Capti" /> Professionals Who Practice Episode 10: Updos W/ Sharon Blain

Professionals Who Practice Episode 10: Updos W/ Sharon Blain

  • Posted on 30 July, 2018
  • Updos
  • By Anonymous

Hb Live: Updos featuring Sharon Blain "Professionals Who Practice" with Pivot Point International, Hairbrained, and Gerard Scarpaci.

Hello, everyone Gerard scarpe, see here co-founder of the harebrained community. It is my true pleasure to bring you one of my hairdressing mentors long, hair legend, hairdressing icon, my fairy godmother Sharon, Blaine hi. How are you hi everyone? How are you doing today? It'S so hot here in La Nina is super hot, but it's about to get even hotter. Sharon'S gon na share some fabulous, fabulous, big hair inspired by the runways and she's doing it with a beautiful pivot point mannequin. You know and the whole point tripod we are in our 10th. I think it's number 10 is that right, Courtney, that's correct! It'S! Our 10th edition of the professionals who practice series work, even legendary icons with over 50 years in the industry, still practice using pivot point. Madison say I love these mannequins can't live without my anything else is just not good enough. That'S the truth! Let'S get into the hair, we take a little bit of work, so I decided I would treat pre do what I call my directional ponytail. So when I caught when I think of directional ponytail, what I mean by that is before we actually place the ponytail into its position, I directionally blow-dried the roots in the direction. The hair is flowing to get a nice flat, ponytail placement. Now, just please sort of don't judge me, but she's come out of a suitcase and I've just tried to sort of resurrect her a little bit, but she was done beautifully before she left Australia, but these girls into suitcases. I do bounce around a little bit. I'M just up currently now what I'm doing is before before I finish this off and get it clean. I also set the hair with some rather large hot rollers, so I would expect I put about four hot rollers in the pony and through the front I set three hot rollers. My first roller placement was off base. My middle placement was a little bit half off base and my first placement was actually on base. So what I mean by that is this first one was put in at this angle. My next one came back up 75 and this one was very little elevation at all that way. Then I can have height and movin flat as I'm looking to achieve. So, let's move that out of the way now, if it's a nice little brush and just tip it out of the way out of, but don't a lot of work going on here and I don't want to have too many dramas with everything getting in the way. So just take a large big curl and we'll hold that now I've been pretty inspired about, what's been going on in the runway and there's been some amazing amazing pictures going viral in the last week, and I hope you may recognize my little ode to one of Them one being the most stunning green, pastel, green grecian-inspired, shooting on that was done by Guido. I think it was. There was definitely green, I think was full. Was it the Margiela know it was so spectacular and everybody went crazy over it. So I thought I'd show you how I would achieve that. Obviously I haven't got all the bells and whistles that he had in it, but I can give you definitely the base of that. So first off, I need to clean up. So when I clean up I'll. Take my product - and this is just a medium - hold spray and I'll come through and just try and get all those little flyaways, nice and clean, because they are absolute mutants and if you don't get rid of them at this stage, they'll be there to haunt you As you move through the styling process, so all the way around the head, I come with that and really get them lovely and close and clean. I could ideally just go through and spray, but I feel this is a little bit more targeted and the other thing that I like about this technique is I'm not overdosing there. Here we spray either it's a little bit softer a little bit more natural, so Sharon we've got people watching from all over the world. My son Gerard scarpe, see the co-founder of hair brain and I'm here for your questions to get some more knowledge from Sharon. Any questions about styling or the tools that she uses. I also want to give a shout out to Tracy sac-o-suds who's watching from Washington DC and the whole sack student family, we're here in the Sassoon Academy, and they posted us for this pivot point edition, with Sharon. Blaine, I think I covered everything there. Yeah and you've got some exciting things going on. Yes, let me just explain: you're not going to explain everything else as we move on as well, so I'm using this panning base. I actually have these online, so I'm just giving me a free plug now. So if you go to Sharon, Blaine, calm or straight pin. Studio also has some of these, and this is the oblong shape that I'm using, and I find this shape really really spectacular for building big foundations. Now, what in saying that I've taken three of them and put them together, so they've actually pinned through the edges all the way along and that's what I'm now going to use to start building up my shape. So that's how I eventually start going with things a little bit sort of losing things so much now. This is the thing with these wonderful long, hair dressers. They have so many implements. I might show up. I have a sister in a column. Sometimes I write two clips classic trash we have beige is like, thank God. You have an SUV. 25 mannequins talk about a professional who practices. Sharon was up last night near hotel, preparing mannequins, because she's got a big night tonight here, where she'll be working with assassin, Academy team and then tomorrow, she's going to be on a two day: long HP, Life Academy broadcast so over ten hours of incredible education with Sharon and our hands-on Academy broadcast to you if you're interested in learning more about that go to HB, live dot me and find out about this unique opportunity. Yeah baby tell us about that. It doesn't look crazy. I actually practiced a little bit in just a little test before I got started here today, just to see how much I needed to build the shape with, so it's not for the faint-hearted this shape, it's obviously as as large as I can get it. That probably would have been even a little more adventurous had I had the length that they had to create it, so it's all about whether the hair will cover so. The first thing I did was take that piece of padding and bent it in half, so I've got the center of the hair, and then I took a bobby pin on either side of the band. So when I take my bobby pins, I'm coming in right in close to the elastic finding this scalp, so I'm coming in at 90, but I'm flipping down at the same time to lock that right in so what that do? What I'm doing there is basically going in under the layers of hair, so that locks it nicely into shape. Now this one sort of just slipped out a little on me underneath so I'll come back through here and take it into the scalp and flip it back. So I really want to get this nice and firm to hold now. Can we really talk about that for a second shine, because, as you know, I've tried many times to learn how to use hair pins and grips, and I found terribly, but I I would love a refresh ok now, one of the meeting I'm trying to find the Mirror to actually look at the shape that I'm creating because of this stage, I need to say what I'm doing side on. I want to be able to see my profile and if I can't see what I'm doing, I can't see the shape that I'm creating. So I'm seeing now as I pull this up here, this is actually looking quite nice, so I'm building sort of out this way and then this will come back down here, but I still actually think I'm falling short ever so slightly. So I may even be a little bit more adventurous and find another little baby just to go in underneath, because it's all about the shape for this look so again we're here with Sharon plane, you can see she's constructing a base using hair padding. She put in a ponytail and then obviously she's going to start to drape and design hair over this to make a very, very large, hairstyle and spark right from the ones runways. I think it was the past week or so Dolce and Gabanna done by another genius was Guido, who yeah he's doing some remarkable amazing and it's so inspirational, and I'm loving the fact that the runway is actually doing some beautiful, dressed hair. At the moment. I think it's been a little sort of more just sort of deconstructed that we've been watching for a ponytail or sort of ballet Baughman. It was just lovely and refreshing and I'm sure he was very proud of the response that we got from the industry. For that amazing creation that he made, because it's just refreshing to see that old-school techniques someone's reminding me sharing of the time I took your five day boot camp, then I went on stage and actually dressed hair for the first time. So I'm a hair cutter. I'Ve been a hair cutter for almost thirty years. I started right here with it all Sassoon and about 25 years in about five years ago, I decided to learn how to dress hair and I went to treat to Sharon. That'S why I called my fairy godmother. I took a bootcamp class with our and branimir remembers that actually got on stage in front of people and styled hair one time, but I think they did it right sure. You know what you were pretty undetermined in that class. If I recall I'm always to trust rated and determined, I would say all-in-one yeah now I need to look at this baby and make sure she's balanced on both sides, so I'll push her around and really get the shake. Now what I did do - and I did a draw your attention - George - I took this funny good shape, which is actually what I call a crescent, but it just filled in that hole at the bottom. Otherwise, if I didn't have that filled in there, I would have like a gap right underneath. So this way they made for like synthetic fiber and textured synthetic and it's in a very, very strong hair net. I love them. I know a lot of people sort of do other, crazy things, but these are perfect shapes they just work beautifully and - and you know yes, it - that you have to pay for them. But the reality is it's it's. What you get it's your outcome is what you looking for, so always working with the mirror when you're working with shape, that's so important, and it's also because this is very much a symmetrical shape. It'S balanced equally on both sides. It'S what's what's happening around the crown. I'Ve got to be mindful of making sure that it has the right shape, leading up. If I actually had some rulers, I would be measuring up through the top. So let's choose my comb here as an example. So if I take this, I do have some rulers by sharing the charities came here with about six trunks from Australia, all of them bigger than her. She did have her rulers in one of those trunks so talk to us about the boom. I always like to have to sit on the head and then it angles up and then I sit it on the head and I angle up now. To be honest, if I love these to read, I want to make this really spectacular. What'S missing in the middle of the rulers and the gap in here could be another piece of hair, another piece of padding and that would really bring it up, but one thing I need to kick. I know in my mind some eye that this will not reach all the way down, so they stroke experience. I know so. I'Ve done a shape like this for bride once and I tell you it was massive and we've also put extensions in the head to try and make that happen as well. Sharon you've got love coming in from all over the world. Some names that you'll recognize Nicole bellows, who worked actually with me in class. The time when you trained our great friends, Steve stat Lind, is out there Frank Musolino Hannah Ruth Evans is so excited to take the class tomorrow. For those of you that are asking about education with Sharon, first of all, she's all over the world, like nobody, I've ever met before she told me today, I'm having a hard time dealing with jet lag, I'm like maybe you shouldn't go from Australia to Peru to California and back to Germany, but how's the jet lag doing you manager, it's tough, pretty tough. But if you are interested in taking a question you can go to Sharon Blaine education. That'S what say, if you want to do it right away for the next few days, we'll have an online class over ten hours of live education with Sharon. Blaine and all you have to do - is sign up at HP, live got me there. We go. Ninety nine dollars have you pre-ordered now and you'll get our 10 most sought-after luxe, and today Sharon is working with our favorite tools, which are pivot point mannequin, our pivot point tripod, and thank you to pivot point for continuing to support us in this professionals who practice Series now this is coming together. So talk to us about that. You know what I reckon. If I'm lucky, I might get it covered and that's do I'm having a giant talking. Do you think that's to do with the jet lag? They must be last night. I was still sort of talking to myself about 1 o'clock in the morning and I'm seeing it. Oh, my god. This is ridiculous. I'Ve got such a massive day I'm tomorrow. I need to stop and sleep now. You notice how I don't work with a lot of hairspray. I know a lot of people laugh spray, but I really am a fan of just trying to get the shake beautiful, get everything working and I find the more I spray. The more. I basically completely finish. So that's not what this is all about. We'Ve got to get this to look beautiful and I don't want to sort of finish it off with you know spray and then have to come back in and start fighting the head. So it's really important for me not to go crazy with the spray in preference. I would like to use more like an oil shine spray, something like that. That will give me just a little bit of polish a little bit of stick and grip without it sort of that really strong hold that I would normally get so people already Sharon. Already like looking amazing. You know I even kind of like those frayed pieces, because so we just got a sort of random air is asking about which, which can you practice on my favorite mannequin? And this is a one we've requested for the online, because I just feel it's all well and good to be using one length, long, hair mannequins, which are absolutely great to use, but there's a reality there and that's not like what everybody has in the marketplace. You know I like to be working on what would be more like likely to be our clients, so this is the Nadine increase, yeah solutely and if those you that are interested, this Nadine increase is available on pivot point shop comm. We also have some pivot point. Mannequins now that are great for cutting available up hairbrained problem. So when we do our cutting classes check those out and for the styling class, get the navy and increase, and we hope you guys can join us online tomorrow. We'Ve got ten looks coming together over the next two days from Sharon. Blaine visit, HB live dot me to check it out. So look there's such a random couple of hairs. Onion here all I've done is take all the hair from the middle onto the right hand. Side and just direct it under the padding edge and scoop it across till we get right to the opposite side. So that's how I'm just said of working that through just just get it all the way through and whatever those little ends are. That'S what I'm going to move so I'm just going to work once again, just with a little bit of the oil shine it'll. Just keep me able to manipulate that hair quite and down any of the flyaways. There'S got some grips and long hair pins. For you, majority yeah yeah, thank you so drop to the other side in terms of product lots of people are asking. What sprays are you using? What do you prefer look, I work with all the companies out there and every company has amazing products. I think it's finding finding what you like, but you know today, I'm working with some of the gold wool products today. I guess I've worked with them a long time and I just find it's just my go-to. If you know - and I already have them in my pack anyhow - so that's how I roll with that, how are we going there? Is it looking like it's going to tuck under okay, that looks amazing. Sharing your magical hands there well they're old hands that have been working hard. Haven'T they so I'm gon na take this bobby pin. Do I need to pull you out? Let'S go back this way just again yeah I notice you're gon na drag them and maybe they're having a salsa getting into this sort of Greek goddess sort of look going on here. So so much love coming in from all over the world. You'Ve got lots of people watching you about a thousand people per second or tuning in now Sharon. Frankly, Cellino our great friend says hello. Rizzo says gorgeous shine line Nicole bellows bellows agrees that that's her favorite mannequin all right. So some questions here. How I remember working with you and one of the things that I picked up a lot, was to use like long hair pins as you're, designing and not overdo it with the bobby pins or the grips believe it or not. I would have immediately reached for that. These ones the long hairpins, but this hair coming over this massive shape, is very thin. There'S not a lot of length, there's not a lot that needs to be controllable. It was more about me trying to get the the distribution even around the head, so I probably did a little bit of a short cut. To be honest because I remember you're putting lots and I use one of the things I took away, and you said you know this way you can design it and mold it and shape it, because I'm trying to do is get enough hair to cover the entire Padding the hair that would maybe sit there normally is maybe too short right. So I've got to sort of just flicks it around a little bit, so I can get that a little bit better direction. A little bit cover this patty shape so to put the pins. Yes, I absolutely still do it and I live by that rule, but today I've just broken it because of the shortness of the layers and the dasai at the size of the actual padding itself. I just had to try new providers to cover it up so program. That'S joining us we're getting so many viewers coming in every second, I'm sure arts for PC, co-founder of the hairbrained community. I'M here with my dear friend and mentor Sharon. Blaine she's taught me everything. I know about long hair. I don't know if she I don't know she wants to take the credit for that. How much have I told you I only spent a week together. It was a recap and I've watched your videos many many times. I learned how to use the tongs and the irons, which is been so valuable for me, even as a hair cutter, I never used to really create texture with different irons. Until I took Sharon's class and now I think, I've gotten pretty good at it. These beautiful shin yawns well that guys that takes a lot of work. In practice, sharon worked here with hair padding to build the base unless you drag the hair over and she's starting to shape it in and I'm gon na. Let her pick up for you just want to let you know that we are here at the Sassoon Academy. I want to thank the team here for hosting us Sharon's going to be doing a an exclusive masterclass for the teachers here, which I know she's really excited about, and then over the next two days, she's going to be doing ten hours of live online instruction for Hair brain visit, HB live dot me to check that out. Let'S get back to this technique, then you're gon na throw me on the plane on Saturday and exhaustion yeah, so I've sort of down to the last little random pieces of hair, and I Gerard you know how we unpacked all that beauty. Yes, I do all six cases, everything yeah and you know the scars that we took off the dolls here. Yes, yes, it's like an old lady's hair net. Not this one! Is this yeah? No there's another like that, but it's more triangular. I would like that, and then that would be as more than that yeah and what I would do with that is cover the whole head and we'll dry this into it. There'S a brown one there sold away from Australia. This is my. This is what I'm watching perfect yeah the traditional hair yeah. So what I find is because we're working with such short little layers through the back, so, for instance, here you know, there's really nothing. It'S just laying on there. It'S not going anywhere. It won't go anywhere. That'S where it's stopping. What I like to do is spray the head and use the nits and dry the spray in and when I put the net on it, they'll actually hold it all into place. So when I lift it off, it will be. I remember when taking Sharon's bootcamp class like working with with fine, really fine hair nets, to create amazing shapes in the hair, putting the hair and he's falling invisible hair nets, and that's some of the way to do some of that beautiful avant-garde. Yeah yeah. Do you know, like everything I teach all really does go back to my original way of learning, obviously being a hairdresser for such a long time. I'Ve been lucky enough to be in many eras and I think I've taken some. I know I've taken some very key knowledge from every era which I still hold true today. You know there's still the things that I do from and I can remember are I note that when I was doing be highs in the 60s yeah and this sort of craziness, the truth is that you learn all these things that everything comes back and you integrated It absolutely absolutely you know, I was referring to the fact that you know we're so booked up on braids at the moment and everybody's so into braids. But I remember going to a class in in commotion Brown in London in and it was over 40 years ago and I went there to learn Murray in 40 years ago. So if people think and it's we were talking about braiding and we've learned a lot about Brady, because we're going to do some braiding, you know online class doing some research on that. It was amazing how far it all went that wasn't it yeah if you're interested that class is called waves. Braids and whooping runs so Sharon's going to show the foundations of creating waves, some of the most important braids and then pull a lot of these things together. For Bridal hair, it's a Tuesday, a 10 hour class, you after you watch it live or even, if you choose not to watch it live. You have lifetime access to the videos pre-register now for only $ 99 and you can train with sharon forever for life fund. You can go back and watch those videos over and over again we're always working. Sharon is one of the hardest-working hairdressers in the world question. Sometimes I think, do other people sit up at one o'clock in the morning doing mannequin head when I was doing the prep for the Tuesday class. I was, I started them all at home because I, my time frame, it was going to be really limited and it was just in amazing I kept thinking. Am I the only crazy person sitting up in the world tonight doing all of this? I would say yes, but I would also say no, you are a very special crazy person because I've never in all my years as an educator and all the educators. I'Ve worked with I've, never seen anyone as passionate or as excited to share a share in. So if you aren't educator - and you want to be inspired, take a class with Sharon, either online or in person you'll see what it means to be doing the craft for 55 years and still love it. But yes, there are a lot of us who practice and using these incredible mannequins allows us to do it at 1:00 a.m. in a hotel room. You get a crazy idea and you just try it and that's how we come up with some of this stuff, but it looks like you're moving on to the yes. So what I'm doing is I've just divided out and when I do my um, when I do my any sort of teasing, I'm always going to do like a little zig zag tease line that way that um each section will connect a little bit better and I'm Because I've got the angle that I said that was virtually at this angle. That'S the angle that I hold it. When I do my cheesy, will you need pins and grips for this? I'M gon na need some long ones today, long, hair, pins and now I'll. Take my very front section, and it's significant that you're this is a pivot point session. Isn'T it mm-hmm, because you know I am always refer to pivot point - is probably the the one err, the one company of education that I probably identify most with from their dressing of hair, and you know that the resources have been instrumental of what I've done. What I think about public, when I think about a company that did you pigeonhole itself in doing things like they do cutting color styling heat, styling and they've, created these mannequins and tools to help with that and, of course, founded by the lectionary hairdresser Leo massage and We'Re in the home of another legendary hairdresser, we're at the Sassanian Academy in Santa Monica Sharon's been prepping here all day because she's going to work with the teachers. Imagine the honor of working with some of the best educators in the world to share her vision of hairdressing. So tonight she'll be here working with the Sassoon Academy staff. So we've got it all. We'Ve got some pivot point: we've got Sharon, we've got the cinnamon and I'm even here and what I think sort of more exciting for me as a hairdresser, that's being here buzzing for such a long time and when I most probably feel so proud of that. If anyone ever asks me who inspired me - and you know where has there been someone in the past, that's inspired you a lot, I'm going to always say Vidal Sassoon. For many many years I always travelled from Australia to London to learn cutting, but then, when I think about dressing here, I'm always going to think of Leah pistach. So it's pretty unique for me today to have this privilege to be sitting here or standing here doing what I'm doing - and you know having these incredible points of reference for me today, so see what I've done there guys I've taken those long pins just on either Side watch me poke it in there see that's the piece that come back. I need to direct it into that point to a narrower point around the ponytail base. So, by doing that, I use these long pins and that's going to sort of bring it in and pull it in a little bit tighter for me. So I take another pin through here and that way I can start working my shape around the hairline. I want to keep this nice and clean. This is where I will turn the classic of all classics and classic arm hair dressing. To me is this clean polished work. I think it's the one thing I do really love the most and I was beyond excited to see this come through this week on Instagram, because I feel the art of classic, so it's not being identified as much lately. I just wanted to quickly give everyone cuz that you know what that was Sharon, what happens as things come together so quickly and beautifully that sometimes you kind of miss it and I just turned around for a second, oh my god, and I turn my head back And I was like wait what well the good news is. I can go back and watch it on this video, just a small elastic band and two bobby pins. Okay, now to put a bobby pin in there, I'm gon na have a major problem, because it's going to show - and I don't want to - I don't - want to see my bobby pin. So what I need to do is come in deep into the original pony. Underneath there push in and just a lecture cross, this way oops survived got one here, that's not sitting properly. So what happens here now Sharon. I know that when dressing hair things don't always happen perfectly so just swim, because you can't like start pulling it apart. Now you can just be yeah. I'Ve just got a couple of hairs that just got caught in the pin, but I think I can manage to get them down. Okay, you have to use your hula hands very delicate, very light touch. So another thing about combing these sort of pieces of hair is I'm always going to work with that tail comb that tail comb is like key to me and to connect some of the pieces. I would use the back end of it like the tail comb and just dig in and try to get all that distribution looking perfect all the way through, because you know when you're doing something clean like this, it needs to be clean. Alright, so I thought this had a little bit of an odor to do Dolce & Gabana. I didn't think that was such a bad idea, because I think he had a couple of headbands going on and other than that would have been a lot of flowers. So I didn't have the flowers there were a lot for this today. Where do you find time to find these accessories? They always looked at me. I am super lucky because this lady, her name, is Stephanie Brown and she lives in Australia and she is a designer and she does all these individual pieces. So when I need something I just sort of don't do my sketches and then I go to her with my sketches and say: can you make something to work with this, so I get the biggest bag of goodies where every year at the beginning of every year And I travel the world with them and then I just give them back to her at the end. So you know it makes life very, very easy and they all sort of you know I just carry what I need to carry and they just get rotted out wherever the occasion needs and that just happened to be appropriate for today. So we've got a lot of love for a pivot point, a lot of hairdressers that have been working for a long time saying how much pivot point is meant to them, though Sharon besides using pivot point mannequins and tripods you've actually represented the common collection. I have been so honored to be the probably one of the very first outside the company, every invited to pivot point to do their resources yeah. I remember so that was maybe four years for our video yeah. It'S the whole thing for them, and I can't tell you how I was just like so damn excited that they even considered me to go in and do something so significant and to be working with an outside brand. You know I thought that was just wonderful, so we had a most beautiful collaboration with which I am so honored and you know thrilled about and now to open some amazing doors as well. You know various companies around, you know just pivot point people around the world. One of the other things be watching at home shines been doing here for fifty five years and she's still one of the most ambitious people. I know she's accomplished so much he's an icon in the Australian Hall of Fame won over 500 awards. This woman never says no to an opportunity to share her craft yeah and spread you know. So it's that ambition that drive for sure. I just want to know when they throw me in that box and put a cup of flowers on the top of me that I've left a legacy. Oh at least challenging people to continue to believe in the craft and to always, you know, never lose sight of. What'S possible and every year you know, I always enter competitions, because I've got to keep dragging myself as well. You know you have to constantly push yourself to be the best you can possibly be and near enough or I won an award ten years ago is not good enough for me. Yeah, you know last year is to to too long ago. For me, so that's sort of how I think it should be when you are at this level of hairdressing. I think it's really important there. So nobody, it's six hairs from the Front's, quite sure it's not going to tuck in anywhere. So I just thought just to be a little bit clever. My motors do like a little bit of a lift on that top piece. So I'm going to take my spray and with my fingertips, just pinch up and follow the movement, so it's a beautiful is shape formation that I've got there and I thought I'm not just following that movement. So I'll move my fingers down just a little lower again. Just pinch it up, I don't know the last time. I'Ve done anything quite so classic and polished it's quite because I sort of have been doing all messy work for ages, because that's what everybody is doing, but it's just nice to be able to just go back. It'S probably like use the Sassoon folks here to go back into a classic Bob. It'S probably you know a similar similar experience to the appreciation of during the perfect plastic ball, and I say to people if you want to compare this type of work to any other dressed hair. This is the Sassoon classic Bob that clean beautiful shape. You know beautiful movement, everything perfected, that's what I believe the equivalent is in cutting to what I'm actually doing today, so I'll lift up a little bit more just a few little, it's just very lightly lifting and then just running your fingers along the reach of it. Just to elevate it beyond this shape, that's sitting below lots of love coming in. I can't hardly keep up with all your fans all over the world, and everyone is just lots of people who have trained with you in the past and I've seen the word elegant. Come out about a hundred times see, I don't know if we've seen that no, I don't know if I want to use the elegant. I think I know sometimes this has got an old aged stench. No, I don't think so. I do, I think so, who knows? I'M kind of getting old now the kids, the millennium. What'S the word guys what's out Dolan's how students say? Yes, do somebody hey it's late there we go she's, definitely mighty like a lit like a lit cigarette. Okay, it's lit sure. Was it funny to me Joe, and I thought, oh, they calling me a joke, let's hear it sure and that's lit all right, okay. So what about a few questions on this? Our good friend Leon Gorman, is tuning in Wow. See you here right now: let's people want to know what kind of spray you're using okay. This is still only three note three factor three. So this is from gold. Well, the bitter cold, dr3 yeah. That'S pretty much all your view and I have much time in gloss spray, so I use probably more diamond gloss than than anything. Let me say to you many many years ago, in my life as a classical competition stylist, the two products were always used simultaneously. Oil shine and a hair spray, and it was usually the Loreal Elnett classic styling hairspray is still out there. Isn'T it sure, but in saying that I find the two of them working simultaneously together is absolutely beautiful. To get that finished and polished. Look, I think you know I would like her to be featured on the other side, because that piece of hair there is my steak mark unless I can remove it out. I'M gon na just like kind of beat myself up over that piece of here, pretty sure I'll do a little 360 air trying to eat too much hairspray. What do you think? What does everyone think? I think it's lip balm calm yeah. Have I got it balanced? Let me see in the mirror what the rule is back. No, it's actually needs to lift up a little bit on that side, and that's what I like about my padding shape. You can actually get that comb in and just pull it out, push it in and really manipulate it. Just you know like it is just so nice to manipulate now I personally wouldn't put any more spray in that. I feel what I have in there not. I know some people just have to have spray, but it's not my poison. I like just that largest spray with that little bit of oil. Any other question: is it really just a lot of love, everyone's saying beautiful for a wedding from someone even said? For date, night we've had some of the best hairdressers in the world tune in Michael polsinelli and Leon Gorman, both masters in their own right and they're. Both saying what incredible work now inspiring you are, and I just have to say every time they get to be around Sharon Blaine. It reminds me of how how much I love this craft, and I want to thank pivot point for their support. Miss ongoing series of professionals who practice - and I want to remind you if Sharon Blaine who's, an acclaimed master has been doing here for over fifty five years. Just said about an hour ago, she was in our hotel room at 1:00 a.m. playing with mannequins. You can understand how important it is to always work on your craft. You cannot afford you can't for one. I think if you go a week without doing something like an hour at least of practice and fiddling with ahead you're already behind the eight ball. That'S why I think my longevity has been that's clear to my longevity is constantly constantly creating finding something new working on my dear researching, whatever it is, and that it's not an hour for me. Yes, 10 hours, 14 hours, 45 hours playing, that's what I do to be able to give back to the industry. Well, thank you! So much! Thank you all for watching owner in my chair. You want to spend more quality time with Sharon Blaine, with an amazing online education program happening for the next two days. Go to HP, live dot me and preorder for only $ 99. You'Ll have ten hours of education and it's not with an iPhone like what we're doing here. We do this for free to spread. The word about great education it'll, be in a full on sound studio, with six cameras and you'll, get to really see and experience the magic of this incredible hairdresser, Sharon, Blaine, HP, live dot May and, of course, visit Sharon bling at Sharon, Blaine education. She still has lots of DVDs on the in the name of the country that I was spending for Peru yeah. Where is she Chile, yeah she's got a flying to Chile, alright guys! Thank you so much for hanging out with us peace out,

ranjeetkaur dhani: Amazing no words.mem .love ur teaching or work .always inspired me.

ranjeetkaur dhani: Mem which place ur product available in india

LEONAIN FUENTES: where can I buy a mannequin live in Boston

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