How To Create Ribbon Curls With A Straightening Iron | Curling Your Hair With A Flat Iron

Now, here's a great technique working with a sleeker, with one flick of the wrist to create a curl and even to create waves. Let'S talk about the curl first, taking a section remember size of the section can determine size of the curl and the strength of the curl. Taking a section I could take it the width of the plate in this particular case, I've taken it just a little bit. Smaller than the width of the plate, walking with red khun's fabric a03, a heat active texturizer, it's great for this particular technique, spraying from a distance once again remembering that product is not an option, always combing our product through now watch how the technique works. I'M going to work with horizontal sections, so I get a little bit more volume out of this. It can come through holding the iron like. I normally would just to self. I'M gon na straighten the hair and remember one flick of the wrist coming through and now just following through notice. How I hold on to the hair, as I work through once I'm coming to the ends like go of the ends and simply follow through remember, move at a slow pace, encourage the curl, encourage the curl watch again. How cool is that ticking once again, size of section depends upon the end result working with fabric a combing. The product through product is not an option. It is a necessity flat iron, just like I'm gon na flat iron. One flick of the wrist now notice. How I took this one turned down, so I get a little bit more volume at the base. When I come to the ends I release holding onto the tip of the iron following through and then just encourage. It notice how I encourage the curl you're, probably wondering why can't I use a curling iron. You can see. This has a little bit more of an editorial, feel it's a little bit more of a broken up. Curl, not so polished. That'S what I love about working with it now, let's talk about it, one more time: comb the product through red khun's fabric 8:03, from the heat styling line, the sleeker, just like we're gon na flatiron flick of the wrist holding on to the end of the section Nice compression allow your tension to be a little bit more loose so that you simply slide through that section. Now you can see how we completed that back area and on the side. Let'S go into the front into the front, there's a little bit of a trick. I'D like to share with you in terms of getting this to kind of wanna move back, but float back in a different sort of way. Okay, you can see this particular haircut has an angle to it once again, working with fabricate taking the sleeker, and all I want you to do is think about what the sleeker can do, as if you work with a round brush, just like I'm in a flatiron And now just coming simply coming through and rolling and sliding as I roll, so I get that hair to move in the direction. I want to do. Imagine how simple and easy that was. First is using a round brush and round brush, and just the wear and tear on your wrist watch again section fabric 8:03 sprayed from a distance think really kind of 1970s Farrah Fawcett, but a little bit more updated with that floatiness to it coming through taking the Sleeker and look at the angle that I'm holding the sleeker placing the hair smoothly start to come in and slide down, dropping my elevation and rolling back and away, and you can see how we've been able to get that just to kind of turn back. I love working with that sleeker. Look at what the movement that it's giving me so it just kind of does this. Imagine that with a blow dryer really simple and easy. My salt-and-pepper fabric 8:03 ak I've over directed the section. Remember the angle of the sleeker is critical. Look at the diagonal on that. Remember last time when I was sharing with you on how to create the rim and curl, my iron was fairly square. Horizontal diagonal catch, flick, slide down and outward so now. Look how I've been able to place volume where we choose to place volume, keeping it flat where we choose to keep it flat and using the flat iron to give me movements, you