Haircutting: Long Layers By Riccardo

The line I want to cut here is mirrored here that line, and this line departing and section this line, and this line are one and the same. What it does is, if you look at them straight on, it, creates like a triangle through the triangle, and then it goes here over here slide services, if you like boho hair, this is Boho City, nothing's, more bottle than these fringes, and then you Balayage, and then Your middle part them and you're like as buttho as it could possibly be now this is going to come down. If I keep that line going this way, it's going to cut her length off, so I have to be able to incorporate a technique. Every time I take a different poll and when I'm cutting a different line, the head moves under different positions, get the head straight up, then look what's going to happen, see how the hair wants to come. There see how the hair is falling here as soon as I take the hair and the head, and I tilt it now - I'm utilizing gravity to get the hair where I want it to be to be cut, and then I'm coming over here. There'S where I left off foreign - nothing, okay, so there it is all right now we're going to keep going all this is going to come way out here way away, I'm even going farther over Direction. Now here's my line, I'm going to continue that over Direction, not into space back and forth, to get different recipes. The Habit you're going to have to get um used to is not bringing your hands down to the line. To cut you've got to leave a lot of hair coming over see how far it is so that you can work deep into it. So just stop wave before you cut, because if you come all the way here, you'll cut yourself. So like really like, like that, that's why it's so important to tilt the head. Now I can take the Curve and I could use a curve on the slides. I really want to curve that I don't want to create a c, because that way we'll be able to maintain all this length and have everything aligned. If you really want it to shoot in really sweep and do this take it tight, bring it real, tight Flip. It Up and do that and I'll just it will give you that really cool, like mermaid flip coming this way. Okay, then we're going to go opposite now, so I'm not going to over direct this as much as I did over there, because I'm working with less hair on this side. So I need more weight. So it's a less of an over directed line, but still somewhat over directed. These shears are very solid. You guys for the price of them. There quite remarkable see how easy they're getting through this hair. Look s remember. I was talking about channeling: let's create some movement in this hair. Now, let's get some movement going to create movement this way, so you can see that my channel, you know it literally, is just moving that here in that direction. Now, let's come back here: let's get a clean surface to cut on back here, so I reverse the cape and I'm going to ask you to crisscross your arms and take and take like this hand, take this side and vice versa and bring it in tight. We'Re coming into blood, so we've already got over Direction, aeration slide, cutting Channel cutting or what some people call slicing and then we've got blood, so this is awesome. This is interesting. This is one thing. I'Ve noticed that I like to share with hairdressers, so you know that game that we get into with a hairdresser is like okay, how much cover with the client? How much can I take off right? You want to take off more and they want to take off less and you're like in this game. You'Re like how much can I take off and they're like perfect, okay, so here's what I find, here's what works instead of you going back and forth for hours! This works so perfect, but so what I have noticed is that when you do this, I won't make the decision of where the hair needs to be cut and she won't be make the decision where the hair, the hair, will make the decision. Okay and then you tell that and then it's up to them, they can either say yay or nay, but what I find is now watch head down a little when I let go of this it's going to blow your mind, the hair is going to tell you Right where to cut it every time right right for solid for a solid right right here, correct! Not here, not here, that's, that's! You don't need it there, correct okay, every time on every haircut. This will happen on every one of these lines. So now my job is to go back to her and say: okay, if you take out this much in the very dead center, everything will be clean. Do it every time they say yes, why? Because there's a purpose now right: it's not just something random life because there's a goal so head down. Okay, then I'll! Take this half I put my fingers in here and I take it out boom. Now I'm going to start working from the end from the inside to the outside, like that, and here I can sort of clean up the spine tune. These pieces foreign come on and end up hitting around her lips a good place with her face her lips. Now I'm going to blow out this section for you right here, so you can see what this product does to the hair and then I'm going to have him pull out the back amazing Pull It Forward. Wow! Look up really nice beautiful