Haircolor, Pro Tips & A Masterclass In French Glossing | Episode 2 | Run Le Hair Show

Everything you ever wanted to know about color color color in this new episode of random hair show coming up my tata tet with art, master, hairdresser, nabilarlo and a behind the scenes. Look at what makes color so amazing. This is with this french glossing master class, l'oreal professional presents real hair, show episode 2 color, color color, hey everybody, hope you're well you're watching render her show with me. Peggy frey and with my two partners in crime min kim and charlie le mandu, salute guys salute hi peggy this show is truly international, but if your english is not perfect, just like mine, you can always turn on the subtitles run. The hair show hey charlie. Where is your mullet? I shaved it peggy. You know when a trend is coming: it's not trendy anymore for me, so child demolition, oh okay, so it's charlie over trendy, but not too trendy, because when a trend is trendy, it's not enough trendy for charlie sneak into salons across the globe. Pro secrets, actually guys we're not going to be here for this segment, we're going off on a world tour, we're going to get some hidden secrets from amazing pros all over the world: chaong in south korea, washington, nunes from brazil, bernie ochs in netherlands, three pros and Three different visions of color: here's pro secrets pro foreign, so do you want to be featured on pro secrets check out the description below around the hair show? Okay, guys, we have three different pros from three different countries. Does it mean that they will work with color in a different way? Totally i mean where bernie's from there's a lot of blondes right, so it gives him the opportunity, because he has the perfect canvas to create all these beautiful pastel shades. Then we have the polar opposite, which is chahang in korea, my motherland and with asian hair you're working with a completely different type of undercoat. So you really have to adapt the trends to work with the base that you have totally actually her approach is to color is really interesting to me. She uses the same thing in process. You will do for cuts really looking how you can make the most of someone's volume and texture to a shape using the face. It'S very interesting because we have three different pros with three different universe and you can get this universe just having a look at their salons, the city. We live in really inspired our work, and you know washington, like literally when you're in this salon, it's like being in the middle of a forest. So i really think it's inspired by nature. One tricky question for you: shelly: what is the big color trends of this year? Color will rise and shine. Oh, no guys guys see who play get the hottest and coolest color trends. Love of you. Okay, guys, are you ready to see life in colors? First, i want to know what is a gradient. What is your definition of gradient? Well, so, if you think about the word gradient, it's a derivative of gradual we're talking about how color can be subtle or super extreme, you can see horizontal layers, it gets brighter and lighter at the end or more vibrant. Can we say that gloss having something glossy is just trying to have something like you have the sunlight, a kind of sunlight effect, yeah having eye gloss on your hair? For me, it can be on top of a balayage or on top of any kind of technique, but this eye gloss basically will pump up the air, gives volume and make your hair looks very healthy. When i look at these images, the thing that i notice is how the light is bouncing off in different areas of the hair, so the gradient, for example, on the red head, lives on the ends right and then we have the gradient that lives more in the Mids on the brunette and then the last one that we have it's more about around the face and what's really interesting, is that because of the high gloss color dear light, the blonde actually has super super shiny hair, and we know that blondes typically don't have shine In general, this is what drives business into our chair, and this is how we keep them coming back by giving them really beautiful, healthy and shiny hair. I guess there are so many steps to have that kind of result. That'S a great question and a point, and again it all depends on the haircut. So i think that when you have something, that's more one length, it's more about making sure that the application is really smooth and that you saturate really well well. For me, for example, industry, my favorite one is the one from daniel garner, because when i do color i will say the blondes are the most difficult. The perfect blonde is the most difficult to achieve. Well and charlie. I disagree with you. I think that bruno shocking right, i think that brunettes are more challenging than blondes, because you have to deal with that undercoats. Okay. Next up, this is one of my biggest obsession of the moment. Pastel gradients. I just think that, what's really cool about all of these colors is how the style and the color really play together right, yeah, that's true! So, even with bernie, it's almost like you have more of a vertical gradient which is coming from the way the hair is styled and pushed to the top versus peter from norway. If you look at that, the gradient is really concentrated around the core of the hair and then as the mullet or the shag cuts away and reveals you see that there's a gradient from dark to light. Is there a color more difficult to have than another one? When i look at it, i think that grace is really the one. That'S a bit more difficult to achieve, because you have that gradient where it goes from something really rich and vibrant to really soft and subtle on the ends. What do you think charlie? I do think the one from peter is, can be a bit tricky as well. In terms of different shades of blues what i will do to achieve the pita look, what i will do i will lighten the air to the lightest blonde possible. Then i will apply a direct pigment on the roots, leave it on for a while and then when i'm about to rinse it. I will drag the colors through the lengths to get this washed out effect. Hyundai effect, you don't ask me the question, but i will tell you my favorite one is from netherlands. How do you get that? Look when you do techniques, it's like being a painter, so to do an amazing painting. You need to have the best canvas. So it's about stripping out colors and making the perfect canvas for you to be able to apply any kind of blush, any kind of gradient, any kind of pastels you want. After on top of it, there is so many different yellows, so many different oranges, i mean all the colors are so different and we also have a very definition of, for example, what's a pastel? What'S a neon, you know, okay and, as there is no limit to color here is another category for you guys color block what i love about colorblock. Basically, it's really fun for the clients for the person that get it, but also for the hairdresser, because you really play with different placements. You can really like make it very personalized to every client you have. If you look at the images you can tell that jamie's image is definitely more editorial. It'S got that whole vibe, but what i really love about yaniyoko from korea and what jeremy did is that it's really about this playful placement right. So it's a bit unexpected. You'Ve got a haircut and a shape. That'S more commercial, but by putting this block of color, not only does it add some interest, but it can also contour someone's face shape too. The first one will be something very difficult to achieve on a client. It looks great on a picture and it looks great for an editorial or on a wig, for example, but on a client for them to maintain it. It would be very difficult when you have a two-tone green hair. How do you turn the person bleach blonde? I mean what is the secret? Let me show you: there is a secret. You have to wear wigs because you have to respect the quality of your hair. Wigs and hair pieces are typically what you see on celebrities. So that's definitely something that i point out to my clients, but the other thing that they have to have is patience right. So it's going to take time and that's why wearing a wig for someone? That'S not willing to go through the process of transitioning is going to be a investment. If you want your looks, featured on lut review, make sure you post your photos on instagram with the hashtag run. La hair show meet international fashion, hairdresser, nabil harlow peggy. You are so lucky, first, a teddy tet with charlie and now a second rendezvous with nabil harlow, only la creme de la creme for our peggy. I know i'm a very lucky girl. Nabilarlo is clearly above and beyond hair. He'S really amazing and you're about to see for yourself top video tess attacks. Today i will interview nabila lo and i'm very, very happy because i love him. Are you ready nabil? I'M super ready? Are you ready? I am always ready so nabil. Can you explain me at what age you were absolutely sure you wanted to become a hair stylist, i always loved hair yeah. You know i was watching a lot of movies with my grandmother when i was younger, and it was amazing for me to see uh all these actresses, like jean harlow greta garbo john crawford harlow, jean harlow. Yes, this is why your name is nabil harlow. It is wow, she is one of my favorite actress. How did your parents react when you said hey guys, i want to become a hairdresser. My dad is a little bit of a macho, so it was a bit difficult for him as a boxer as a boxer. To imagine that i wanted to play with hair after i showed him, it was really a passion. He was happy for me and i read that when you were 19, you left paris to new york. Yes, i did. Why did you take this decision? Because if i'm not wrong, you didn't know how to speak. English and you didn't know anybody over there exactly well, you know i love adventures and i wanted to work in fashion. I knew it very young and i knew i needed to have english with me if i wanted to make it in this industry, since we speak english almost every day, so i decided to go to new york for a little trip to check the city and see If i love it or not, yeah and i never came back - you never have any color on your hair. Yes, i did younger. When i was in a hair school, i i think i had every color that has ever existed. Yeah like blue hair, for example. I had blue hair, i had green hair, i had silver hair. I had pink hair orange everything. I want to see the pictures next time. Next time. I see you. I want to see the picture if you're a good girl, i'm always a good girl, so nabilum tricky question for you. Can you teach me to do the perfect ponytail? First of all, when you do a ponytail, you have to make sure that your model is sitting down still by example. If your model is sitting down this way, you need to start from the arch of your brow going up. This is where you're gon na place. Your pony, because it's gon na make your eye a little bit foxy. You know and that's gon na give you the right shape of the ponytail okay. So you are telling me that me, when i do myself a ponytail. It'S not a very good ponytail, no first, because your hair is too short honey and you need someone to make it happen for you, so they can never be good nabil. According to you, how should hair industry evolve in the future? I believe that uh today, hairdresser should be able to work on every type of hair. If you're a black woman, if you're an arab woman, you need to go either to a frost alone in a specific sense in a specific salon. I think we are clever enough. Now, for everybody to be able to walk into a hair salon and for people to have someone that stand in front of them able to work with their type of hair, what is the most risky part of your job to fail? You know when a girl arrive on set you're the first one to deal with her to do hair and makeup, and sometimes the team is not uh. Okay, with what you've done, so you have to redo it yep. What is the first thing you do when you come home after a long trip, i threw my suitcase away, i take it and i throw it in the other side of the room. I don't want to deal with it anymore, nabil. What is your dream now is to turn you into a brunette since i met you, okay, but it's not my dream. So it's not okay, but my dream is being your suitcase because i could go everywhere with you. Amazing. Are you ready to roll yeah yeah? I am cool, i'm ready to go everywhere with you, amazing, nabil. Thank you so much for this. It was a pleasure. Don'T go stay with me. Can you say just two words about the masterclass? It'S about the french glossing which is the way of getting service to get your hair, the shiniest, the nicest way you could ever dream of. Okay, that's perfect! For me, i can't wait for it. Thank you. Mercy. Tess attack run the hair, show peggy you're, like a muse for the pros nabil wants you to go brunette, oh about. I give you a mullet and he makes you brunette, oh my god, so we're talking about uh brunette, mullet yeah. It will be better. I'M ready to do anything with you. No seriously guys do you know, nabilaro is one of the only that can work, glam air, the best it makes every models so beautiful. So you know what i think is really interesting. Is that nabil shares a common thread to what i myself went through, which is that i didn't think that this is what i could do for a living, because i was afraid of what my parents thought. But at the end of the day, what all parents want is for their children to be happy and for nabil hair was his happiness. One thing very interesting talking with nabil was to to see how you pros are able to work on any kind of hair. I do have to learn myself or take some workshops to know how to do any kind of air that is like afro asian air. It'S all different texture and it's you working with different products different way of doing it. Different cuts, different techniques and you do have to learn on top because they don't teach you everything at school. When i went to beauty school, you didn't even learn balayage and now it's being incorporated. So i think, as times change and things are moving forward and there's more of an awareness, then we're going to see that people are more comfortable and looking for the education to really be able to understand how to do all hair. What do you think about french hairdresser coming to to new york, for example? I think i know what you're saying, but in the u.s there's a weird thing where, if you have a french accent and you do hair women automatically love it. So they kind of have this like secret in just because they're french. Unless they go to me and they and the bright healer and the like, so we're gon na get french balayage. We'Re gon na see nabil a little bit later on the show for his master class, but nabil also had the chance to go to the lab and he met two experts well, so cool that he went there. I was supposed to go there, but anyway, this is when i love all art and scion comes together. Dive into the science of color lab is foreign peggy. You'Ve got to be a color color, color expert after that, i'm not sure, but it was very helpful and what, if you do a mistake already, if your clients, when you see the results, he says? Oh my god, there's no way. I i stay with that. How do you deal with that? Well, i don't do many mistakes but mean i let you talk well. If i make a mistake, i throw my assistant under the bus, then i run just kidding just kidding. One mistake as a young colorist you can do is to not know the color wheel. What is the color wheel? A color wheel literally, is a circle and what happens is on opposite sides live the colors that neutralize each other. So if you have, for example, red and you want to cancel it out, you look on the other side of the wheel and it shows you that the color is green. So it's a chart which provides guidance for hairdressers and novices, because now we have very educated consumers that love to talk pro talk on fact. It'S very easy to be a good colorist. If you have your will, you would think that, but it's not actually true. Unfortunately, why? Because there's also certain things like taste that plays into it right and experience, and even though you have the color wheel right, if that was the only thing that defined what a good colorist is, then i wouldn't have so many color corrections sitting in my chair, charlie. What are your favorite shades of magerella? Well. Definitely is all the two. So all the iridescent shades, like everything which is shiny, i'll, give a subtle shine to blondes, also corrects some colors. I love those. I love all the naturals because that's 50 of your formula, whether you're warm or cool and that's the foundation of our business. So in the salon we call our single process, clients, our bread and butter. What is a single process? Client, a single process is all over color that's applied. We can also call it a global application and typically, we usually get clients coming in when they start to see a few of those white hairs. Call them sparkles if you want to be kind and generous, but this is really how we hook them in, because once you start doing a single process, you don't stop. How do you deal with new color arriving again and again? Do you stick with your favorite tones? Do you try other one, but it is a challenge for professional to make it happen again in a better way sometime, you know, so i guess you just have to be a bit creative, a bit of a chemist and mix things together totally when i have a Favorite shade, the first thing i do is take the boxes and put them in my drawer, but we are sure to have a lot of them and you know: what's funny is clients watch and whenever i'm mixing the color, they always say how i'm like a scientist And i'm like, i am, i mean i'm touching chemicals, we're wearing gloves we're applying it on you and there's so much science and technology involved. That'S why i love color. Some pros just hide their formula. Are you that kind of pros babies? Yes, of course now? No, i never! No, let me tell you why i can have my recipe, give it to another person right, but they don't apply the same way. So if a person applies heavily but doesn't think about the gradient and do a proper blend, even though it's the same recipe they're not going to get the same result, you do have clay, and sometimes they will ask you the recipe for the color. I will never give them, some people will try to do it at home. You know they will go to professional air shop and they will oh, if you can do it, i can do it. You know so that's why i just don't give it to clients, hey peggy. Next time you really have to bring charlie with you to the lab, no choice, all right. It'S a promise, baby, it's a date. I will take you to the lab round. The hair show one of the many reasons i love render hair shows. So much is that we get to meet so amazing pros and we don't just get to meet them, but we go behind the scenes and we discover all their little secrets today. Nabilarlo tell us everything about the french closing learn: nebu harlow's signature, french glossing technique, the master class hi guys, i'm nabil harlow. Welcome to my french glossing color master class today on sweaty, i'm going to create a french glossing service, a seamless, gradient effect with depth on the roots going lighter to the ends for this service. I'Ll use the perfect combo of measural for the depth and the alight for the shine french glossing service works with every type of hair every texture. It is for every woman, when i propose a french losing service to my client. The first step is to speak with her. Do a diagnostic, you need a professional to do it. You know you need to walk into a hair salon and have people that know scholar. Real colorist sweaty has a natural base, four visible on the first two centimeters and then an uneven undercoat orange and yellow i'm using the pre-treatment of metal detox to ensure a perfect color. Usually people are coming to me because i have a very specific taste for precision. I like everything, to be chic and clean nothing too much. I'M gon na separate the hair into four sections before applying the color, i'm going to create a loop to pin my hair into a clean way, so my client doesn't see her hair all over the place when she looks at herself in the mirror. So now that i've separated the hair in four sections, i'm ready to apply the color. So now that my four sections are ready, i'm going to use measural 4.8 on every roots of my client at 20 volume. I start coloring my roots from the crown to the nape. I apply enough color to be sure to cover all the roots on half sentimental sections. Measural is a permanent color that covers your hair permanently. You can lighten hair with measural using different oxidation. I keep applying measural 4.8 on the hairline at the end to not overload product on baby hair. Now i'm gon na use the alight on my lengthened ends to create the gradient effect by neutralizing, the existing undercoat with 7 8 and 9 volume. I'M gon na separate my hair into section again to start applying the daylight hair is a feeling i can feel the texture. I can feel the density i can feel if it's damaged or not, i can feel which product i'm gon na use. Everything starts from my hands to make sure that your product is really going inside your hair, i make sure to really work. My dear light sodium light is an acidic color. It'S something that doesn't damage hair. You can use it either to just bring a reflector. You can use it after highlights to create a gloss. It'S a beautiful product that gives a lot of shine. French glossing doesn't take more time. It'S a color service is the same as a regular service. It'S just a different type of product and formulation. After 35. Minutes of developing time i emulsify the color on my roots, all over my client's head once i'm done to emulsify the roots, i'm blending the magirell into the daylight all over to create final connection. So once i emulsify my hair, i add water to remove the color out of my hair and i keep rinsing my hair until i have complete clear water for the shampoo. I use metal detox shampoo to avoid metal residue on the hair of my client and once my mask is all over the hair of my client, i'm gon na massage gently her hair all over to make sure that the mask is going inside the hair to treat It well and now i'm gon na dry swally's hair to reveal the color. So now that i'm done with sweaty's color, you can see why we call it. The french glossing. Her hair is darker from the roots gradient till the end from darker to lighter shade, and this is very french, a very natural look. The shine is perfect if i had an advice, trust yourself to trust your feelings. You know hair is a feeling, so you need to feel it if you feel it go for it. If you're pro catch the longer version of my master class on access, the master class subscribe now run the hair show. I just love these master classes and you can really see it's a window into the world of hairdressing and there's so much emotion and science behind it all, and it's really about what connects to you and your client in the moment. Yeah. It'S really all about the light. You know the power of the light. It'S like putting makeup on your hair. First, you take really good care, and it's beautiful, that's so true, and what i love about the french gloss that it's all about subtle, healthy and desirable hair. It'S actually like putting the icing on a cake, so if you imagine that you just did a highlight service or a single process, a global application and didn't finish with your french gloss, the color would be naked. Guys. We'Ve been talking so much about color, but now we're gon na talk, green sustainability, positive action, go green and be part of a virtuous cycle stand for pros as a professional as a mother as a human, we have a responsibility to our planet to reduce our carbon Footprint, so it's really important to start taking action as soon as we can right now. Top video stand for pros standing for pros means standing for a brighter, cleaner, greener future. For you, hair pros and hair lovers. Together, we can protect our planet as well as our industry. Our goal is clear: to achieve the perfect product with the best performance and the best experience being the most environmentally friendly to reduce our impact on the planet, concrete actions to preserve the materials we use. The most plastic aluminum and paper, as well as re-engineering, the way we use our most precious resource water at l'oreal, professional paris. We have very ambitious goals of reducing the usage of virgin plastic. This is why we redesigned our stereo experiment to be made of recycled plastic. First, we changed the entire design with a new lighter bottle to reduce the use of plastic. Second, replacing virgin plastic with recycled plastic, as we did on our blonde studio, jars and color tube caps. All this, while making sure our new bottles are still beautiful and ergonomic. We believe that aesthetics and recyclability can happily coexist with these global actions. Our goal by 2025 is to completely ban the use of virgin plastic. Our second action is the reduction of aluminum. This material is largely found in our color tubes to protect our formulas. We'Re constantly reinventing ourselves in a more sustainable way. Starting august 2021, the tubes for dialite, our acidic gloss color, will be completely recyclable and made of 95 recycled aluminum by 2025. All of the l'oreal professional color tube will be made of entirely recycled raw material and will be 12 lighter than the current tubes to reduce paper consumption. We made all lookbooks and swatch books fully digital at floral, professional paris. We are renovating the beauty consumer experience. We have a digital stretch book with all the shades from the color portfolio and many mood boards with the freshest looks today we have more than one million downloads and the app is available in 85 countries. This digital transformation allows us to reduce the use and production of paper and using style, my hair pro. You too, are contributing to this change. In addition to the reduction of waste, we value water, a precious resource we cannot afford to take for granted our water loop factory in burgos, spain was conceived to reduce water at every stage of the product life cycle. As an engineer and global citizen, i'm very proud to be part of this super talent team. At burgos, we never waste one drop of water. This means that the only water we consume besides, the human consumption is the one that goes in the products. This makes the burgos water plant a unique factory recycling, a hundred percent of the water usage in these industrial processes. We are always ready to say, zirchi commerce and reinforce our role as a pioneer to create the beauty that moves the world stand for prose run. The hair show: what do you do in your saloon to be more respectful and to be more sustainable? We definitely started implementing new systems, so we use a scale now so that the product doesn't get wasted. We definitely do recycle. I think that there is more that we can do, but that's why it's great to have resources and innovation coming from a brand like l'oreal professional, if you're inspired by nature. Like me, i really hope: you're upping your recycling game in the industry of fashion, everything or beauty. We use too many products too many new fabrics. There is too many new things all the time and we creating way too much. So i really up you're changing your process for new products for product relief. So that's why it's really important to be smart, with the way that we work right so doing the french gloss as a gradient color. While your single process is on at the same time, will help to reduce waste of water and also eliminate some of the packaging that we don't need to run the hair show so guys say deja rafa i mean it is run. La hair show good one. That'S a very good one: um did you love it, don't forget to subscribe and click on the bell to find out whenever there is something new to check out, you can still catch. Our first episode we're already over at a million views for our global premier. Let'S see how high it can go, we're counting on you