Hand-Tied Extensions Move Up Tips And Tricks

I am going in and doing them move up on this Jessica, so what we're doing is we're taking the bottom left and how you figure out, what's in the bottom left and usually the color as well as the line at the bottom. As you can see, this is really straight and I'll show you the top left. It has a lot more layering in it. So you're gon na have a lot of ups and downs and the type the color is usually darker and it's going on the boat up and then the West is usually shorter. It just depends on the first time. So what I'm gon na do is I'm gon na place the middle back here and I'm gon na go around to both sides and and then I'm gon na place a pen where it falls so just still making sure it's even. But we have that coverage here, but we also have the coverage here. So we don't want to see it through the front, but we also want to make sure that she's getting a lot of coverage coming down so consider other side Rachel so same thing. On this side, we have the pin there that I just sparked it's gon na, be even with that. So when you go in and be, you know exactly where to begin and stop your beads to make sure that it fits correctly. So, as you can see which justice here is shorter on this right, that's our shoulder! So some good links for ndr we've actually there's our first install like in twelve weeks she's to have about an inch grow that looks like um and I'm going in beeping dipping down here, so that she gets really good coverage and doesn't have a big chunk of Hair that she has to hide right here, you want the Lisa on her hair right on these corners as possible, so that she doesn't have to really struggle with styling. Sometimes this piece is gon na. You know creep out a little bit when her long hair is coming down still gon na have to blend it, but it's not so thick, so just a real thin base, still coverage, but thinner so guys. I have made just this top row on so with shorter hair. Like this one you're only doing two rows, you want to make sure that you get as high up as possible so that you get that really smooth blend the less amount of hair you have. On top the better, your blend is going to be we're hiding all this thicker shorter hair in between the wet we're giving that smooth transition. This is the top row, so you can see it's lighter. That'S usually an indicator and, like I was saying earlier, the bottoms are real shattered, so you don't have that real straight line and you have the layering look. So what I'm gon na do again is I'm gon na place around check? My placement make sure everything is gon na look good blend well with the front, give her good coverage in the front and also be hidden if she decides to pull her hair back so making sure that we're going in there's no way to see the bead or The end of the West there same on this side, usually on the lighter side. Sort of effort is pretty deep. It'S pretty heavy on the side and light on this side. You want to make sure that you're not getting into like a spot that has less hair. So we want our bead to fall right about there. If I find the top of my left, the way you can find the top is where the string is glued, so you'll be able to tell that that is the top portion of your weft. So you want to go in and you're gon na go to your first bead you're gon na measure all the way around and say okay, so this is the last bead that I did. I know that I need to go all the way around to where my pin is. I know that that's exactly where it needs to go, so I always do that. So I'm not going too far or too short of my last bead. Okay. So, as you can see, the only difference is install and a move-up is the way that I am putting it on and then clipping. So I still have a lot of clips. I'M not shy about clipping, so I want to stay in position. I just don't have a lot of clips going this way and, as I stitch I'll, move a clip down and I'll put it right there, so that this holds real tight right there. Where I'm sitting you