown just the blend points. We went around through this side now as well. You just finish just by the behind the ear. Here we go when we shouldn't take anything off now. There we go do now is just cut the fringe of time. It'S shorter, slightly better length enough friends, though too slowly kind of sweep it across. So I leave a little better length, but not as much as there is now so I'm gon na bring this down to put that in a little bit now, we've got a better length through this fringe now, but it's mainly the section behind now that'll be because It on himself it's very hard to get the section behind the fringe paper. It'S getting the right angle in the mirror doing it yourself is very, very hard she's, a law which way to pull it forward or up or down so I'll. Show you in a second. What I mean, I'm just cutting its actual finish, the time time assures it's not that long ago, it's the frit, it's the section just behind it, so watch this now I'll, pull this through and take a sexual assuming fingers. You have a nice points here, the section behind the fringe, there's a fringe. There'S a section title, there's a section behind it. Now we don't need that talk about just transition nicely into the fringe itself. There'S no guard behind there's the points got behind it. Well, this will be great that section there is the section that we tend to leave heavy doing a blonde fringe. Just so you can kinda get your bearings and what this section is here. That'S not that we leave just in foot just behind the fringe. Sorry that allows the fringe to lay flat and heavy book, we're not looking, but look today, so your Mauser just blend it all in. Are we much easy when it comes to styling, as it won't have that disconnection through it, then just one last one just pick that up there I'm more than Porton it right back like we did, but I'm angle it's slightly forward, so not completely out forwards. Just at the angle, just like that, so imagine you at your section behind you got your section we cut originally your fringe is there is your pull of that way? We'Re looking for that right in the middle, all right, it's all over for and what you'll see. There'S I bring it forward where the fringe guide underneath sorry a little bit, but it makes a difference. You should about it same again. This set it slightly there guys Anthony something's gon na go over the transition area just as over coal to make sure that's sitting. Nice yeah and now what we'll do here is start the drive through. So I just put the crown and just pull this back pulls come back just put straights our hose on. That'S all this needs. It was quite sure anyway. Now we'll do our texturizing, it's nice and wet! Didn'T that! Stick back! You see! That'S pretty much all the same man through there right. I want to change that, so I wan na make it easy for him to style, so I'm gon na do anything nice thin section just away from the crown away from the blending points all the way down towards this and hairline straight down there. So nice and thin fingers flutter the scalp, of course, in it again same thing again: nice thin section. Well, this is quite an extreme sexual Anthony, but it works really really well and because you don't do an awful lot and it's such thin sections, it doesn't become massively noticeable when there's no product in the hair. It'S more knows where, when you put product in so as clean as possible, one more just before the fringe same, the other side kraut the waste. You know it killed the clan out, so you know where it is get away from the crown away. From the blending points, take a very, very thin section, remember the angle you're going us we're going down this way, so I need to change that a little bit away from the crown can be a bit fiddly. It'S worth it your section. This way know what you get when you stun that off you got real choppy text. Your food is off just not uniform, tight super jump; it is product in there, it'll be all over the place that again makes it very low maintenance texture. It doesn't look that aggressive when there's nothing in it as well. It'S kind of little bits of hit and thinks you should do in very small fine sections when you lift over, you would put head down there that real choppiness the texture. So let's show that off when we start it do one more thing through the fringe. Should I break that through so picking it up and then just cut away from of jump on the fringe back, as you can see under my finger there we go. I'M genacore straighten just to break that up a lot. It'S quite thick to the front, just cool it. I'M gon na go that real choppy Texas retire. Thrun up you see all that your tactic on the crew there as well doesn't see that even in it it doesn't look lining. If there's no paint on that, then Sue's, usually we tweak the fingers around her and really breaks it off. So just tiny food girl Bush just trying to all the thing DeGraw that brings slightly coming across the hello roughly to muscle a high-heeled driver flap that we're finish off with some Riga, gentlemen, my clay so roughly like it, like, I say before, our peanuts eyes and Mouth since the hand their wake your through warm it all up, make it right through you, start to forget and warmer and then wake it right through who the thing is as well, because we're going to be rubbing this into the hair so again through your fingers. Just coats more now coming in, like a shampoo start, the crown way towards the front Melissa hi, keep a harimao, nice and full, even though it's coming up and over no hi like so come over a little bit. So I said why not do it all pan down a little bit? It'S a bit off it's a bit down which way in circles till really bring up that texture and then fly a forward, and then it's all down to yourself how you want to style out. You'Ll notice, as well as all our choppy texture, we did just really come out when you put that product. It feel messy that lobster sectionals we haven't, bought texturising scissor in sight, no razor in sight, just literally the positions of where we take our sections at how short we take them, and that's what you're left with that kind of real heavy choppy choppy finish, which is Great for anything thick quarter, it works its reach. It grows out choppy as well, which, again you get that longevity. We thought about at the start, yeah thanks man better than how you done it yourself, all right, but guys so to recap, and what we did was we there, like a sort of medium kind of skin, fade on the back in size which might ask for we Didn'T much wider blending area because half the reason: why is it maths decided that was heavier? Don'T really concave the kind of almost like a round off a little bit. So when he came in, I was looking in the mirror. You could see those hair kicking out through here, so for the higher we go her toes. We go it'll just stop back rolling out so quickly where we could have went low unless you can fade left Haitian overboard. What happened then basis that the corners on the heel just started to kind of care about? I want to ruin the look with probably within a couple weeks, so by going higher in size, I just found out with help grow out as well and so yep wide blending area. Now it's the foils through the top. Of course it's a well and that was kind of just a very easy low maintenance can let you know about half off that was through the front and then just going to graduate little tiny bit shorter throughout the the back. And then we put the fringe into much wide notice because Magdalene himself even miss the section just behind his fin juries cut the top up, he's pulled it up. He'S got a calm down. Then I'm guessing that's what you're done something this. You know I've seen this done before I did this and I was starting off he's like you, bring it all off and you cuz they're, and then you bring it down. You come here, but you've got that little angle here that you got ta bring forward. That'S kind of where you miss right, so in future reference that you need to do next time, we all right there we go absolutely perfect and so yeah, so we've matched the length on top very uniform, and then we used some very thinner sections throughout to a Wig from right on side was crown bounces just before the fringe and the same on the left hand, side down, you know so, a bit of a cross, the top, but literally very very fine sections right down to the facing finger length. Lets you fingers flat on that on the scalp and you go through and just got about, maybe four sections through the top just working through not overly Donnie. But what I create is that real heavy section very broken protector, but you don't notice it when it lands flat, neither because it's so kind of hidden within the hair. It kind of comes out when you put the product on, as you can see now there and then yet we finished off with a bit of ego job, I'm not quite sure, just show it all off and yeah happy awesome. Thank you very much man. Anyone looking for this, so what you're looking for is obviously a median skin fade and again just kind of a high high blending. So we say just listen for like I sort of don't feel like I'm like a shallow by that's quite high blend and then and through the top, is that's for something like say just short and choppy. But again these are techniques. You couldn't really tell your barbers. Do this certainly probably best to show them just in case it doesn't come across well, and you can hear it might go a little bit wrong because obviously you're taking chunks at the top or in the right areas. So just maybe show that video say or say: um. Those are the way it's been used like channel, causing things of that very similar, so yeah just ask for something very heavily textured on the top as well, but not left too long with the funds more. Like all long and all the way throughout laughing, yeah cool