How To Cut A Short Textured Bob Haircut

Good evening, everybody and welcome to our slate live at number. Eight, my name's James later is on the cutting director for slate higher education. This is our gorgeous model, Celia who's going to be the letting me look at and cut her head, some hi Francesco behind the camera hello there. So what we're gon na do tonight is I'm actually not seen seen his hair before today. So what we've worked out which is coming is we've got it an undercut here, as you can see which we're going to we're going to turn into a little bit the feature towards the end and what we wanted to smoke about the Celia wanted. I look to see this face. What suit we came to an agreement where we don't know his loads of length, but because there's really straight and with the lovely drop of color, this is done. The texture is quite damaged and quite raw. So what we're gon na do is try and take these things into into account and work with them. So what I decided that we're going to do is try and create everything. That'S texture within this lovely little bob head, so we're going to work for something just above the jaw: okay, working first of all in a graduating technique, so horizontally start and low elevating out and then, as we work towards the top of the head, we're going to Start elevating up and then bringing down what that's going to do, it's going to add disconnection within it, so we're going to work from down down elevating each time and then, when we get to it, I think just around this area we're going to start elevating up. So working from graduation and into a layer, then from that, so we don't flatten all this out, but they're going to work back down on top of it. Okay and well that's going to do it's going to add this really nice, seamless texture. We then going to do something: that's called channel cutting, so we're going to work in a way that's going to remove a lot of weight in texture. So we'll talk a little bit more about that as we go through it so how's that, starting if what I'm going to do, is I'm just going to start in the middle, with a coat I'm going to get the hair from the top of the undercut and Just work down in my fingers as close to the skin as I can get and just work in my life, making sure that I'm mainly kind up to my knuckle. That way, I have the most control and what I'm thinking here is where my knuckle is pointing. Wherever my muck was pointing that's where I'm likely to end up in the face, okay, so from here following my technique around all the way. First, now we can see that when we get in there, we weren't about the right length. Okay, so I'm just repeat exactly the same: on the other side, we come down into the fingers, I'm not using too much tension here and now. My fingers will be pointing to the same place that my knuckles were that's quite a good tip to keep a really nice balance if you're pointing to one place as well. This is if the face is symmetrical that you're, pointing to one side. Okay, I'm pointing to the lip, for example, my knuckles, and I want to be pointing to the lip with my hand on the other side. So that's my first session and it comes really show that's really nice and clean and then we'll start working on that next section. So we are here in isolated, colony, w1, so right off up to the streets, the centre of Soho. So right in the centre of London - and this is our second state - my favourite just means that whoa Ethan yeah second slate live actually it's our new space, so we're getting. We get used to the space. It'S really nice to have a little home here and it's an extra special night. We'Ve got some people watching their ancestors. Oh yes, we got it all. Oh yes, we've got some guys that have come down from from Brighton and around on them come on watch tonight's. That'S really cool, so what you can see is now I just established where my lines gon na be okay. Now, if I want this to be really heavy, then what I could do is maybe work three sections all the way down into that same point and then from there. But if I want it to be slightly lighter, I can start animating straight away now. What I'm going to do is I do want to establish quite a decent waiting, the outline, so I'm going to work two sections down to the same point and then start editing, really sure my sections, a nice and balanced with my sections of balance. Then my life is balanced guys as in every single slit. I would they we do. If you have any questions. Just let us know, and I'm gon na, send the questions straight forward to James. Don'T hesitate to ask us so keeping everything really nice and clean we're going to just come out exactly the same way that we have for our session. I'M here now, when working this, I'm putting the head down slightly to make it easier for myself, but I'm always thinking about how that relates to win the head is straight: okay, if I put the head down and cut this perfectly square, then when the head comes Up it's going to come round it, so I'm always aware of if I do move the head, what how that's going to affect the finish result. So this is going to be my last section of closing it down with zero elevation and then from there we're going to start tearing away. We got Michael watching, see elope hello, Michael guys, please do like and share the video. We really appreciate you guys watching and shooting in if you are tuning in please let us know where you're tuning in from be great to hear from you. Amazing we've got Jeremy from Texas, hello, Jeremy, thanks for tuning in it's really nice June said we in our cooked first course we're going to have someone coming in from Germany from Germany. Yes, reach Zyra truth, so we've got Chris from Germany, so we've got that Chris. It'S going to be amazing, Emily really looking forward to having you in London we'll be looking out to you here. So that's our course form for January, so we have no more spaces ugly, not only, of course. So if you do want to put in, we do have a course in February, but we have one space left. So if you're doing a bit of course with us, then please just get through to us on our on our social media. So let's make our education and Facebook on Instagram slightly later bronze. What we're gon na do is we're gon na be doing a little bit of a giveaway, so we have a creative course of the running in March and they're going to be giving away. One of our spaces to one of you guys, will do that business. We got a question from sue hello from Manchester she's asking if you can show her. How do you hold your scissors? So now everyone hold s is in different ways. I don't think there's really a right or wrong, but what I would say is that the wrists here should always stay straight now. What we see a lot of is people doing that. Okay and that's what gives you our sis and carpal tunnel so can really shorten the career. So for me, what I do is with that and then I close my two fingers here and as that goes down, then I have my thumb in there. So much my wrist is always straight now. If that's difficult and I want to cut then what I do is I just come back to a normal position and lift my, but for me I find it more comfortable like this. So to get this, I think I practice you know you sit at home, watch, telly or whatever and just practice moving. This is it around, but the other thing is the thumb never should go into the hole. The thumb should always just rest on it. Okay and don't put the finger too far, either that way you can move the scissors around much more okay. So I hope that answers your question say: please. Let us know that doesn't like what we're going to be doing now is we're going to start elevating this hair slightly? Okay, so start working with more of a graduated technique. Now, the reason why I'm doing this is because of the texture of the head, because the texture is quite strong and quite what's the word - it could match up a little bit and it can swell a lot from the bleach so because the head does well we're Going to look for that will not expand the shape, I'm enjoying it. So we're really trying to stuck this out. So now you can see my elevation has come up, my god. It'S very nice and clear, I'm working from slightly higher in the middle slightly lower behind the ear. The reason I'm coming low behind the ears, because in the front, when we work to the front, I want that to be one length. So I want that to be in to aligns with zero elevation, so I'm going to get that rule in three four now James. This, the only reason why you are taking your section, you are creating your graduation horizontally instead of vertically absolutely now graduation. When we talk about graduation, what we're talking about is a buildup of weight where the hair is shorter in the hairline getting longer some of the head, okay, so whether it's very slight or very extreme okay. This is graduation a buildup of way. Now, if one way to really flat out seniors head shape, what I'd be doing is looking for more of a vertical section, because, as you can see, I'm here, naturally it's easier for me to be flatter. Coming like this becomes very difficult all right now, when I'm working horizontally straight away, this is easy. Are we up here comes more difficult? Okay, so we have tendencies as hairdressers. So for me I want to build up quite a heavy shape through this bottom area. So that's why the working horizontally now, if you think about when you cut a one link through a line okay, what sections do you tend to use horizontal right? Don'T use horizontal cuz, it's easier to be heavy, what to be lower now as soon as you want to later nine times out of ten, you move onto the vertical okay, the reason being because it's more comfortable to lift okay we're moving away. So that's a good way athlete to understand that when the horizontal you tend to be heavier when you're vertical, you tend to be flatter cool. Does that make sense 100 % so guys, please, let us know you're tuning in from you like, and share the video really appreciate it when we get this out as far as we can okay. So now I'm just going to have a little look at were created. It'S like a big thing for us. What we talk about is it's not about all this hair that, before and on the floor, it's about what we're leaving on the head. Okay, so like this, like the sculptor, you know if a sculptor is looking at it. The same ice sculptors got a big ball of ice he's chipping away, he's never worried about. What'S falling on the floor, just this bit just step back and see what he's crazy. It'S the same with us what we have to do, okay, so I'm really stepping about assessing looking at balance. Are we creating the right shape that we want it's quite interesting. I mean I had a completely different idea, but what we were gon na do in the series there and then you know we had a chart and things changed. I think, as headers as we have to be able to adapt to those situations we have to be able to you know, even if we think that's on its own look great, it might not always be able to quite once so we have to think of something Else, it's been that great, that is going to help to suit the client's needs and once all right so now, what I do now is I'm gon na come to a section above the year. Right now, for years and years, I've always struggled - and I panicked when I come to this point, because basically the problem isn't about what I was bad bad as the harvesting okay. So what I did what I tend to do now to make it easier for myself, is when I come up on the air I'll separate the front from the back. But when the back is balanced, then we've only got this small amount of hair. That can go wrong in the front okay, so I've worked the back first separately check it, and then we can just move forward to the front. I think that really helped me when I was working on balance and trying to get balance in these haircuts. I think these these classic shapes are always always the most difficult. I think, once you can work these, you can do the creative, easy we've got a question from Carlos from Mexico, hello, Carlos. So how do you cross-check, okay, so realistically in this show, because we're very heavy horizontally we might not need to question if there's a problem that'll be very visual will be very obvious to me. If I wanted to cross-check, I could come through a vertical and I could pull this out and see, but I was clean all right, but what I'm looking for here is one buildup of weight, I'm looking for the consistency of my elevation, all right, but really, if There'S something wrong with this, then it would be quite visually obvious. I hope that answers your question. Others well make sure they've got a perfectly balanced section on the other side. Okay, a lot of this haircut we're gon na work on dries up because I think, with this texture it looks very different, wet to drive. So it's important that we take that into account. So I'm going to put in my basic shape when it's wet and working. My channel cutting everything and then, when it's dry I can use my my visual to work on use, point cutting and all of these different things to then really perfect. My show now with this hair, you can see one little tip when you see how that skin and that twisted stretches, especially in this front bit here it lifts okay. So when we're doing this, what we want to do is, if we're getting the hair out the way, don't put too much tension when you're twisting it okay, because what that's going to do is it's going to distort your shape. So all of these areas that have more more elasticity and skin, we have to be much more careful. For example, we look down here. We have a lot of elasticity in the skin, so what happens? Is people will come in here and pull it out really tight loads attention as it seems' back at work? I follow the skin okay, so we need to be really aware of these things, so I might come in with maybe a wide tooth and have less tension through that all right, just a little tip. So so we got a question from even you can actually say that if you want it will be really cool, okay, great questions. So if I'm just asked me, how do I control my elevation when graduating? So I feel, there's different ways and different people have different tricks. Okay, so, for example, let's say if I wish to elevate this sides up what Michael does Michael the the head of snake. He uses his fingers against the skin, so he's back he's got that muscle money in his fingers to be there then he'll be exactly the same, never sites. Where was two fingers or three fingers. So what I do for me is it's more of a feeling when I'm elevating, I think I know if I'm working fluidly, I should know that I'm putting iron higher and higher very slightly yes, so I'm getting that shake. I know the shape I want to create. Now what I couldn't do, which I do do quite way, that it is to check my consistency, is I'll cross-check. So if I just get one area - and I pull it down - and I see that point - then that shows me that that's where I should be when I'm cutting it. Okay. So for me that's just like a confirmation affirmation of that, I'm going in the right direction. So maybe every three or four sections I'll get that, but for me, graduation really is a feeling. So each time I feel like I'm getting slightly higher, then it's a fluidity, it's a way of working. So that's how I tend to work and check every time. It'S perfect, I tend to like to feel it, but you know that there's lots of different ways to control it. I hope that answers your question you're going on us. Do you know what I mean about that about, I kind of feel it. It'S just like. You know through months that you hear, and you know you sort of feel that you're right you're there. The other thing as well is what your guideline looks like your guidelines. Looking super stupid, creating super strong. Then, generally you probably in the right place. If your guy advisor can really, we can to really check to see if your motivational probably isn't spot-on, okay, so I've just separated now, as you can see, the font from the back, my making sure that they're exactly the same on either side. Otherwise, a way to have to fill my balance properly. Okay, now what we're going to do is we're going to start moving into more of a layering technique. Now, okay, so what we're going to do is from here I'm going to come in. I have believed the hair a previously cut, I'm going to stop to elevate his hair out so really making sure in this. When you have this texture hair that you're coming through really nicely making sure that everything is nice and clean from here, and it work up and again working up to the knuckle, I'm using the heavy underneath as a guide to elevate the hair up. Okay, I'm gon na continue that all the way to the back now I want to leave a little bit more weight in the outlines fruit here. So what I'm going to do by that is horizontally, keep this square at the back. Okay, I'm going to use the same elevation when you call me the section I saw you when you create graduation convict from the top and when you create the layers from underneath. There is any reason why so, naturally, okay, if I'm coming from the top of the hair, look naturally I'm pulling the hair down okay, so I want something to be heavier. Naturally, I'm going to comb it from the top right. This way, I'm not gon na over elevate or I'm less likely to over a little bit. If I want to elevate something more, I go from the bottom all right and it's just tendencies it's just going to. Allow me to then lift more. If I want something to be really heavy all right and I came from underneath I'm more likely going to flatten out so if you have a tendency to do one of the other try combing in the opposite way and see. If that helps you does. That answer your question - I'm sorry! Yes, so guys, that's know be tuning in for please like and share the video. Thank you for spending your Sunday evening with us for our eight slate life. We'Re really excited to be here with Celia and after this after I finished this session, I'm just going to go through and do it or recap for you, amazing. Okay, so now we have our layer. Now, I'm going to show you now vertically what this looks like all right, so I'm going to take a vegetable section and now so what we did is think about. We pulled it out from the bottom, which shows and pull this up as our graduation. Well, right now we elevated up. We have our layer, okay, so we've controlled it horizontally. Okay, working down, I'm working up, which will give us this corner in the middle all right. So what we've done is we've built up this way with flattening and family and fruit. Here: okay, on the wider point at the head, we can see on Steven that this is the widest point in free hit. Why put like home here? We can see that, yes, with flattening down in this area now, I'm just going to kind of through and connect to the hair that we've already got done here. There'S the amazing hem J watching us, hello, heaven J. We have another question from Carlos hello, Carlos. So how do you prepare their hair before the haircut? So what I found today with Celia is we've just normally washed it shampooed conditioned. It used a little bit of a conditioning spray for it and then just really combed through in each section to make sure that for any little knocks out and prepare the hair other than that, we really can't. Let that's that's really about it. Making sure that my sections perfect, my sections are balanced throughout and that's all we did not use too much product or anything through this today. What we will be using later is a bit of an oil which is going to just help soften this hair and make it easier for us to work with okay. So we can see our line now we can see the front and what I've done is. I felt already the balance and made sure that the balance okay. Now, that means I do not touch his hair again. Okay, the only place it was honest in the front - was then only this bit earlier. So I know that only that's the part that we need to adjust now, so it makes it much easier for us alright. So I'm gon na now work down through the code now because of the yeah, I'm gon na use the white tee for the coat. Now I think a lot of people get really stressed out about this bit about the yeah. Okay, now you know a lot of people of different ways of doing it, but they only do this. For me, the tension comes from above the ear okay. So if I came in it from a budget and then from under the year - and I don't have tension there and that should just sit without popping up too much - you can see yeah, there's actually a really good tip. So we turn into a bob. Previously, I've been always doing the mistake to make too much tension like a little harlot yeah. There'S such a shame and everything is so beautiful, such a beautiful shade, and then you just have that little bit of a hole there. What I used to do, I used to tap it and I find that it would never it would never be even and that each little each section would have a different amount of graduation in it. So I find it much harder. I find this way. Well, it's much better for me when you tap it, it can be. You know you cannot really pushing. It depends how big someone's areas you know if someone has tiny little aids, you might not need to do anything. Okay, so I'm gon na do exactly the same. On this side, okay and spinderella touch probably went down over the air into the fingers. Now normally what I tend to do it when I'm working the front I'm working to science, I leave the second side a little bit longer. Okay, that way, I know - I'm not gon na - have to cut the other side again so from here, but I think I'm about here right angle, down a touch just to be safe. Alright, then, I can feel my betters yeah just a touch. We have a question from Sylvia yeah, so you can explain up what angle you work so angle horizontally. What I'm doing is is I'm really want this to be quite sort of following around the head shape, so if it, if it was to be a shape, it would be more than the square size now we haven't got really any corners, but what I'm not doing, If you can see from there, but I claim that over okay we're not really longer okay at the front of the back, we're not shorter! So really, we've got quite a square shape. I'Ve just not built the corner, so I'm really just following around the same. All the way through your head does that make sense yeah, let's know if it does, or it doesn't okay. So now that's what we've got the right has. We'Ve got these sections. Okay, that we've done with ed. We'Ve started like we've, elevated up, okay and now I'm just going to make sure that internally the front and back to connect. So, just taking a section remember, we lay through this I'm just going to make sure that we've got hair our safety hair and outline right little bit, let's back up just connecting into that front, okay, that we internally, we now have connection all right, but we haven't Affected the line that's sitting over the air all the way exactly same for you, so leaving some of this hair that underneath make sure that we we're not ruining our line, elevating up and collecting food okay. So now, as we start to move the hair already, we kind of have all these different dimensions going through it. We have our last place. Wait, I've got a nice build up, and then we start to flatten out through here. So now, for our next section, we're gon na take in exactly the same power as waffle. Yes, so Francesco yet talk to us a little bit about the course that we've got going on in that room. So in February we actually going to add the 9th and the 10th we're gon na have abstract abstract course is the combination of two different techniques. So what we're doing in abstract is we're looking at combining different shapes and different techniques, so everything's still being connected, but as opposed to it just being, let's say triangle: graduation we're trying to align triangle later. What we're looking at doing is maybe doing a trial alignment around there or around graduation with the triangle life. There'S lots of different, basically mixing up all the classics now, but still keeping everything connected. So really I'd say most of the haircuts that we do in southern are probably abstract when you say so, yes, you know we do a lot of combination techniques and later so a really cool course become one really good fun, really nice and mixed up the shape. So we've got that one spot left of that participant yeah, just one. Actually, one spot left on that so guys if you're interested, please just contact us on social media or you contact me by email, James and snake head upon and we can get organised for you now. It will be an Academy which is where we are now, which is in so open central London. If you see the function, we've actually got yeah. Our first course that we've done here our first well, we've done a couple of couple of courses. We have a rear here for our last. They life, if you remember, but then we have. Our first course are smart course here next weekend, back yeah, so that's will be really fun, so stay tuned of our social media to see all the data, so slant is actually regarding all the triangle series right, absolutely so we'll be looking at smart, we're looking at Things I will search by angular, so we're looking at triangle align trying the layers and trying to the graduation as well, and we cover all those three haircuts over the two days. It'S nice, it's nice to focus. I mean from one on one shape and then move on to another one. So you really feel like you completed something you know, and then you can focus on that practice. It was good one. Definitely you know when you speak about cutting. There is a lot of information to to take over in this. You know it's lush a short time, so it's better to split having a step-by-step or knowledge Wow. So what we've done is we've come from local innovation. Then we put some height to layering. So, okay, now what I'm going to do if I carried on this way, I'm gon na come really short and really flying here. So I'm going to come back to my original technique and come back into my guides. I still have my bag for my graduation and work it over there's my guideline alone connecting okay. So what I'm going to show you now is is what that's gon na look like vertically, so you can understand so. We'Ve gone from our graduation and the button into our layer and then we're gon na have this head sitting over the top, which is disconnected it shouldn't, feel disconnected at the end. Okay, shipping allow the hair to move would be freer. Okay, it was like home in my elevation, I'm looking at my guide line, to tell me that my elevations right, I'm looking at my roots, to make sure that I'm coming into the right place. The way that the roots tell you is that I don't have to see that I'm not seeing over direction in my roots, I want to see them coming out, stray from that, so they consider getting these different dimensions of a shape so you're, actually following the natural Fall of the hair to have a better flow on messy shape and what we're gon na have that friend. It'S just gon na bring it all together so get back from fruit all the way into the phone. So every point when everyone below, in my section that means I'm graduating. Okay, that's what zremesher into alarm okay, but everyone below my section in my fingers, I'm using graduation. I don't know who I'm above my section of my fingers. I mean overnight: okay, so graduates, my building weight now and removing last strata shape in the outline, which is like this really crazy texture going through it and we're going to use a lot of point cutting on this hair. But it's gon na really. I think once we put a structure in the movement, we'd wanted to show them that you've really got ta focus on. You know the texture of the head. We really work with it as opposed to trial fighting with. I tried so many times to never look to people really bleached hair. They want it. You know that super super in a certain way in you know it's not going to work as well as wearing something a bit looser little texture. It'S absolutely really tricky to work with Bleacher from cutting to blow-dry yeah. The probably gon na do this in the next two sections now so really last hour, an important part will be doing these sections. If you have a little bit closer Francisco, just have a look at the sectioning and what I find when teaching a lot is that naturally, people do their symptoms like that, so they'll come up. Okay, okay! Now the problem with that is is if we want our cutting angle, to always follow our section, we're going to be coming shorter in these corners here, so to make sure that we're following ahead nicely in our natural fall. Okay, our sections are going to come round and then down all right. That'S going to really aid us and getting a better control when we're cutting. So now the other thing with the root movement look at the root movement now here as red, wants to go. Okay to considers have you come pretty nice and close to printer's, where you'll see from here? That'S where they're, it's wonderful, okay! Lot there! If I cut this or back here, what we're going to end up with is two big holes in here. Alright, really really really focusing on paying attention to is where that roots bully like how many one in my graduation technique here and looking at the ribs. When I come to the front like to keep the head upright, so I can see the shape that I'm creating and then again just repeat on the other side. So there is folks in the motor routes all right. The hell isn't only to be pulled back here at the end. If we need to take hair off we cap as much rather be safer. I have more hair than this. We can. We can always take more hair off. We can't put it back on so guys if you're tuning in now, if you have any questions, just let them know please like and share the video we will be doing shortly, a giveaway where we're going to have off of one space in our in our March Course: ok, the creative course which is physicals you're, giving away for free, alright, so stay tuned and we'll get that to you sure they're amazing. So James is not the first time you got here before right. My accosted his hemorrhoids fast fast qualified. We did a photo shoot and my first ever photos they were saying it was wonderful. I did really sure them orange mothers, orange and blurry debts. They are very different and I'm not since India for about six years, but nice and nice, with his master, see old faces and it has very different, so James, which is kind of course, we're gon na do much what it's all about, so the creative cause. What we do is we start the minute, disconnect you, okay, so whether it's like this working with in total disconnection or whether it's more extreme, you know strong at this convention. Okay, but it's still based around the classic foundation sort of foundation shapes all right. So what you might be looking at is working with, let's say, equation with some asymmetry and then some disconnection coming through it. Okay, so it's a really really exciting course to do. I think you'll really push yourself and see see where you could go. You know working in a more editorial way, but I, like I, like your, not wavered in the subtle as well, so it's month, it's not just for for photo shoots all these different things. You know, I think it's. It was an important thing to understand. I think disconnections are really hard thing to grasp. I know for me, two years before I really really kind of nail disconnection and make it look how I wanted to about the time I didn't interested terrible decided to get my understanding better I'll, go back to my foundations, all right and then, when I understood over There and the disconnection came to me, and I think I forget it what I understood it was like replace in my head. That'S much better and using disconnection was well. We still use it for for a reason. We still look at suitability, it's not just about being creative and being crazy. It'S also. We have to focus on that person that we're working on as well, so there is always has to be a reason why I think so yeah, you know unless you have some crazy chick one day, yeah who's gon na think about that that person is, you know, She'S wearing your art, but she's also your advertisement. So if you're doing you're doing a head - and you were - she looks like it's already - not happy, but I think do you want people to see see your advertisement? That'S right! I'M just coming for you now! This is really my last session. I missed, I think, I'm just going to check the battery. Can you actually give away a little tip on how to check the balance not perfectly up the best, as we can actually when you're, when you to do paralyze used to do this analogy when I pull their hair? Okay, if I thought it was a little bit hot I for one bit, I just sort of felt okay to me, so I don't receive it when that and looking somewhere else from the fit the balance. For me, I'm happy to look at what is there? Okay and for me it's my thumbnails, my thumbnails living your nose and other words so well for me, so I make sure I put in the head from the same part of the head. Okay, so I'm feeling a honey making sure it's the same part. Okay, I'll come down all right until I feel like there has a tip of my fingers and then I look at my thumbnails all right, my thumbnails at the same point, okay - and I know that my father - this is good - all right, there's two ways to really Check my website information as I'm visual, which is whether, like I'm doing that, was coming down and looking or what would you tell us quite a lot? I should be really quite strong. I had with us right or not, so I literally know we have our tentacles, which is where we're going to climb it down, feel it okay, alright guys. So for me that is now our basic shape. Okay, so we have again I'm just gon na pull this out for you vertically, so you can see so we have our graduation for my life. I'Ve built up of weight. We have our lair okay, then we have this graduation to the top as well, which is then falling down all right now. What we're gon na do we're gon na do some channel cutting, which is gon na, be cool. Well, that's going to be really fun now channel cutting okay to me, the largest amount of the largest removal of weight that we can do it with texturizer. Okay, we're really gon na be losing some weight every threat, no really loose to this haircut. It'S okay just need a little wash we got Karina tuning in this is so excited just to meet up next weekend. Are you looking for what you have a lot of fun? Alright, so what I'm gon na do? Okay, I've got to decide where I'm gon na take my first section from so we're gon na move this way. So what I do is we're gon na be working one removing way the next. We leave out one living way. The next we leave out. Okay, it's just knowing is really crazy, shattered texture. So I'm going to take my first section, just off-center, I'm going to comfort, ignoring everything that we have through here. I'M just going to connect through that. So I'm going to connect the graduation that I took off from the top originally into the lab that we have in the underneath. So we're really now flattened out that shape. Okay, we can see no, but then wait for it here. What really flattened out! Okay! Now we're gon na take our next section, I'm going to leave it all right. I'M just gon na put a little clipping over here, so I know where we started okay, so our next section that left its mark white difference in the length from such interception. Okay and what you can do is this is really about your playing time. You know you can you can change this as you like, so what I'm not doing is next section pretty here now it's rather than connect it all the way through I'm going to leave it a bit longer and then it up into the different layer all right. I'M going to do the same on both sides, so they're still going to be a balance for up in the next section, I'm going to leave it, which end is important, that the when your channel customizations, that you leave and the safe side, you are the same With no it's not because the reason being is because if you want to something to little much more dramatic or much stronger and the sections that you're cutting you might wan na leave bigger yeah. If you want something to be much more subtle, okay, then you what maybe want to take you up, you're cutting sections not smaller than the sections easily, but it does make a massive difference, the size of the section. So you have to be really aware that that's a really good question so from here again come up this down last section more because when we ran our final, you know we try to live again, we'll just put everything up horizontally. We'Re gon na see all these crazy section that we can just point everything, so it subtly blends it. Okay, so you know we'll do the same thing, all right, section: relief! What was spinning around this area! You see that that one just okay yeah, you know comic intersection, so going back to the section size of the joke. If you want this to be really quite a rat, if and each section, we could take a different size all right. We left about that. First, one really flag so when that has really texted you're gon na get these little short they're sticking out, but it'll be really cool, so you're not using the same elevation over time. Next section we're leaving out so I'm trying to move. I did in the other side of the air this session, who that just looking at how my fingers follow the code knows I've been combing, get my toe in my fingers, come behind it and follow that's where we end up and our last one so guys, please Let us know we're tuned in from give us some feedback. Let us know what you think so far, and this is all making sense when it's quite, although we're looking for quite a simple finish, it's quite complex and what we do. It there's quite a lot going on, but really what we're doing a lot of things, but to create a really nice soft textured bit textured outcome. I find that sometimes cutting a bobbin than just putting it out and fitting into it everywhere, and then you don't have as much control of the pallets going to look at the end for this we're really. You know facing that with short areas, and we know where they're going to be able to have started to that now. What we're going to do is is we're going to cut this fringe and when it's dry like this head down and dry it now now, it's time the time has come for the competition. So what we need to do for me to get place for our two-day creative course in March on the 10th and 11th, probably the temple 11th of March, okay or creative course here in central London. We want you to please like and share this video and tag. Three: three: three friends, three friends in it: okay, everyone that does that will then be entered into it. It'S look cool and when you pick out the winner, okay, so guys that's three friends tag and like and share the video and then stay tuned on our social media, Instagram and we'll we'll what we do. But it now is the winner on the next slave. Diagnose month, amazing occasion to get cause for free, it's going to be really amazing, really cool. So these guys get here, it'll be fun, so you can do that over the next three days and it's like for people that aren't watching live. Don'T worry! You can still do that and we will get more. People will start to pick a winner in three days, so you can still have a chance to win, even if you're not watching this life. Okay, so I'm just prepping the heaven of employment, just feeling that it's really quite dry at the end, so really some trying to soften the hair out a little bit like that, you have do not have any favorite products, that's labeled! What, as you like to use we're really interested to find out, you have a favorite brand or specific products within a favorite Brad. Let us know I'm just going to know once like a whisper I put up through. I always just comb it through before we start drying just to make sure it's nice and even guys, if you have any questions, please don't hesitate to ask please like and share this video Germany preference on the Caesars James scissors yeah. For me, I prefer a smaller scissor just because I feel like if I only caught up to my knuckle, that I need a blade. That'S going to fit there, so I'm not really use a four and a half inch to a flight image. I don't really have a preference in brand. You know I really like Joelle's. I use these wings I'll use, NYX it's more about the weight of the scissor and how it feels like I never just biases are alive. My technique same as yesterday state laws that, but I put my cried out it up and see how it reacts. I like fishing, see how that's what we're gon na do in the head dry we're gon na pass what Prince pointing technique Franchesca? What do you find them this thing about blend? Invalidate anybody maybe to help them. Do that I mind as loving tonight what we believe Monday's opposite. That'S how you remember say take little bit. It'S like we do watching little bit stop to implement then I'll leave with what some days very thoughtful way by the way Pacifica technique you can use it please if you have any requests, radars, the brightness and questions, but at the end, when we do those last 20 % - really not when you put the fringe in what we're using is that is a small business, seven right right, it's similar to a Denman but more rounded, the soccer team. There'S much nicer this bad, I'm distracted a handful! That'S how the past, obviously because take a little bit more time to dry to have a day we had so I'm going to talk to you a little bit about the courses that we want coming up, which is on trying to the series they've given three times And the 370 students are trying their life trying to later and trying to graduate we tend to recommend to start without one. So there's three difficult so now what protons right purposes get around mine round lettuce, I will not be attending really but affordable. Just read this author says women who are on the most difficult is sweat like the rats, graduation, amazing techniques, great versatile, Egypt. What you can do we use a lot in the summer right, really really nice, then, okay, the abstract, is really start to combined with these different states combining trying the best Restless bilaterally. We have very long apartment with an grated loudly said, which one of you becoming on Capri great. It is wrong a lot of people really all aspects of suitability - that's techniques, okay, I think we're getting somewhere and it's getting a bit. Dryer, anyway, is not to see our hands like right, yeah, it's looking really nice already James. You think to select a material from like to happen. It then we have. Any questions with see is any happiness, Epona, Hera, so we can say James there. We are two different type of disconnection and where would you place this haircut, which type of disconnection he's planted in between something very strong? We are we gon na see like this or to have. It will also blend to the whole head. So I'll say we have the connection, for example, to be something I mean I usually suitability, it's more an extra and in the community like if I really want to try this pool so James once you finish the trike and you do a little recap of what, Without yeah, thank you so much, that's really did I really represent deserves you guys is to get loans in unconscious. You know, I have no idea with really try to attend a party in different shapes. You are there. What will be the sum of the three you can thoughts of each other to get ideas and that's funny, Congrats United practice. Anyway, really you had partition. It'S nice to see James, that is an amazing cut. Time is still training at least harmony once a week at mist, yeah, we did the poets as well with main concepts. I, the film parts of the Hat. Oh, that was something that had a much of what strung there and in something I think when people say something something that has to be, you know, went into really top, but here's what not sometimes to create texture by using layering right right, understand. Okay, when everything market everybody is tight, learn quite a moment. Content types, all the insiders that we want to give you the tools to be able to create your vision. You want some, you know something in your head, I'm sure the owners have been disappointed upgrade before, but it has me and you really want to do it. You know exactly how you wanted to learn, and you finish it you guys, okay, so exactly what we will exactly what I had in mind, a lot of thinking. It'S never mind it. Doesn'T it it's what we have in mind, so the whole point is is that we can give those tools to be able to drink. Look at you look, I think, that's really exciting. That'S where the rest of the country we can that have benefitted. That'S good! I'M safe, oh, it's work, but why the sort of smooth something outage, I'm actually quite surprised, must missing it see his head watch them to do it as well, because I've just three years, I'm not a little chunk of oil through there. So I'm just using the fumbling bumbling visible oil, okay working through the Midwest means I'm just going to comment more attention, drying or leaf driving technique. Okay, but we can see from here, you wan na just move the hair around all those different lengths kind of coming into play. You know with head, that's so straight and hard to be a texture. I feel like just using the winter decision. Susannah crater in this having something much stronger, a little really working in shorter parts with shot these longer parts really nicely okay. So I'm just going to use a little bit more tension now and this consequence, how do you like to go the round brush flat bars? What we're doing with the oil we always are trying to and then once I have there's a reason why you're not using a round brush, you know millions will depend ahead, South Australia and without the silicon you know, I don't know what to say to her. I never see it was already doing okay slightly. Finally, there. Let me just do a quick recap for you done so far: amazing, okay, so we have a center party right. We sectioned off their works practice section today. I think there's two sections: it was two sections down through our fingers: okay, with no motivation. Alright, we then did two sections and elevated out right. That'S where we talked this nice graduated shape through here she wasn't alone: okay, okay, the orbiting weight was the top of the head, we've things on the opposite and lifted up, so we came through horizontally, elevated up and we cut section up through here: okay, flattening the Widest point of the head right, then our next three sections we worked around their head and have 18 up slightly more each time, so she's working the local section, not graduation. We can see when we elevate it up a little bit more each time. Okay, so we have this real cool disconnection through. There then came through just work panels right with channel cutting. Now, for what I call tunnel crossing okay, so our first one, we came a fruit, we elevated out when we connected into our library, okay, the next one we left out and that's when we came through elated and that's what we left out came from me lateness When we left us with flattening different points of the head, so through sample okay, if you wanted to get a load of texture on the top of the head, I was shorter hair. You could come for us leave on section out and their next section sure they werenäôt cut short, and it's going to give this real crazy about your texture, which I think works really nicely into what in the works. That means that you know okay, so first things. First, let's get this printer, so we want to do something really kind of textured. Really you know soft, but but so it has a purpose. You know artists will be really visually with this because of the jump in there a little bit of way in there to keep it sitting and then because we've made about the hair will probably have to be played by that French never said one known to this. Just start, just roughly it's going to work in he's name is free, okay, making sure you don't cut anyone's eyebrows off, I'm just going to get past it and just start getting rid of some of these limbs. Okay, once I got rid of the legs - and I can start to add a bit more detail to it: okay, then we can just start but very visually just playing around. You know how we have that kind of a rutted texture throughout the hair car. We can mirror that, but in the fringe I haven't sounded shorter, some of its longer really nice. There are only secret wives there behind in the front of them, because I'm fine coming up much easier uh-huh, especially if I can use a mirror rock and you can take serious head back. The other reason is because you see where I'm working this I've got my hand placed on the fringe. Okay, so for those of you that are watching Thomas is just asked me why, the last time here, as opposed to in front okay, my reasons are because, first of all, with the head part, okay, I find it easier to come up into the hair to bring My scissors towards me also coming at this angle and the other reason is, as you can see, what I'm doing is as well kind as I placed my hand on the head there, you see the difference putting that bit of tension in alright. So when I'm cutting this with that tension that I'm allowing the husband's bring up afterwards, which is going to just again give it that slightly softer edge to it, alright, that's why I hope that makes sense summers yeah again, I'm just working a bit about the sculptor Coming off living behind tonight, always thinking about what we're leaving behind that's the important part. We are really looking for. What'S boss, the previous heck, are there James did on the incredible shop fringe to see the difference between the two models: yeah, a big hole. Yeah we've gone from one really strong and the Instagram TV with this fringe. That comes really strong into this point in the middle, which is really cool and then obviously now we have this softer fringe. I think we're going to really swim post it. So if you can check it out on our Instagram page, let's later education, I think you will see a really simple yeah, so you can let us know what you think so now taste and preference, and it's very personal. But for me I just think that brings this whole haircut together. Much more, you know we have that real cool. You know the shape in here without looseness, but that fringe just breaks everything up and opens the face a little bit more. Alright. What I'm going to do now? The final thing is, I'm just going to come through and I'm just going to start to point through my technique. Alright. So when we have these short, listen long bit, I'm just going to come through by pointing everything it's just going to blend everything for a little bit more. Ok, so we'll see I'm just gon na come in set the hair up. When I tend to be weapon like this, I tend to like to use a wider tube just start to point point point and then I'll just so, I'm not connecting I'm blending yep. Are you actually taking bigger sections or you're going through progress ago slightly bigger, because I want to blend each section yeah I want to blend the sections together a little bit so my sessions, it's slightly bigger than my original may be allowed to my original size. Let'S please that smile way to think she says no you're tuning in from. We really appreciate having you following our journey, a slave before them in our live videos. It really doesn't mean a lot to us and if you like, we the same, please do like and share the video. It means a lot and if you want to again I'm going to repeat about the competition, if you want a chance to win okay, a spot at our creative course and marks the 10th and 11th should have been amazing cause.